Pair of Alf Svensson Swedish Easy Chairs

Swedish architect and furniture designer Alf Svensson worked with a range of organic materials that are today commonly associated with Scandinavian modernism, utilizing rosewood, oak and teak in his cabinets, chairs, tables and other furniture, and opting for leather when it came to creating upholstery for his sleek seating. He worked for several manufacturers including String Seffle AB, Bergbom & Co., Nybrofabriken and Nesto but is best known to collectors for the designs he created for DUX. 

As creative director at Bergboms, Svensson worked with brass and opaline glass to create a range of lighting. He designed sculptural tripod-style floor lamps with bodies of steam-bent solid teak — a popular material with furniture makers of the mid-20th century — while his hanging ceiling lights featured lacquered metal shades that bring pops of color into living rooms and entryways.

Svensson’s role at the lighting manufacturer, which was founded in 1940 by Efraim Ljung — also the founder of Ljungs Industrier — saw him collaborating with the likes of legendary designers such as Greta Magnusson Grossman and Edward Wormley, a favorite of mid-century modern furniture collectors and the longtime director of design for the Dunbar furniture company. 

Svensson also served as the creative director at Ljungs Industrier. In Sweden, Studio Ljungs Industrier AB is the large family-owned parent company of Duxiana (in America, DUX). In 1950, Folke Ohlsson, then leading Ljungs Industrier’s design team, decamped to the States to explore how he could expand DUX’s business, which at that point included a wide range of furniture. It was during this time, in the postwar era, that American tastemakers really sold the citizenry on the warmth and good craftsmanship that characterizes Scandinavian modern design.

Ohlsson established a DUX office not long after he arrived in California, first in San Francisco and later in Burlingame. Svensson, a chief designer in the Malmö, Sweden, office of Ljungs Industrier, was among the top-tier furniture design talent with which DUX collaborated (a list that included Wormley and Bruno Mathsson). Svensson’s Galaxy chair, a comfortable upholstered swivel seat attributed to a partnership between the designer and Yngvar Sandström that exudes Space Age charm, is highly sought after, and Svensson's relationship with DUX yielded similarly attractive sideboards, lounge chairs and other furnishings that are some of his most celebrated works.

Find vintage Alf Svensson furniture on 1stDibs.

The sterling reputation that Artifort enjoys isn’t limited to the innovative upholstery and fluid, organic shapes for which its products are widely known — the legendary Dutch brand’s vintage seating and other furniture is also celebrated for its embodiment of functionality, comfort and quality. These are among the principles that underpin the philosophy toward modern furniture design at Artifort, which has been at the crossroads of furniture and art for over 125 years.

Prior to 1928, the year Artifort officially became a brand, Jules Wagemans had a small upholstery business in Maastricht, the Netherlands. After setting up in 1890, his son, Henricus Wagemans, broadened the scope of the company to include furniture production. By the end of the 1920s, their showroom in Amsterdam had made them a recognizable brand across the Netherlands.

Then named H. Wagemans & Van Tuien, the company changed its name to Artifort after the economic recession. Artifort came from two Latin words meaning “art” and “strong” — a perfect description for the style of each design and the manufacturer’s intention to create sturdy furnishings. Artifort’s reputation for durable armchairs and sofas endures, and vintage editions of this seating are now family heirlooms in many homes.

Artifort became a magnet for high-profile and up-and-coming designers alike. Many furniture designers’ careers began thanks to collaborations with Artifort, such as Dutch industrial and jewelry designer Gijs Bakker and Indonesian-born designer Kho Liang Ie. Also known for designing the interiors at Amsterdam’s Schiphol Airport, Kho Liang Ie was an aesthetic consultant at Artifort and used his expertise to turn the company into a world-class brand. Perhaps his largest contribution, however, was attracting the talents of French furniture and interior designer Pierre Paulin and English furniture designer Geoffrey D. Harcourt.

Paulin’s bright and colorful lounge chairs, such as his Orange Slice chair and Mushroom chair, are still central to the Artifort identity. The revered designer not only introduced new construction techniques to Artifort furniture, but contributed fresh materials, Pop art colors and dazzling shapes to the mid-century modern era as a whole, while Harcourt deserves credit for popularizing Artifort internationally and extending their reach into foreign markets.

Another talent boom in the 1990s at Artifort yielded collaborations with Jasper Morrison, Wolfgang Mezger and René Holten. Iranian designer Khodi Feiz was named art director in 2014 and has continued the tradition of recruiting top designers such as Claesson Koivisto Rune, Ilse Crawford and Luca Nichetto.

Find a collection of vintage Artifort lounge chairs, tables and more on 1stDibs.