Teak Dresser by Borge Mogensen for Neils Vodder, Denmark, 1960s

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials.

While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.

Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s Hunting chair (1950) and Spanish chair (1958) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues.

As you will see from the furnishings on 1stDibs, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.

One of the greatest cabinetmakers in Denmark, Niels Vodder had an illustrious career in Danish furniture. And just as like-minded duos Kaare Klint and Rudolph Rasmussen or Hans Wegner and Johannes Hansen had, Vodder — in partnership with Finn Juhl for more than 20 years — set a high standard for Scandinavian modernism.

Vodder had already established his position as an in-demand cabinetmaker by the time Juhl came into his small workshop in 1937. Juhl — a pioneer of 20th-century Danish design and a pivotal figure in the introduction of Danish modern in the United States — had often authored technically complicated designs that other woodworkers found impossible to execute. Vodder, however, would prove otherwise through his skill and ingenuity. Together, the two ushered in an era of innovative Danish design to an international audience at annual Cabinetmakers’ Guild exhibitions in Copenhagen.

Some of Juhl’s most iconic lounge chairs, such as the NV 45 chair and the Chieftain chair, were first built by Vodder. Most of the seating executed by Vodder was done in teak, although some chairs were handcrafted in mahogany, rosewood and other attractive woods. The Chieftain, formally the FJ 49 A, won the Danish Design Award in the “Classic” category, while the NV 45 can be found in the collection of the Museum of Modern Art. Juhl’s FJ 51 chair was featured in the United Nations Trusteeship Council chamber — designing and furnishing the chamber was one of Juhl’s notable accomplishments in the early 1950s.

One of the keys to the pair’s success lay in the combination of Juhl’s self-taught approach and Vodder’s progressive outlook on his trade. The latter's workshop was modest in size and he was a pioneer with respect to the use of subcontractors in manufacturing, while Juhl had no formal training in furniture design. Juhl's early ambition was to pursue art history; instead, at his father’s request, he earned a degree in architecture. His studies and enthusiasm for art resulted in inspired pieces that were free from traditional norms, while Vodder possessed the technical prowess to refine and bring these ideas to fruition.

As Ejnar Pedersen — founder of P.P. Møbler — once said, “ (I)f we had no Niels Vodder, we would not have had the Finn Juhl we know today.” Vodder passed away in 1982.

On 1stDibs, find a collection of vintage Niels Vodder seating, tables and case pieces.