Knoll International Risom Set Fabric Black 2 Armchairs

This early Risom model 37 sofa for Knoll is classic mid-century. Designed in 1946, the dynamic, but restrained form speaks to Risom's Scandinavian heritage. The upholstered body is s...

Excellent set by Jens Risom in fully restored condition. The fabric is an orange yellow Missoni fabric with new foam and restored walnut frame.

This Jens Risom sofa for Risom Design Inc. is in good condition. The solid walnut frame has been oiled and is in vintage condition with normal wear with age (slight imperfections). T...

This is a three-seater settee, designed by Jens Risom for Knoll Associates in 1941. The piece has a frame constructed of pine (or possibly birch), and has newly re-done webbed straps...

Jens Risom lounge chair for Knoll International. Webbing redone. model no. 652. LOCATED IN HAMBURG

Pristine Florence Knoll Sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th-century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...