Cut Steel Vitrines

Six feet tall and four-level glass shelves Mid-Century Modern showcase made in Italy. Wooden base and tall glass and chrome column display or storag...

Beautiful and original 1930s Art Deco English walnut display cabinet. A lovely piece of furniture that's veneered in figured mid tone walnut. Still retains its original silk interior...

This is a superb example of an English made Art Deco display cabinet, dating to the 1930s and very popular at the time for displaying your best 'china' usually displayed in what was ...

magnificently handcrafted chinoiserie cabinet of the highest quality. This was made in England & dates from the 1930’s. This is one of the finest examples we have ever come across, ...

Fabulous, original 1930s Art Deco display cabinet. This lovely figured walnut veneered mid-tone cabinet features a generously sized interior display area for your 'collections'. Beau...

A wonderful 1930's Art Deco circular display cabinet of high quality, with ample storage on 3 glass shelves and lovely bakelite handles all sat on superb double circular feet. In gre...

1900s Art Deco Curio Display Vitrine Cabinet Exotic Wood No label Cariole legs, Curved demilune Glass, Exotic Walnut Rosewood New glass shelves retrofit...

bamboo pagoda display case in 3 parts

Mid-Century Modern lighted brass finish display cabinet vitrine shelving unit.

Superb 1930's Art deco Walnut wacky shaped display cabinet. Lovely veneers to this cabinet being slightly more detailed than the average. Very unusual shape and very indicative of th...

Even with its small footprint, this handsome tall mahogany display case offers plentiful storage for collectibles and objet d'art. Marked "Lond...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...