A Pair of 1950s Italian 1950s sofas reupholstered in linen

Classical 1950s Italian chandelier from the 1950s . Very much in the style of Pietro Chiesa for Fontana Arte but not attributed too. Beautifully scalloped and cut glass , the glass ...

The most beautiful Art Deco Marble topped Centre / Side or Console table . A rare and beautiful slab of marble with Streaks of Raspberry Grey and White running through sitting on top...

Fantastic, signed, table light designed by one of the most important Italian furniture and lighting designers designers of the 20th Century , Romeo Rega. Copied by many but with h...

Superb Free standing cylindrical bar designed by Aldo Tura, Italy (1909-1963) C 1955. Decorated in classical Tura style with scenes of medieval knights and kings on horseback . Wi...

Lounge chairs or sectional sofa in re-upholstered fabric, Italy 1970s Lounge chairs or sectional sofa were made and designed in Italy circa 1970. This design is characterized by r...

Pair of Italian Mid-Century Modern Chairs Upholstered in Donghia Fabric. The overall Width of 29.25" is measured from end to end of wingback.

A pair of generous armchairs, newly upholstered in a blue fabric, raised over brass legs. Italy, c1970s. Comfy and timeless. Price is for the pair. Good vintage condition, scuffs...

Mid-Century Modern, a design movement devoted to timeless functionalism established itself in the post-war period with furniture that appealed to the senses. Furniture design was guided by the famous maxim: “Form follows function.” For midcentury designers, materials were used for their own distinct; often a piece of furniture would combine only two materials or colours – creating tension and harmony without fuss or superfluous ornament and these fully upholstered lounge chairs are perfect examples of this sentiment. The duality of two materials and colour scheme create an elegant, self-supporting, and enticingly functional design. The combination of solid wood and high-quality upholstery is traditional in mid-century design for a good reason. The two materials complement each other by highlighting their unique material qualities. This pair falls into the category of the so-called biomorphic midcentury: furniture that relished in organic, curved, smooth surfaces, design that was moulded into the shapes of natural occurrences, and which was a lively contrast to the more austere machine aesthetic...