Metal Cabinets

Pair of Bookcases in Mahogany, Brass and Mirrored Glass by Josef Frank, 1950's Additional Information: Material: Mahogany, brass and mirrored glass Style: Mid century, Scandinavian ...

Walnut cabinet with sliding doors, removable shelves and metal legs by Maison Leleu. Signed: Leleu Paris. The house of Leleu rose to prominence in the 1920s during the Art Déco per...

A very good quality 19th century French Boulle serpentine fronted credenza, having shaped glazed doors to either end with shelves within. The central door with classical scrolling fo...

A Chinese Qing Dynasty period wooden display cabinet from the 19th century, with reddish brown lacquer, open shelves, drawers and carved friezes. Created in China during the Qing Dyn...

21st Century Art Déco Elie Saab Maison Leather Marble Essence Bar Cabinet, Italy A design element that fits seamlessly in contemporary or classical environments, the Essence High Ca...

A fine example of an 18th century Flemish ebonized collectors cabinet with hinged locking top and two front doors with faux red tortoise shell interior lining, opening to a velvet li...

Pair of singed Linke bronze mounted and parquetry commodes in the Louis XV style. Parisian made cabinets are signed "F. Linke" on the bronze mounts. S...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bookshelves Signature perforated bl...

Dimensions- H: 84 1/4in W: 58 3/4in D: 18 1/4 inches This 19th century French Louis XVI Style cabinet signed Linke With Ormolu Mounts i...

Fifty/50 floor shelf initially produced and named for the collector and legendary Mid-Century Modern dealer Mark McDonald. Designed within the form langu...

L-wall shelf in .25 inch thick aluminum plate. Digitally cut aluminum plates intersect and are fused with recessed welds that are ground smooth. Plates are hand finished and waxed. I...

Pair of Cabinets in Walnut, Brass and Glass by Carl-Axel Acking, 1950's Additional Information: Material: Walnut, brass and glass Style: Mid century, Scandinavian Produced by Bodafo...

Italian Mid-Century (1950s) rosewood sideboard with 5 teak doors having a rectangular brass handle and supported on low tapered square legs (Attributed to OSVALDO BORSANI)

The SC wall-mounted cabinet by Jonathan Nesci is produced in cut and machined aluminum with a waxed finish. The quarter-inch thick doors are set back a qua...

Single Art Deco Cabinet by De Coene Frères. Red Lacquer with nickel trim and details.

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Marvelous & rare ! This Gothic Revival dry bar / drinks cabinet in European oak. Gorgeous carved details like church windows, booked panels & Gothic style decorations. The door c...

Asian campaign chest with brass mountings.

A storage solution conceived to impress with its sophisticated decorative impact, this bar cabinet is an exercise in clean lines softened by subtle curves. A bold cylindrical metal l...

Elegant Mirrored Cabinet or Credenza, American, circa 1950s. It is currently being refinished and can be completed in your choice of color. Simply send us a paint color code or stain...

2G floor shelf in .25 inch thick aluminium plate, part of the solo show nine variations at Mondo Cane Gallery in 2011. Digitally cut aluminium plates intersect and are fused with rec...

Warm light brown oak and rich copper form a beautiful color palette in this cabinet vaisselier from the 1950s. On the front and top of the cabinet, the oak displays a striped lightwood/dark wood pattern that feels fun and very much of the era, while the recessed portions of the oak appear to shift into burnt orange for a subtle injection of natural color. Opening the door at the front of the cabinet, a series of small drawers are revealed for hidden storage and organization; the left side of the cabinet is formed by transparent glass, ideal for stowing decorative items or glassware, as well as giving the piece a sense of being filled with light. Though it was created by an unknown French craftsman, this piece is reminiscent of avant-garde designer Jean Royere’s work. Place it in your living room for a unique midcentury French modernist...

A French elm vitrine cabinet from the 19th century, with chapeau de gendarme top, glass doors, carved décor and three drawers. Created in France du...

"Ercole e Afrodite Composition 7" is a modular combinable box system on a base made of poplar chipboard, reinforced by an inserted tubular steel, with bleached oak or grey painted oa...

Solomia 2 Cabinet by Ruda Studio Dimensions: D 45 x W 170 x H 75 cm. Materials: Solid wood (ash), rye straw inlay, plywood, glass and brass. Weight: 80 kg. Dimensions are customizable. Please contact us. Inspired by the wealth of Ukrainian land, RUDA Studio has created an interior object – the Solomia cabinet...

Very nice Dutch walnut cabinet, designed by A.A. Patijn for Zijlstra Joure in the 50’s. This high quality cabinet is composed by 2 modules. ...

Very fine late Georgian inlaid mahogany and bronze mounted chiffonier, having three tier waterfall bookshelf top supported by bronze columns, over ...

A beautiful statement piece of furniture in the Mid-Century Modern style, bronze and brass ormolu-mounted cabinet retailed by Lorin Marsh in the D&D Building in New York City called ...

Form TV stand is a high quality product by Mambo Unlimited Ideas, crafted in polished or matte wood veneer structure and feet, combining natural oak, natural walnut, dark walnut and ...

The sideboard hero is a modern living room cabinet, perfect for organizing and storing all your belongings. Its features include two spacious drawers and a large shelve behind two do...

A stunning Italian 19th century Baroque st. ebonized fruitwood, giltwood, ormolu and semi precious and hard stone Florentine cabinet. The cabinet is raised by a unique and most decor...

