19th Century English Marquetry Side Cabinet in the Neoclassical Style

A fine corner cabinet in the neoclassical revival taste firmly attributed to Maples & Co Constructed using the very finest timbers and workmanship, the lustrous satinwood counterpointed by inlays in specimen woods including sycamore and harewood; rising from turned and knopped legs, the single lockable blind door quarter veneered about a central roundel depicting with great depth and clarity a meeting between Cupid and Euterpe, the goddess of music...

A Fine Louis XVth Style Meuble a Hauteur D'Appui In the Manner of J-E. Zwiener Constructed in Bois Violette, with well executed floral inlays, and having extensive gilt bronze moun...

A very fine Louis XVI style gilt-bronze mounted marquetry commode After the design by Jean-Henri Riesener (1734-1806) After a model by Jean-Henri Riesener, supplied to Princess Adélaïde for Versailles. Constructed from amaranth with veneered tulipwood "en semelle" and dressed with a profusion of finely cast & hand-chased ormolu mounts, with a Sarrancolin marble platform, atop a breakfront frieze, set with three drawers, over a unified central panel divided in two drawers depicting a 'bois de bout' marquetry floral still life within a gilt-bronze frame, flanked by panels of quarter-cut tulipwood with ormolu handles suspended from lover's knot bows, with conforming matched panels to the concave sides. The apron is mounted with a finely cast central scroll, and the canted corners dressed with cascading ormolu foliate mounts terminating in lion's paw feet. French, circa 1910 Madame Adélaïde's commode The design for this commode was one of the earliest royal commissions awarded to Jean-Henri Riesener (1734-1806), the master craftsman who was later appointed cabinetmaker to Louis XVI and his court in 1774. The commode, with its architectural features, extensive ormolu mounts and immaculate marquetry work, was ordered in 1776 and delivered that same year for Madame Adélaïde (1732-1800), the daughter of king Louis XV and Marie Leszczynska. The commode was later moved to château de Bellevue when it was given to her by king Louis XVI. The famous commode was later part of the Earl of Carnarvon's collection, who also bought furniture made for Napoleon. Carnarvon's wife, Lady Elmina Wombwell, was the child of Alfred de Rotschild, which may explain the post-revolutionary history of the royal commode. In 2018, the Riesener commode was bought for the nation for the sum of 3.5m€ and returned to Versailles.

A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...

Rectangular faux marble top over a case with a single drawer over a pair of cabinet doors opening to a fitted interior with drawers, over a drawer and a door, sides with similar deco...

This is an elegant antique English Victorian marquetry inlaid demi-lune cabinet, circa 1880 in date. This splendid cabinet is made of flame mahogany and features beautiful satin woo...

A fine quality Victorian marquetry inlaid walnut bonheur-du-jour, having wonderful floral pattern panels to the doors, sides and base, ormolu mounts. The doors open to reveal a shelf...

A fine Transitional style Marquetry-inlaid side cabinet with a Rouge de rance marble-top. French, dated 1912. Marked ‘SJ' and dated 1912 in the marquetry. This impressive side cabinet has a red and grey veined marble top above a concave frieze and gilt-bronze band. Below are two marquetry trellis inlaid panels centred by a shallow breakfront...