"Last Minute" Bar Stools by Coelessse

Spanish-born, Milan-based architect Patricia Urquiola doesn’t lack for commissions these days, and, unlike the work of many other high-concept architects, her projects tend to get constructed, envelope-pushing though they sometimes are. And when she’s not imagining covetable creations for contemporary furniture houses — including B&B Italia, Driade and Cassina, where she was named art director in 2015 — Urquiola makes headlines by designing some of the world’s most aesthetically ambitious hotels, such as 2016’s Il Sereno on Lake Como in Lombardy, Italy.

Born in Oviedo, in northern Spain, Urquiola grew up in a family that valued creativity. Everyone in the house, she says, talked and cared about design. She fondly remembers her mother going to London in the 1960s and ’70s and coming back home with a Mary Quant this, a David Hicks that. When it came time to go to university, Urquiola decided that her place was architecture school, first at the Polytechnic University of Madrid and then at the Polytechnic University of Milan, where she completed her design thesis — a felt carpet with a panel that connected to a home’s electricity source and telephone line so that you could plug, say, a table lamp and your phone into it — under the direction of legendary Italian industrial designer Achille Castiglioni.

Today, Urquiola has become a go-to when it comes to avant-garde product, hospitality and retail design, working with such blue-chip international furniture, fashion and hotel companies as Alessi, Baccarat, Salvatore Ferragamo, Kvadrat, Mandarin Oriental, Panerai, Rosenthal, W Hotels and Louis Vuitton, among many others. Her residential projects, meanwhile, though few and far between, stretch from such far-flung locations as Punta del Este, Uruguay, and Melbourne, Australia, to closer-to-home Udine, in northeastern Italy, where she designed the two-story, largely open-plan glass-and-cedar home of Patrizia Moroso, creative director of the family-owned design company that bears her last name.

Over the course of a long-term and highly productive collaboration spanning some 20 years, Urquiola has created dozens and dozens of Moroso-branded products. A chair from her 2001 Fjord line of seating, tables and poufs for the company sits in the collection of New York’s Museum of Modern Art, and Moroso debuted (love me) Tender, her modular sofa system upholstered in jersey, during Milan’s Salone Internazionale del Mobile in April of 2014.

Find Patricia Urquiola furniture on 1stDibs.

The Michigan-based furniture maker Steelcase has a long and distinguished history, but collectors focus on its works from the 1950s to the ’70s, when, along with such companies as Knoll and Herman Miller, the firm helped define the aesthetics of American mid-century modernism.

Steelcase was founded in Grand Rapids in 1912 as the Metal Office Furniture Company, promoting steel desks and other furnishings as safer, fireproof alternatives to wooden pieces at a time when smoking in the workplace was common. Boston’s first skyscraper — the 32-story Customs House—was furnished by the company in 1915. Frank Lloyd Wright turned to the firm in 1937 to fabricate the enameled metal chairs and desks for his Johnson Wax Headquarters in Racine, Wisconsin.

In the 1950s, when Steelcase formally adopted the name it still uses today, the company developed a sleek and functional style employing rectilinear chrome frames for glass-topped tables and upholstered seating pieces. The look is similar to that of the minimal, Bauhaus-inspired designs of Florence Knoll. By the 1970s, Steelcase had enlivened its styling, offering such pieces as chairs and side tables, designed by Gardner Leaver, with circular bases and curving supports. As you will see on these pages, Steelcase designs offer a perfect foundation for a modernist decor, with a touch of flair.