Bronze Cabinets

Macassar ebony parquetry, bronze hardware, concave door fronts and curved granite top come together to form the Cabinet Bruck. Long bronze Giacometti...

Early 20th century Italian Art Nouveau nightstand in cherrywood and mahogany inlaid, restored and polished to wax Measures cm: H 81+34, W 40, D 32.

Late 19th century transitional style marquetry commode with three drawers. The set is topped with a Breche d’Alep molded marble top with canted corners. A marquetry motif of interlac...

A superb quality palatial French Louis XVI style ormolu mounted, satinwood, kingwood parquetry and Vernis Martin style paneling three-door raised Vitrine Display Cabinet attributed to Paul Sormani (1817-1877). The Vernis Martin Panels signed "V. Gossen." The lower part of the cabinet with three frieze drawers supported by two square-sectioned on tapered legs, fronting an ormolu mounted parquetry back panel, on toupie feet. The ormolu stamped with the initials "P.S." on the reverse. Circa: Paris, 1870. Height: 101 inches (256.5 cm). Width: 56 inches (142.2 cm). Depth: 20 inches (50.8 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A fantastic quality late 19th century Louis XV style gilt bronze-mounted Vernis Martin cabinet By Paul Sormani. The upper tier of the cabin...

Attractive Italian Rococo style walnut veneer secretary cabinet, early 20th century. The top part of the cabinet over slant-front desk with w...

These elegant display cabinets (or vitrines) were crafted in the late 19th century by the leading ébéniste (cabinetmaker) of the period, François Linke (French, 1855-1946). Linke was...

20th Century Louis XIV Black Piano Veneer Cabinet Piano black polished veneer on solid pinewood. The figurines are pronounced and of exceptionally good qua...

A very fine Napoleon III cabinet or bookcase in the Louis XVI style with original marble top, bronze doré ormolu, antique 18th century French book bindings on the end doors and a bra...

An Ormolu-mounted and mahogany parquetry cabinet by François Linke Constructed in the Louis XV transitional manner, in mahogany parquetry work, and dressed with ormolu mounts of ...

This wonderful side cabinet was created in France in the 19th century. The cabinet is crafted from amboyna burl wood, with inlaid ebony wood decoration and gilt bronze (ormolu) mount...

Plywood black polished veneer on solid softwood. High-corpuscular body. In the articulated front is a wide door with a bronze plate, with a scene of a musical lady and a dancing nymp...

A fine Louis XVI style gilt-bronze mounted cabinet with a Vernis martin panel, in the manner of Paul Sormani. This elegant cabinet has a rectangular Seravezza marble top with cant...

This kingwood cabinet is an exquisite piece of antique French furniture, which is decorated with beautiful vernis Martin panels. Vernis Martin is a type of imitation lacquer, which f...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

A very fine late 19th century Louis XVI style gilt bronze-mounted commode. By Paul Sormani Beautiful marble top, above a bronze frieze, with one long drawer above two deep long...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine French 19th century Louis XVI style burr-walnut and mahogany marquetry and ormolu-mounted Military armorial Meuble D'Appui with a Veined Brèche Violette marble top, attri...

Albert-Lucien Guenot (1894-1993): A fine French Art Deco mottled mahogany cabinet with 1 central glass door in a bronze frame flanked by two wood doors; with bronze feet. Edited by ...

Crafted by the acclaimed cabinetmaker, Charles-Guillaume Diehl (1811-1885), this tobacco (humidor) cabinet is a truly exquisite piece of antique oak furniture...

An exceptional late 19th century gilt bronze-mounted Louis XVI style commode. By Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration, over three garland-hung cupboard doors each with shelves, the sides similarly decorated, on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze-mounted furniture in the 19th century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres Porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...

French antique Napoleon III vitrine cabinet is after renovation. Wood is decorated with inlaid brass and bronze details. Inside there are two glass shelves. Side parts are with perfe...

A great quality late 19th century louis xv style gilt bronze mounted kingwood vitrine. By François Linke - Varient of Index Number 38 and 1122. Surmounted by a Brèche d'Alep ma...

A fine very quality tall French Louis XVI style kingwood, marquetry inlaid bronze-mounted marble-top commode. The front door inlaid with a basket of flowers.

Impressive 19th century French Napoleon III stone overlay ormolu mounted ebonized cabinet with black marble top. The shaped black marble top is over a gilt bronze mounted frieze in an leaf-tip motif with an egg and dart border, above a large single door...

A beautiful late 19th century gilt bronze-mounted Louis XVI style Coromandel lacquer cabinet By Maison Forest. Marble top above a bron...

A quadrangular cabinet, sheathed with a natural varnished parchment. The top part present a glazed niche with an interior in Macassar ebony veneer opening with two doors, a circular ...

A fine French 19th century Louis XVI style mahogany and ormolu mounted two-tier vitrine cabinet. The upper section with a single glass front door below a pierced gilt-bronze floral r...

Midcentury Hollywood Regency steel front bronze patina studded tassel pull cabinet, dark Walnut exterior, great low scale for under TV or end of bed.

A fine Louis XVI style gilt bronze-mounted five drawer, marble top chiffonier by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped to th...

