Juicy Josef stool by Robert Stadler

To create the whimsical unique objects seen at KYKLOS collection, Polina Miliou first scouts local flea markets for used furniture, particularly traditi...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

For the OMG-GMO project, Robert Stadler borrows the forms of these engineered fruit and vegetables to create ten ceramic, hand painted objects that ironically transform the organic into something structural and functional. Conceived as a series of small-scale monuments, these objects both criticise and mock human manipulation of nature: a slice of a Japanese rectangular seedless watermelon becomes a stool, zucchini bend in a perfect L shape to create a set of shelves, and wheel-like aubergines support a glass coffee table, as a reference to Gae Aulenti’s Tavolo...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Peaches Stool by Patricia Bustos de la Torre Dimensions: D 38 x W 38 x H 84 cm. Materials: Rattan, pink Portuguese marble, velvet and iron. Taburete Pea...

With its dynamic form and ergonomic comfort, Mr. Collins is an endearing stool applicable in diverse arrangements for living or working situations. Based on couture construction meth...

Sanguine Bellini Low Stool by Coco Flip Dimensions: D 34 x W 34 x H 45 cm Materials: Timber / Stone tops, Powder-coated steel frame. Weight: 5 kg Frame Finishes: Textura Paperbark. ...

Glossy ceramic stool/gueridon designed by Thomas Dariel, Maison Dada Measures: Diameter 41.2 x height 45 cm Ceramic in glossy black, blue or pin...