Monumental French Brutalist Walnut Cabinet & Desk, Sculptural Masterpiece, 1950s

Hand crafted Brutalist Giuseppe Rivadossi glazed cabinet in oak Italy, the 1970s. A superb oak glazed cabinet by the Italian sculptor and designer Giuseppe Rivadossi, featuring a ...

Monumental Swedish Pine Armchairs, 1950s – Sculptural Rustic Modernism. Striking in both scale and silhouette, this rare pair of monumental Swedish pine armchairs from the 1950s exe...

Giuseppe Rivadossi Tall Glazed Cabinet, Walnut, Italy, 1970s An exceptional tall glazed cabinet by the Italian sculptor and designer Giuseppe Rivadossi, featuring a high level of c...

Brutalist Dining Chair in Solid Oak with Bouclé Upholstery, France, 1950s — 20 Available This impressive Brutalist dining chair was crafted in solid oak, France, circa the 1950s. Th...

This burl cabinet originated from France. Handmade with a beautiful pattern in the Burl wood . The doors and sides are 4 cm thick. Unique piece of furniture in great condition, no d...

Oak brutalist sideboard, cabinet, chest of drawers opening with two doors and adorned with a rich carved decoration representing dancers by Johnny Ludécher France, 1950s.

1950s Eugenio Escudero extravagant custom piece desk dry bar wall unit system. Fabulous piece entertainment receiving desk social mingle center. Unmarked attribution Eugenio Escuder...

This sculptural sideboard holds a quiet monumentality—its façade a study in balance, depth, and geometric relief. Two symmetrical doors are adorned with deeply carved concentric medallions, each centered within a bevel-edged square that projects from the surface like a wooden echo. Between them, five central drawers offer rhythmic contrast with their horizontal fluting, lending a linear tension to the rounded volumes flanking them. In the style of Charles Dudouyt, this piece reflects the postwar fascination with medieval forms reinterpreted through modernist clarity. The carved motif—a recessed bull’s-eye framed in architectural moldings—recalls the rustic abstraction seen in French design of the 1940s and ’50s, where massing, form, and shadow did the work of ornament. Carved from solid oak, the cabinet is grounded by splayed bracket legs that introduce a subtle kinetic lift. Their flared stance balances the robust body above, suggesting movement held in suspension. The drawer pulls are brass discs, minimal in gesture yet warm in tone, allowing the sculptural surfaces to speak. Inside, the cabinet offers generous storage behind paneled doors, while the drawers glide with dovetail construction and timeworn ease. A visible fissure on one of the door medallions...