GUY ROGERS 'MANHATTAN' CHAIR

Contemporary American ceramic artist Richard Hirsch and glass artist Michael Rogers' Figure Sculpture was created in 2007. This sculpture is comprised of a cast glass head...

Contemporary artists Tom Lollar and Jane Manus' "Map of Manhattan" Rectangular Coffee Table. Hand-carved marble, Manhattan fantasy map motif with circ...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Key Features of the Guy Rogers Classic Midcentury Lounge Sofa: Authentic Afromosia Teak Frame – Expertly crafted with a sleek, durable wood frame that exudes classic midcentury appeal. Luxurious Boucle Upholstery – Wrapped in soft ivory boucle fabric, offering both style and comfort. Plush Cushions with Fire Retardant Foam – Ensures superior comfort and safety. Restored to Perfection – Lightly sanded, treated with Danish oil, and fitted with new webbing for lasting durability. Elegant Sleigh Bentwood Legs – Enhances stability and sophistication. Dimensions: Length: 182 cm Width: 72 cm Height: 82 cm Why Choose this Mid-Century Guy Rogers Sofa...

The Wildebeest Hide Manhattan Chair is carefully crafted with genuine Blue Wildebeest hide to create this one-of-a-kind chair that makes a statement in any room. Each individual chai...

A mid century 'Manhattan' reclining armchair by Guy Rogers c1960's. A solid teak afromosia frame with a high backrest shaped arms and stands on turned tapering legs with 3 seating po...

A chair designed for afternoon lounging. The leather bends to support the curves of the body, with twin buckles in the back supporting the leather. The Plume Chair is made from veget...