Italian Mid-Century Erasmo Brown Leather Sofa Afra and Tobia Scarpa for B&B 1980

In 1966, Piero Ambrogio Busnelli cofounded C&B Italia, a modern Italian furniture manufacturer, with Cesare Cassina in northern Milan. From the outset, Busnelli and Cassina set about recruiting the most talented modernists in Italy to conceive of creative furnishings manufactured in modern ways. In the early 1970s, the company split, with Cassina founding his own eponymous firm and Busnelli taking leadership of what became B&B Italia.

For decades, Busnelli cultivated relationships with the world’s best design talent, resulting in furniture pieces that remain iconic today — be they Gaetano Pesce’s outwardly curvaceous Up seating (made for C&B, reintroduced by B&B) or tables from industrial designer Paolo Piva, each more sophisticated than the next in their geometrically complex steel-tube bases. B&B Italia earned four prestigious Compasso d’Oro design awards: in 1979 for Mario Bellini’s Le Bambole, in 1984 for the Sisamo wardrobe system by Studio Kairos, in 1987 for Antonio Citterio’s modular Sity sofa and, in 1989, the first award given to a manufacturing company itself.

Other notable names who designed for B&B Italia over the course of its 54-year history include Patricia Urquiola, Naoto Fukasawa, Zaha Hadid, Ettore Sottsass and Vincent Van Duysen, to name a very few. And while these names bring star power to the B&B brand, in many cases, it was B&B Italia who helped usher in their celebrity, fostering a wave of design talent on the world stage.

The company’s forward-thinking vision manifested in its own headquarters, too: In 1972, B&B Italia tapped architects Renzo Piano and Richard Rogers to design a steel-framed, postmodern-style home for the brand, whose crisscrossing metal exoskeleton is reminiscent of the pair’s Centre Pompidou in Paris, which was built at roughly the same time. Now, B&B Italia manages a contract division and outdoor section as well as its residential arm, and it also controls production for Maxalto, a brand spun out with furniture designs by Antonio Citterio.

At 1stDibs, find a range of vintage B&B Italia furniture — including sofas, cocktail tables and more. 

Widely recognized as superstars of postmodern Italian design, husband-and-wife team Afra and Tobia Scarpa (1937–2011; b. 1935) collaboratively created chairs, sofas and other furniture that work equally well in both traditional and cutting-edge environments.

Ranging from architecture and interior design to furniture and clothing, the Scarpas’ practice from its beginnings in the mid-1950s to the 21st century has included a diverse scope of projects combining new technology with thoughtful function and sculptural yet simple forms.

Afra Bianchin and Tobia Scarpa met as architecture students at the Università Iuav di Venezia. In a class led by architect and furniture designer Franco Albini, they created their first collaborative piece, the Pigreco armchair, later produced with Gavina. After graduating in 1957, Tobia worked for Murano glass company Venini & Co. before the couple opened a studio in Afra’s hometown, Montebelluna, in 1960. (Tobia, the son of famed glass artist and architect Carlo Scarpa, was born in Venice.)

For Afra and Tobia, a close collaborative process was pivotal to the success of their designs. The duo was also prolific — they designed for the most influential European manufacturers, including B&B Italia, Cassina, Knoll and FLOS. With respect to the latter, Afra and Tobia were among the legendary Italian lighting maker’s earliest collaborators, and their pioneering designs for the brand included the Papillon lamp, one of the first fixtures to use halogen technology. Their most recognized designs include the Bastiano sofa (1962), the Vanessa bed (1959), the Coronado sofa (1966) and the Soriana seating collection (1970). Work on the Soriana sofa began in late 1969 for an early 1970 debut, and it feels as radical today as it did in its heyday.

Architecture was also a central part of Afra and Tobia’s practice, which spanned residential buildings and factories for Italian companies such as Benetton. Their commissions for the global fashion brand included numerous industrial projects, from textile plants to storefronts. By 1985, Afra and Tobia Scarpa’s work was celebrated in a 30-year retrospective at Center Four in Queens, New York. Looking around the 30,000-square-foot exhibition space, Afra joked to the New York Times, “Seeing all those things makes us feel very tired, and now we feel that maybe we worked too much.”

It was not too much for their legacy, as Afra and Tobia Scarpa’s work continues to inspire new generations. Scarpa designs are in collections at the Louvre, the Museum of Modern Art and the Victoria and Albert Museum. The couple was awarded the Compasso d’Oro in 1970 for the Soriana armchair.

Find vintage Afra & Tobia Scarpa furniture today on 1stDibs.