Monumental Macassar and Brass Credenza by Leon Rosen for Johnny Carson, c 1970

This mesmerizing acid etched brass console cabinet was designed by Bernhard Rohne and produced by Mastercraft in the 1970s. Exquisite acid-etched artwork on the top, sides and front ...

This very rare and important sculptural double dresser was designed by Vladimir Kagan and handcrafted by Kagan-Dreyfuss Inc during the 1950s in New York. Each of the two chests are s...

This stunning well preserved all-original pair of BM-59 sideboard cabinets by Børge Mogensen for P. Lauritsen & Son are in mint condition. Sourced from the original owner, who is ret...

This exquisite work of art is by Tommi Parzinger for Parzinger Originals, circa 1959, signed 'Parzinger Originals' in one drawer interior. Effortlessly refined, this versatile brass...

Vintage 70's Lacquered & Brass Sideboard/Credenza by Aldo Tura for Leonardo. Very rare! Stunning lacquered chocolate brown & black with a hint o...

This Caviuna Credenza was designed by Martin Eisler (1913-1977) for Forma S.A. Móveis e Objetos de Arte in the 1950s. This furniture typology was v...

Baker Furniture Brass and Walnut Buffet Credenza This credenza measures: 68 wide x 19 deep x 32.25 inches high We take our photos in a controlled lighting studio to show as much de...

Available today, this Mid-Century Modern Credenza in Hardwood with Brass finishes designed by Jean Gillon in the sixties in Brazil is the FIND of the year. The credenza has a rectangular structure made of Brazilian Rosewood, known as Jacaranda, with two main legs and two support legs on each side. It has five large drawers and four doors with shelves inside. The brass finishes are located in the joints, fringes and keys. There are few reasons why this credenza is one-of-a-kind: First, the high end wood work. This piece was commissioned for a private residence in Sao Paulo and it shows. The joints, the wood carving, the smooth curves in the drawers, even the hidden toothpick support legs are superbly finished. Second, the rosewood is of the finest quality which can be seen in the wood veins, the grain and smoothness of the wood. Lastly, design. This piece has all the components of a true Brazilian Modern piece with straight almost brutalist silhouettes softened with smooth curves (seen in the drawers and edges) that resemble Modernist architecture from Brasilia of the sixties. Owning a Jean Gillon piece like this is not just about acquiring a beautiful piece of furniture; it's also about possessing a part of Brazilian design history and culture. This credenza is a testament to Jean Gillon’s creativity and vision, and it would make an excellent addition to any interior space that values and appreciates the significance of this design. The credenza is showcased in our showroom next to Jorge Zalszupin’s bar cart...