French Art Deco Goatskin Lounge Chair, Andre André Arbus Attributed

French Modern curved bench After André Arbus. This shapely vintage French bench has ebonized legs terminating in brass sabots. Currently upholstere...

French Art Deco Cerused Oak Desk Chair Attributed To Andre Sornay. Handsome French Art Deco cerused or limed oak desk chair attributed to Andre Sornay. This stunning desk chair or of...

French Mid-Century Modern André Arbus style triangular bench. This unusual bench, ottoman or poof has graceful tapered legs with brass sabots and is n...

Pair of French Art Deco Club chairs by Jacques Adnet. Pair of French club chairs or lounge chairs by Jacques Adnet. This stunning pair of sculptural French Art Deco club chairs, loun...

Elegant, sober pair of French Mid-Century armchairs / club chairs in the modern neoclassical style attributed to Andre Arbus.

Pair mid-century French Art Deco Arm / lounge chairs by Maison Dominque, Boucle Rare pair of chic French deco geometric accent chairs by Andre ...

Art Deco Period cherrywood desk chair by André Arbus. with brand new upholstering.

French Art Deco set of TWELVE dining chairs, circa 1938, by Andre Arbus in mahogany. 20” wide x 22” deep x 38” high. Could be used with Arbus mahogany dining table #1514. This model is documented and the design is characteristic of Arbus’s late 1930s style, well-manifested in his participation in the The Exposition Internationale des Arts et Techniques dans la Vie Moderne held from 25 May to 25 November 1937 in Paris, France. Andre Arbus (1903-1969) French Art Deco Architect and Designer, ANDRE ARBUS, WAS born in Toulouse, France. A third-generation cabinetmaker, Arbus became active in the Salons of the Societe des Artistes Decorateurs and the Salon d’Automne in Paris in 1925 at the young age of 22. His work included commissions for the 1922 oceanliner Bretagne, the 1927 La Provence and Ile-de-France as well as the 1961 France. He often used rare and exotic materials in his refined designs. These were elegant and pure and often gave the appearance of fragility – as in his neo-classical presentation at the Paris International Exposition...