Janus et Cie Bronze Woven Sectional Sofa, 21st C

Saporiti "Queening" Three Seat Modular Sofa and Armchair, blue cotton blend upholstery, marked "Saporiti / italia / queening / made in Italy" to underside. Sofa: 29.5" H x 100" W x 3...

Vintage Mid-Century Modern Knoll "Model 53" "Parallel Bar" sofa or couch by Florence Knoll (American, 1917-2019) upholstered in claret red, original condition on steel frame. 29" H x 84" W x 30" D; seat: 15" H. Provenance: From a Gramercy collection. Note: This item is only available for preview at our Astoria warehouse, located at 36-01 35th St., Astoria, NY 11106. To see an item, you must make an...

Subirachs (Josep Maria Subirachs, Spanish, 1927-2014), "Untitled", Bronze Sculpture, numbered and stamped in cast “56/250 RKP Int. Corp c. 1982”. Provenance: From the collection of t...

Modern Patinated Glass-Topped Bronze Figural Coffee Table, the nude figure seated on a cushion, with outstretched arms holding an oval glass top....

A scenographic piece of furniture, designed to be the protagonist of any environment and characterized by an antique gold frame and a precious and refined light-grey satin upholstery. Annecy loveseat with structure in hand-carved solid beechwood finished in antique gold with patina J288O. Padding in foam. Upholstery in fabric MIL.19.06. N° 4 pillows...

President of the Alpine Club from 1902 to 1904, William Martin Conway was, between other memorable accomplishments, an English mountaineer. At the age of 16, Conway felt the urge to embrace mountain climbing...

A timeless piece of furniture featuring traditional elements and decorations, sophisticated tailoring, precious carvings, and gold leaf details. Olivia expresses a precious and exclusive classic style, recalling the splendor of French noble palaces. Olivia 3-seater sofa with structure in beechwood. Padding in foam. Upholstery in velvet MIL.17.003 with capitonné on the backrest. N° 4 pillows...

Big Game is inspired by a specific old sofa, classically sober in its lines, open in its volumes and comfortable in a contemporary sense because of the break-down of the internal filling and spring structure. We kept the original proportions of the prototype while changing the height, the seating angle, the inside filling, the skin and the stitching, both technically and aesthetically. This deconstruction process further increases the sofa’s softness and overall aged character while paradoxically neutralizing the antiquity of the prototype. Solid poplar frame, helical metal coil...