Danish wicker bench from the 1940’s - attributed Robert Wengler.

Two danish armchairs in stained beech with wicker in the back and seat. The chairs are approx. from the 1940s and in great condition considering the age. Midtcentury coolnes. They ...

4 Danish folk art wicker dining chairs from 1936. Made by cabinetmaker E. Druse in 1936 - signature on the back of the chairs. These four highback chairs are so unique with their ca...

This chair is made of solid oak with rounded, chunky club legs. The chair is ca. from the 1920s with a characteristic back shaped like a heart. Decorative and unique.

Two wicker chairs bought in Funchal at Madeira in 1960. The chairs were shipped home to Denmark by steamship and have since had the same owner who has taken very good care of them....

TOVE KINDT-LARSEN & R. WENGLER SCANDINAVIAN MODERN DESIGN Small lounge chair / fireplace chair in rattan designed by Danish architect Tove Kindt-Larsen for R. Wengler, Denmark 1940...

Rocking chair in bamboo with cushion in Fontainebleau (colour: Maronnier) by Pierre Frey. R. Wengler

Set of early edition rattan lounge chairs designed by Tove Lindt-Larsen and made by Wengler, Copenhagen in the 1940s. Wonderful cushions with floral motifs. One chair retains original brass plaquette from Wengler, Copenhagen, Tove Kindt-Larsen (née Reddersen, 1906-1994) was one of the first female designers to emerge during Denmark’s ‘Golden Era’ in the mid-twentieth century. She is well-known for working with her husband, Edvard Kindt-Larsen (1901- 1982), but her own influence should not be underestimated. Her furniture was characterized by a fine sense of quality and a design language that responded to evolving tastes of the time. She was an early pioneer in rattan chairs and the use of molded plywood and well as moving away from designing room sets and instead conceiving individual pieces of furniture so that homeowners could curate their own spaces. An architect by training, with several years of furniture design under her belt, she embarked on a furniture design course at the Royal Danish Academy of Fine Arts in Copenhagen, under the ‘godfather of Danish design’ Kaare Klint, where she met her husband. Edvard had already gained recognition for a grand-scale hotel project by the lakes of Copenhagen and, during their studies, the pair discovered their collaborative spirit and shared affinity for high-quality natural materials and complementary contrasts. They married in 1937 and established a joint design studio in 1945. Together, they broke the connection with Victorian furniture and designed everything from furniture to silverware, jewelry, rugs, textiles, wallpaper and even exhibitions and buildings, with a focus on functionalism throughout. Examples of their furniture include the Fireplace Chair (1939), the Pagoda Sofa...

Wonderful Danish modern settee from the 1940s, dark stained beech legs with a multicolored, floral themed upholstered and tufted body.