Magnificent French Louis XVI Style Marble Top Demilune Cabinet

A very fine Louis xvi style gilt dore bronze oval cherub plaque ormolu mounted mahogany & marble top, demilune dessert commode / sideboard console in the manner of franc¸ois linke.

Antique (19th century) commode in the Louis XVI style exhibiting the finest craftsmanship, after the original model by Jean Henri Riesener, including parquetry inlaid fruitwood veneer...

French Louis XVI style Maison Jansen lacquered commode. This stunning vintage French Louis XVI style Maison Jansen three drawer commode, credenz...

Tuscany, Louis XVI, end of the 18th century Rosewood veneer with fruit wood fillets Good conditions Coeval marble Dimensions: W103 x D56 x H85 cm.

French Louis XVI style marble top console cabinet, early 20th c., Mahogany case fitted with five drawers, two curved door cabinets, Rising on tapered fluted legs, bronze mounts.

Kingwood and marquetry commode, in Louis XVI transitional style, of serpentine bombe form, fitted three drawers above a shaped apron and tall angular splayed legs, inlaid with panels...

This elegant French Directoire Louis XVI demilune console table embodies the refined neoclassical style of the late 18th to early 19th century. Crafted with precision, the piece feat...

A French Louis XVI Style Sideboard in Maison Jansen Fashion. This stunning bronze mounted credenza, sideboard sports a fine Breche marble top and bronze trim throughout. The case hav...

French Louis XVI Style Demilune Mahogany Vitrine / Showcase Cabinet Maison Jansen/ Louis XVI style chest or étagère. The nice bowed white marble top with a three-quarter pierced bra...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...