This stunning tall French cabinet was designed by architect and furniture designer Jean-Louis Godivier in the 1980s. It features a design reminiscent of a towering skyscraper, making...

A striking, late 17th century heavily patinated pine cupboard from the alpine region of Styria. Featuring intricately forged iron hardware and remnants of historic folk paintwork, wi...

Our fabulous pair of French chinoiserie side cabinets with mahogany veneer feature ormolu bronze mounts and carved red lacquer panels on the doors depicting palaces and courtyard sce...

This cabinet combines three elemental materials, concrete, steel and wood to create a grounded, but elegant piece of furniture. The fascia is cold-rolled steel laminated to a walnut veneer core. The cabinet is topped with a cast-concrete slab...

A Theodore Alexander Campaign-style Acacia solid brass finish. The chest or filing cabinet has a 9-drawer chest of drawers on bun feet. Brass file hangers are included. This walnut ...

Add style with an artistic draped design highboy! What we love about this piece, is the fun and sophisticated design details, the exceptional cast hardware, the gold brass trims and ...

A Korean two-toned side chest from the late 19th century, with double doors and brass butterfly-shaped hardware. Created in Korea during the later years of the 19th century, this small cabinet features a rectangular top sitting above a two-toned façade, made of petite double doors, accented with exquisite butterfly hardware. These doors open to reveal a deep storage compartment. With its clean lines and contrasting colors, this late 19th century Korean side chest...

Mesmerising, inspiring blue of Yves Klein led us to Ultramarine Blue in this spectacular bar cabinet. Bar Cabinet with two rounded doors on cylinder base. Gold mirror inserts on the ...

Enveloped in sumptuous parquetry and doré bronze, this majestic Louis XIV inspired French linen press displays the characteristics of superior craftsmanship and luxurious design seen in the creations of the iconic Françios Linke. Crafted of sumptuous kingwood, the glorious parquetry door opens to reveal six compartments used to store linens, such as those for the bedroom or even the dining table. The masterful woodwork is flawlessly balanced by intricate doré bronze mounts in the form of Neoclassical floral swags, garlands, plumes and acanthus scrolls. The delicately spiraled doré bronze feet give the cabinet a sense of lightness and balance. Enhanced by a beautiful rouge marble top, this elegant linen press is an excellent example of late 19th century French furniture...

French Art Deco Dry Bar Cabinet, Attributed to Jules Leleu. This elegant and captivating French Art Deco display cabinet, attributed to the renowned designer Jules Leleu, embodies ...

The Oblong Gold Cabinet is a fusion of modern and classic elements into a highly detailed and exquisite limited edition furniture piece. The modern cabinet was specifically designed ...

Gorgeous Mid-century modern burl wood and travertine floating cabinet. Doors open to reveal open cabinets with adjustable shelves. Hanging bar is included with this sale. This pie...

Contemporary high storage cabinet or dry bar in pink parma lacquered wood, brass and cast brass starfish handle with a decor of massive rock crystal stone. In a mid-century modern ho...

Classic black and white Art Deco stye! What we love about this piece, is the elegance added in the design details: the exceptional cast hardware, the gold rims and to add the choice ...

Lacquer cabinet with photo printed in aluminum Piece with Artistic Intervention by Fernando Carqueja. Bespoke / Customizable Identical shapes with different sizes and finishings. Al...

Gustavian, Louis XVI Style, Commode, Mahogany, Marble, Brass, Sweden, 1980s Gustavian chest of drawers designed and produced in Sweden in the later half of the 20th century. This ex...

Heywood Wakefield Contessa Mid Century 4 drawer cabinet with Hutch - Pair Each cabinet measures: 30 wide x 18 deep x 31.5 inches high Ea...

Full documented Borsani cabinet, painted by Adriano Spilimbergo in relief pastel floral motif. Subtle yet amazingly beautiful. Cast brass hardware, original green glass interior shelf. Interior is entirely original down to the harlequin vinyl upholstery and wood carved coat rack...

Primitive Tree Trunk Cabinet, Belgium Circa 1930's Wood with floral paper design on inside door.

This exquisite 19th-century chest of drawers is a remarkable example of the Napoleon III Boulle style, a fusion of French craftsmanship and opulence. Characterized by the intricate B...

Wall-mounted cabinet in solid pine. Designed by Martin Nyrop for Rud. Rasmussen cabinetmakers in 1940s. Made in Denmark. Great original condition.

A fine quality late 19th Century French marble topped side cabinet, with radiating veneers, floral marquetry inlay, gilded ormolu mounts, two doors opening to reveal shelves within. ...

English Regency mahogany book case with an arched cornice, corner urn finials resting on oval floral satinwood inlaid plinths, centered satinwood in...

Late Qing dynasty black lacquer and burl wood Chinese Hebei cabinet of unusual (lower and wider) proportions with accordion doors from the 19th ...

Beautiful antique Biedermeier Corner Cabinet in cherry veneer from South Germany around 1820.Cherry veneered on softwood. Partly ebo...

Pair of Ebonised Pier cabinets. circa 1890 These cabinets stand upon turned feet. Each cabinet features a glazed door. Having ormolu mounts and escutcheons. The cabinets having a sevres type plaque to the frieze. The whole of the cabinets having boxwood line inlays and brass mouldings...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

These elegant display cabinets (or vitrines) were crafted in the late 19th century by the leading ébéniste (cabinetmaker) of the period, François Linke (French, 1855-1946). Linke was...

This piece is a brown oak French Renaissance sideboard that dates from the 1700s. It’s made from solid oak and the ornate designs have bee...