Louis XV Vitrines

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Pair of unique display cases in Louis XV style, made in tortoiseshell and gilt wood by Maison Franck. Equipped with 3 glass shelves. These cabinets...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

A Fine and Large French 19th/20th Century Louis XV Style Mahogany and Gilt-Bronze Mounted Three-Corps Vitrine Cabinet. The converted three door display case with twin bombé (rounded)...

Petite French vitrine in the style of Louis XV Rococo Piano white polished veneer on solid beechwood high-octagonal, one-armed, curved body, three-sided t...

A Very Fine French 19th Century Ormolu-Mounted Louis XV Style Double-Door Vitrine attributed to Francois Linke. The front bombe Vernis Martin panel decorated with a painted scene wit...

A French Bijouterie In the manner of François Linke Designed in the Louis XV style and constructed in a wonderfully marked Kingwood, with precise...

French Louis XV-style (19th Century) mahogany and bronze trimmed vitrine table with glass top and sides.

An arched cornice culminates in a beautifully pierced, foliated design incorporating flowers, ruffles, and scrolled leaves atop this oak vitrine. The arched, double doors with glass...

An elegant curved glass china or curio display cabinet or vitrine has satinwood, mahogany and rosewood inlaid marquetry. Please confirm location with seller (NY or NJ)

F. Linke style Louis XV Curio / Vitrine cabinet, 19th-20th century. This bombe shaped parquetry and floral inlaid curio is simply stunning with the fine...

A Louis XV Style Gilt-Bronze Mounted Vernis Martin Vitrine Cabinet. The spreading pediment centred by a rocaille clasp and flanked by exotic busts. The central three-quarter glazed ...

French kingwood parquetry and ormolu-mounted vitrine. In the Louis XV-XVI Transitional style, of kingwood and tulipwood crossbanding and o...

19th Century Country French Two-Tiered Vitrine is a marvel of the furniture maker's art! Hand-crafted from dense, old-growth oak, hand-rolled glass and hand-forged brass, it harks b...

Exceptional quality vitrine with mirrored back having four glass shelves. Beautifully cast bronze dore mounts decorate this piece. Beveled glass ...

A vitrine in the Louis XV French styling, with 2 glass doors and a marble top. The case is veneered in Walnut with tulip wood and rosewood and the ormolu mounts give it a formal char...

The top having an arched crown with a central foliate carving over a single arched, 9-pane glass door (one pane cracked) that reveals two glass shelves. The base having a single doo...

Rare pair of Louis XV style gilt-bronze mounted curved shape vitrines attributed to J.E Zwiener. Glazed on all sides, they open with two doors framed by gilded and chiseled Rocaille style foliated bronze mounts. Resting on four cabriole legs ending with lion’s paws, the whole is covered by a « brèche de Benou » marble top. This model was probably designed by L. Messagé. Joseph-Emmanuel Zwiener was born in Germany in 1849. In 1880 he sets up his extensive workshops in rue de la Roquette in Paris where he creates many original pieces of furniture. He imitated practically every style, ranging from ‘’Boulle’’ to Louis XVI and including extraordinary personal interpretations of the Louis XV ‘’exuberant’’ style. He participated in the 1889 Universal Exhibition, held in Paris, and was awarded the gold medal for his remarkable copy of that most famous piece of furniture, Louis XV’s desk. The catalogue of the exhibition included a wonderful elegy qualifying the work as perfect : « No criticism what-so-ever could be made ». As that other famous cabinet-maker François Linke, Zwiener had most of his bronzes modelled by Léon Messagé whose work was considered as being of the best possible quality. Léon Messagé is a renowned designer and sculptor who integrated in his ornaments related to the Rocaille asymmetry, new lines and shapes announcing the “Art Nouveau” style. But even though, Messagé found inspiration with these 18th century artists, such as Nicolas Pineau or J. A. Meissonier, he didn’t simply copy their work and showed great originality, even extravagance, with some designs contained in "Cahier des dessins et croquis style Louis XV". He realized numerous sketches on grey paper before the execution of a reduced or life sized model of his ornaments, made of wax or terra-cotta. From 1885, Léon Messagé started working with important Parisian cabinet...

A Fine Louis XV Style Gilt-Bronze Mounted Table Vitrine by François Linke. French, circa 1900. Linke Index Number 131. The lockplate signed 'F.Linke', the mounts variousl...

A very fine 19th century French Louis XV kingwood and parquetry designed viewing cabinet. Lined with a gold silk . Fine gilt bronze mounts. Stamped Haentges Freres Paris

A Near Pair of Belle Epoque Gilt-Bronze Mounted Mahogany Vitrine Cabinets, by François Linke, Paris Each with shaped brêche d’alep marble top. The central doors and flaking glazed p...

A very fine 19th century French Louis XV style satinwood vitirne with floral marquetry. Signed E. Leviell 13 Rue Lafayette PARIS. Breche D Alep marble top

Bois-Satiné veneer, all-round surface-covering mirror veneer on solid conifers. High-rise, one-armed, cambered body, three-sided to three-section, on high slanting, curly feet. Profi...

A monumental antique Louis XV style gilt bronze mounted vitrine cabinet by Manoy of Brussels. This large and impressive vitrine features marquetry inlays, four glazed doors and exten...

The lock stamped to the reverse 'DUVIVIER PARIS 77 FG-ST ANTOINE'. This rare vitrine is surmounted by a large and finely carved putto figure holding a torc...

