1750s-1760s Fine Scandinavian Bureau, with Original Bronze Hardware, Lock, Key

Swedish style grey painted server with original key. Pine server with tray top, carved front in a diamond decoration, tapered feet and ample four shelve storage, and original key. Large storage piece...

Wall cabinet with original malachite stone, Pierre De Valck. Polished Bronze -unique and signed. Measures: ø 90 x D 22 cm. Materials: Stone, bronze. Medium sized wall-mounted c...

A Swedish Gustavian cabinet from the 19th century or earlier with its original vibrant paint, reeded doors, and an open shelf. The top portion is removable and features a sharply mol...

Swedish Rococo 18th century cabinet, origin: Sweden, circa 1760 - 1775, red exterior with glass doors revealing six shelves in a dark grey/blue interior and two cabinets below. Beaut...

A James Mont style midcentury black wood cabinet with vintage Asian Style hardware. The cabinet has an open shelf at the top bordered by a shaped apron, two small drawers with brass ...

Italian walnut Rococo cupboard with a carved molded edge top, decorative incised carvings, upper single drawer and a lower cabinet with the original wooden knobs, original locking me...

A very stylish and quite rare 1950’s vintage bureau cabinet by E Gomme. This was made in England by E Gomme, which a short time after became G Plan. It is of ...

A French Louis XV period cherry buffet à deux-corps from the mid-18th century with original hardware. This French cabinet features a bonnet top surmounting two doors with carved pane...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A vintage Indian sheesham wood side cabinet from the mid 20th century with natural finish, single door, iron hardware, scalloped plinth and rustic char...