Kho Liang Le for Fristho Management Desk Model J1 Design from 1956

This modern Italian desk, designed by Tito Agnoli for Matteo Grassi in 1979, exemplifies the sophistication and functionality of 1970s Italian design. Crafted with meticulous attenti...

These armchairs have been reupholstered by the best upholsterers, who may upholster Artifort chairs with original new filling and new upholstery from Artifort. The color scheme was ...

Desk table lamp Model Berenice made by Luce Plan. The Luceplan Berenice table lamp is a compact and slim lamp. Versatile in use due to its mo...

Danish Design rocking chair design by Hans.J.Wegner Model ch45. J. Wegner rocking chair with the horizontal backrest supports from the Tarm furniture factory that ran as a subsidi...

Beautiful shaped modernist sideboard designed by Kho Liang Ie and Wim Crouwel and manufactured by Fristho Franeker, The Netherlands 1957. This fantastic sideboard is executed in amaz...

Franco Albini for Knoll Desk Model '1928' Italy, 20th Century This 48-inch wide by 26-inch deep desk boasts a sleek and functional design, making it a per...

Rare Charlotte Perriand desk for Les Arcs. Circa 1960s. Comes with matching stool. This solid pine table can be used as a console or writing desk. Beautiful vintage condition and wea...

Very nice minimalistic small writing desk designed by Geraldo de Barros and manufactured by Unilabor, Brazil 1956. The desk is made up of three main parts. The black iron frame, rosewood finished top and the drawer cabinet. The drawer fronts have the characteristic white laminated finish with metal handles. Unilabor could use these same parts to create different furniture designs, following the company's standards. This approach was part of a methodical way of making things, and the design style was common to other factories of that time. The most unique idea was how they thought about the production process in an organised way. In very good condition with beautiful grain to the rosewood. The chair on the pictures is not included. Literature;  Brazilian Modern Design Alberto Vicente Marcelo Vasconcellos 2017, page 264-281 The most profound conceptual experience in the production of modern furniture in Brazil was led by Geraldo de Barros, a major artist of the Concrete Art movement in the country. Interested in new technologies and processes, Geraldo's career was consistently permeated with artistic experiments, particularly in photography and painting. His affiliation with design was influenced by the "gute form" principle advocated by Max Bill. Bill was the founder of the Ulm School...