Gorgeous Early 1900's Antique French, Louis XV Style, 'Vernis Martin' Vitrine, Cabinet!! Antique Vitrine, Display Cabinet, French Louis XV Style, 'Vernis Martin', Mahogany, Marble ...

Superb inlaid bookcase / vitrine / showcase with very thick marble top, feet decorated with bronze and double mesh door. 3 shelves present. In excellent general condition. Key present, the lock works perfectly Louis XV style and period, France, 18th century, around 1750. By the cabinetmaker Pierre Garnier...

Petite French vitrine in the style of Louis XV Rococo Piano black polished veneer on solid beech. High-rise, one-armed, cambered body, three-sided to three-section, on high slanting...

Lovely French Vitrine in the Louis Xv style This Vitrine is Bombe Shaped and Extremely Elegant with Gilt Bronze Ormolu Mounts and Very Finely Painted Panels Dates C1880s.

A fine quality late 19th Century French Louis XV style Mahogany vitrine, having its original Fleur De Pecher marble top, gilded ormolu mounts, a single glazed door opening to access ...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

A Fine Louis XV Style Gilt-Bronze Mounted Bombé Vitrine With Vernis Martin Panels, by François Linke. French, Circa 1900. Signed 'F. Linke' to one bronze mount. The reverse ...

Louis XV style vitrine by François Linke (1855 - 1946) Made of gilt bronze mounted wood, with a violet breccia marble top, front and beveled glass pa...

This is a monumental and stunning kingwood and walnut vitrine with incredible quality bronze and a gorgeous slab of coral hued marble on top. The cabinet has all of the hallmarks of ...

A fine quality 19th century Louis XV style kingwood vitrine, having the original marble top, classical ormolu mounts, bevelled glass, adjustable shelves. A Wedgwood plaque inset to t...

A fine 19th century Italian Louis XV style bronze mounted cabinet with vitrine. Made of solid walnut and pine as a secondary wood. Beautifully patterned book-matched veneers of walnu...

Rare and important 19th century French kingwood and parquetry inlaid display or vitrine cabinet, signed by the renowned designer and cabinet maker François Linke. The shaped bonnet atop large glass double doors and inset parquetry panels trimmed in bronze. Finely appointed overall with remarkably detailed gilt bronze mounts depicting caryatid masques, maiden busts, shells, acanthus leaves, and fleur de lis. The entire on gilt bronze animal...

An exceptional and architecturally refined antique French vitrine, signed F. Linke, dating from the late 19th to early 20th century, masterfully constructed and mounted in exquisite...

A unique showcase, France, circa 1880. Very good condition, after professional renovation. Wood: oak dimensions: height 213 cm width 90 cm depth 34 cm

This is a superb antique French Vernis Martin mahogany vitrine, in the Louis XV manner, circa 1880 in date, with exquisite hand-painted decoration and exquisite ormolu mounts. The t...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

A French Louis XV style walnut display cabinet from the 19th century, with glass door, carved motifs and petite finials. Created in France during the 19th century, this Louis XV styl...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Elevate your living space with this Antique Louis XV Style Bronze-Mounted Curio Vitrine Cabinet, a piece of furniture that exudes elegance, craftsmanship...

Louis XV, Jewelry Showcase, Vitrine Table, Walnut, Bronze, 1920s. Gilded A fine fully refinished in a gilded 23 Kt leaf with a overcoat of white gold leaf professionally done in 200...

18th century French Louis XV small Marquetry bookcase or Vitrine Rectangular vitrine or bookcase standing on four cabriole feet, front and sides slightly curved, the angles pointe...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

This beautiful French Louis XV bookcase has a single molded domed top and two arched doors with screened openings. The bibliotheque is carved with wheat, grapes, flowers, leaves and ...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

Historic site, France, circa 1830. AFTER RENOVATION. UNIQUE An antique display cabinet from France, dating from around 1830, is a true work of furniture art. Richly decorated with m...

An antique French Louis XVI style lift top table vitrine offers oval form with display having glass lift top with satinwood frame having ebonized banding throughout, raised on straight and tapered legs with lower red velvet display...

An unusual showcase, France, circa 1880. Very good condition. wood: walnut dimensions: height 190 cm x width 115 cm x depth 48 cm

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

A stunning pair of French Louis XV style grand vitrines in the manner of Vernis Martin, circa 1900. Decorated with flame mahogany veneers, the vitrines are richly trimmed with gilt b...

This is an attractive way to display objet d'art or small collectibles. This graceful display table is raised on cabriole legs well-carved with acanthus on hoof feet. The apron is de...

An antique French Louis XV style display vitrine offers giltwood construction with single door opening to shelved interior, hand painted floral elements and raised on cabriole legs, ...

A very well made Sinuous French Vitrine Cabinet topped with a Colorful veined Marble in Pinks, Browns and White. The Cabinet has French type motifs of Bundled Reed corner supports ...

A late 19th century Louis XV style French vitrine a deux corps made of solid walnut with raised panels and beautiful carved details. Crown has curved corners with floral carving at t...

Attributed to Francois Linke, this fine Louis XV style kingwood vitrine features ormolu mounts, an oval jasperware plaque, and retains it's original marble top. The vitrine is from t...

It is difficult to sufficiently describe the quality and workmanship of this vitrine; the photos show more than any words can relate. The mounts are to the standard of the great Linke and may prove to be from his own workshop. Those which flank the door are busts of children...