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Børge Mogensen Model 211 Oak Sled Sofa in Oak, 1956, Fredericia, Denmark

$6,840.22

About

A Børge Mogensen three-seater sofa in oak and teak, designed in 1956, model number 211 for Fredericia Stolefabrik. Pieces in oak and teak with exposed webbing are rare and early production. Consisting of a cubical frame made of solid oak and teak with finger joints and exposed Pirelli webbing and newly reupholstered in fluffy wool, mohair, and alpaca Pierre Frey fabric. The frames have historically been sympathetically and lightly restored with the webbing replaced in recent years to a high standard and remains in good condition - we have added some additional webbing across the frame in the seating area to match the original design, this webbing has a little tonal difference but will darken over time. We offer very competitive global shipping rates.

Details

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  • Shipping

    Ships From: Baldock, United Kingdom
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    A return for this item may be initiated within 7 days of delivery.

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About the Designer

Børge Mogensen

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials.

While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.

Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s Hunting chair (1950) and Spanish chair (1958) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues.

As you will see from the furnishings on 1stDibs, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.

About the Seller
5.0
Located in London Road, Baldock, United Kingdom
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Established in 2016
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