A fine Pair of Louis XVI Style Gilt Bronze Mounted Mahogany Cabinets by Paul Sormani. Paris, circa 1870. Signed to the lock...

Cabosse cabinet 2017 Automative lacquer on steel, patinated bronze Edition of 8 + 4 A.P Signed and numbered Measures: H 33.5 x L 74.75 x W 19.8 in. (H 85 x L 190 x W 50 cm) Ma...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

A good pair of gilt bronze-mounted walnut side cabinets with Sèvres-style porcelain mounts. French, circa 1880. The rectangular tops having out-stepped corners above a single ...

Console in the style of Paolo Buffa, 1950s. Marble top is supported by four elegant bronze heads of eagles centered by three drawers with brass decoration. Piece of great value. Ava...

A Fantastic Quality Mid 19th Century Gilt Bronze Mounted Louis XVI Style Mahogany Commode By Pretot A marble top above a frieze applied with scrolling-vine mounts and fronted by tw...

Enveloped in sumptuous parquetry and doré bronze, this majestic Louis XIV inspired French linen press displays the characteristics of superior craftsmanship and luxurious design seen in the creations of the iconic Françios Linke. Crafted of sumptuous kingwood, the glorious parquetry door opens to reveal six compartments used to store linens, such as those for the bedroom or even the dining table. The masterful woodwork is flawlessly balanced by intricate doré bronze mounts in the form of Neoclassical floral swags, garlands, plumes and acanthus scrolls. The delicately spiraled doré bronze feet give the cabinet a sense of lightness and balance. Enhanced by a beautiful rouge marble top, this elegant linen press is an excellent example of late 19th century French furniture...

This beautiful display cabinet was crafted by the prestigious furniture company, Maison Krieger. The firm was founded in 1826 by Antoine Krieger. Over the course of the 19th century,...

French Art Deco Cherry vitrine by Jules Leleu (1883-1961) from the 1930s and features a top compartment with two sliding glass doors and a glass shelf. A lower compartment has two wo...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

A beautiful late 19th century Louis XVI style gilt bronze and Sèvres style porcelain mounted parquetry cabinet. A marble top above a single door adorned with Sèvres style porcelain plaques, the large plaque...

This 19th century French vitrine cabinet is done in a one door, Bombay shaped formed walnut Louis XV style. The vitrine is decorat...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

This rare and stunning vitrine was crafted by the illustrious French ébéniste François Linke. A master of the Louis XVI style, Linke was renowned for his highly original designs t...

Superior craftsmanship and intricate marquetry characterize this rare secrétaire by Gervais-Maximilien-Eugène Durand, one of the most popular French ébénistes of the 19th century. Th...

An exceptional late 19th century Louis XV style gilt bronze mounted lacquer commode By Henry Dasson. With a shaped marble top above two drawers veneered san traverse. Signed...

Gervais Durand was an exceptional furniture maker of the later 19th century, known especially for his reproductions of 18th Century works, but also responsible for some strikingly or...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

Vertical cabinet 2017 Bronze, solid scarred wood Edition of 8 + 4 A.P Signed and numbered Measures: H 86.6 x W 25.6 in. (H 220 x W 65 cm) Maurice Marty's skills cover the gamu...

A fine late 19th century gilt bronze mounted Transitional style Marquetry cabinet By Durand The marble top above two long inlaid floral doors which o...

A lovely late 19th century gilt bronze-mounted English cabinet / server By Hampton & Sons A bronze gallery above a single drawer and four gilt and painted columns, with a mirrored back over three gilt and figural-painted doors with shelved interiors, fluted legs with bronze mounts. Stamped Hampton & Sons Pall Mall East on the inside of the drawer. Established in 1830 in Cranbourn Street, Leicester Square by William Hampton, later being joined by his sons, George and William, the company moved to 8 Pall Mall East, adjacent to Trafalgar Square, in very large premises, trading as builders and surveyors, estate agents, ‘antique and modern furniture dealers’, general furnishers, upholsterers, plumbers and electricians. Their commissions included, inter alia, the furnishing of the Royal Yacht Britannia...

Art Deco drop front secretary in the manner of Jean Pascaud. Made in France, circa 1935. Sycamore with a giltwood base, mahogany interior...

A Fine Louis XVth Style Meuble a Hauteur D'Appui In the Manner of J-E. Zwiener Constructed in Bois Violette, with well executed floral inlays, and having extensive gilt bronze moun...

French Empire-style (19th Century) mahogany bookcase cabinet with bronze trim and 2 glass doors.

French Louis XV-style (19th Century) kingwood 2 door vitrine display cabinet with bronze trim and shaped glass sides

Rare and important 19th century French kingwood and parquetry inlaid display or vitrine cabinet, signed by the renowned designer and cabinet maker François Linke. The shaped bonnet atop large glass double doors and inset parquetry panels trimmed in bronze. Finely appointed overall with remarkably detailed gilt bronze mounts depicting caryatid masques, maiden busts, shells, acanthus leaves, and fleur de lis. The entire on gilt bronze animal...

Italian Cabinet or Bar Attributed to Vittorio Dassi, Made in Milan. Italian Mid-Century Modern bar, cabinet, credenza, cupboard or bookcase featuring gorgeous sculpted wood doors divided...