Mid-Century Modern LB7 Bookcase by Franco Albini for Poggi . 1950s

A two modular teak bookcase, Designed by Franco Albini and edited in 1956 by Poggi, Pavia, Marked. Composed of two modules with storages units an...

A Franco Albini rare bookcase , edited by Poggi in the. 60s.It works as a wall unit or room divider.One single column upholds three shelves , one of them capable to rotate. Exce...

A set of six "Luisa" chairs designed by Franco Albini for Poggi, Italy, 1950. Beautifully reupholstered in pale rose color Patricia Urquiola fabrics. Excellent condition. Prix "Comp...

A rare post-modern bookcase/Cabinet designed by Martine Bedin and edited in the 80s by Memphis Milano. Laminate, wood and metal. Secret shelves and drawers. Excellent condition.

Mogens koch wall unit of solid walnut.Consisting of three cabinets ,six bookcases and three plinths..Brass fittingsEleven pullout trays.Made and ...

A patinated brass and glass Stilnovo light edited in the 50s. Model 1157. Fully original. Excellent condition. Collection piece.Free packing and shipping is providad.  

library, Franco Ablini for Poggi, Italy, 1950. Elegant Franco Albini library or room divider. Shelves and units can be adjusted or put in different positions. The feet are in lacque...

Italian dark wood shelves bookcase with floor and ceiling uprights, designed by Franco Albini in 1956 for Poggi Pavia, shelves and container with wood veneer adjustable in height and...

LB7 bookcase composed of a single module with shelves and a storage unit with two doors, made in veneered solid teak wood, and black lacquered metal details. Designed by Franco Alb...

Iconic two-bay ceiling bookcase with top model 'LB7', designed by Franco Albini and produced by Poggi from the late 1950s. The bookcase features two bays with solid teak wood upright...

Mid-Century Modern "Lb7" Bookcase by Franco Albini for Poggi, Italy, 1950s Height is adjustable

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...