Revival Furniture

This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. On...

A large pair Grecian Roman inspired pair of ottomans. Features carved mahogany capital form with patchwork leather top and brass nailhead trim. Coming from a high end designer collec...

An ornately carved Spanish 19th century Neo-Renaissance table in dark chestnut. With a beautifully patinated top with iron rivets securing it to a three drawer frieze with floral car...

Horn Sculpture representing a Fish Mid-Century France 20th Century

Katie Larmour Studio is the original vintage scarf pillow maker. Gaining notability for her unique idea and creations back in 2013 - featured in the likes of the Financial Times, and first selling here on 1stdibs in 2016 - our creations are of the absolute top most quality, craftsmanship and finesse. Thank-you for looking. Title: Rare Italian Vintage Salvatore Ferragamo birds scarf...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

Italian wrought iron Dragon Andirons, 1920s Beautiful Hand Craftmanship.

Exquisite & breathtaking! This 19th century French Renaissance Revival coat / hat rack with lion masks. Carved by a master carver out of solid European oak these 2 lion heads are j...

A fantastic conditioned and highly decorative antique fish serving knife and fork cutlery set with the original box. Manufacture...

A Rare Pair of R.J. Horner End Tables, Side Tables or Pedestals This stunning rare pair of end or side tables is simply magnificent. The one of a kind pair having finely inlaid table...

Rare and beautifully handcrafted, finest quality and meaningful church censer. This possibly unique church incense burner was handcrafted arou...

Marble Sculpture nude woman in kneeling postion on a concrete 3 piece pedestal. Dimensions: Sculpture 35" h x 15" w x 16 1/2"d. Pedestal. 3...

A very fine antique inlaid mahogany Sheraton Revival display cabinet vitrine by Waring & Gillow, circa 1898. This very elegant antique cabinet is of the very highest quality & was ma...

Antique Rococo Style Italian Majolica Glazed Terra Cotta Stove This 19th Century Italian Majolica glazed terra cotta stove exemplifies the artistry of handcrafted ceramics. Featurin...

Horse head brass ashtray.

Italian last 19th century neoclassic wardrobe bookcase, all solid walnut and burl walnut and solid oak interior. Restored and polished to wax. Elegant and sturdy wardrobe can also b...

Fine craftsmanship and lavish carvings abound in this handsome Renaissance Revival Hunt cabinet, which was created in France in the late-19th century from European oak. The cabinet i...

This 19th-century American Gothic Revival table is a breathtaking example of the period's craftsmanship and design sensibilities. Carved from solid pine wood, it embodies the intrica...

the rectangular carved frame in the neoclassical style of overlapping laurel leaves and berries tied with ribbons all highlighted with acanthus leaves at the corners

Rare Piero Fornasetti Milano porcelain dish. From the Commedia Dell'arte collection. Depicting Dottor Balanzone in white with a blue mask and red boots. Comes with detachable wall...

Champagne bucket with an Orange Color. Ice bucket. In Plastic, by Veuve Cliquot Champagne. Made during the 20th Century.

The source of rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.17. This is a remarkable and very unusual swastika designed early 19th-century rug from the Central Caucasia area. This unusual pattern is not known on other rugs but is seen on two Anatolian embroideries...

This 19th-century magnificent throne chair is made of oak wood and upholstered in fabric with an ornate motif. The wood is decorated with fine Renaissance-style sculpting, which sho...

Made to order marble framed fireplaces made from white sculpted Carrara marble in custom sizes, high quality detailing, fluted relief carving etc urn motifs and paterae heads. No lam...

Original copper panel representing two women's faces. Handmade brassware work by an African artist. Art Deco Colonial style, Africa, 80s. Signed and dated: "Tshiasuma 84". In good ...

This is a charming etched glass mirror made in the Venetian style. The mirror features a man and his wife in different portraitures in a beautiful gold gilt carved frame. The mirror ...

Wonderful gothic architectural print. Cathedral of St. Lo Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published circa 1850 On wove quality pape...

53485 Vintage Turkish Oushak Rug, 09'01 x 11'09. Woven like a memory from the hills of Anatolia, this hand-knotted wool vintage Turkish Oushak rug sings with a quiet yet profound lyr...

A superb 19th century Gothic Revival centre table in the manner of A.W.N Pugin (unattributed). Would make a wonderful serving table or large console table. Narrow form make this piec...

A Fine and Large Italian Florentine 19th Century Baroque Revival Style Carved Walnut Figural Cassone Chest on Stand. The ornately carved drop-front cassone with an allegorical in-rel...

Fabulous Early Legras vase in red cased over opaque white Vase with stylised Chinoiserie patterns including bell like Lotus flowers and buds. It come...

A Very Fine and Impressive Bohemian 19th Century Vienna-Style Neoclassical Revival Style Pirkenhammer Porcelain Vase - Urn. The ovoid shaped finely painted all around body with allegorical scenes representing 'The Search for Love', with one side depicting a pensive maiden seated on a rock form by the seashore, the opposite side depicting a maiden, also seated by the seashore, being visited by a love-cupid (cherub or angel), flanked by a pair of finely detailed double-headed snake-form 24 carat gilt handles centered with mask terminals, raised on an attached circular gilt, cream and blue Celeste decorated plinth. Stamped with an underglaze black printed crossed hammers mark and further mark "O.P.C.N. / RAD" to the underside. The associated and later domed cobalt-blue, cream and gilt decorated porcelain cover-lid with a cream and gilt bud finial, not original to the vase. Signed "Al Eckardt". Circa: Bohemia, 1890-1894. The porcelain painter A. Louis Eckardt is mentioned by Waltraud Neuwirth, Porzellanmaler-Lexicon (1977), Vol. I, p.251 as working from the Prager Strasse in Dresden in 1894. The Bohemian Pirkenhammer factory was founded in 1803, and in the second half of the 19th century the factory was exporting to Vienna and London. The Prikenhammer marks on these vases show they were made after 1887, and it is therefore likely this vase can be dated between the time of the introduction of the mark for this Bohemian factory, and the time Eckhardt returned to Dresden in 1894. Eckhardt is also recorded as a painter of Berlin plaques. The Pirkenhammer porcelain factory was established in 1802 in Karlovy Vary using...

A large and finely cast neo-grec gilt and patinated bronze jardinière by Ferdinand Barbedienne. Signed 'F. BARBEDIENNE'. This rare Jardinière or ...

Spain / 1950 / sideboard / oak, leather, copper / baroque / mid-century A large and richly decorated mid-century Spanish sideboard in oak with red leather and copper details and met...

This tea set is made by renown craftsmen Maciel of Mexico. It was made in sterling silver with embellished fluted lobed decoration. The set contains 6 pieces and all of them are hall...

Great original antique pair of gold gilt painted carved wood mirrors. Beautiful ribbon/bow decorations done in plaster over wood. Has the original mirrors. In the style of French Bar...

An exquisite Early 20th Century Italian round mirror, masterfully crafted in the Renaissance style, renowned for its intricate detailing and the rich patina that has developed over t...

A fine and rare Italian Venetian 19th century giltwood carved Rococo "Vernis Martin" style decorated credenza vitrine cabinet with a marble top. The upper single door vitrine with a ...

A gorgeous antique mid 20th century Italian Rococo style gilded wood mirror. This stunning mirror retains the original old mirror glass with an ornate scrolling leaf design and a lov...

One of a kind, five-arm bronze wall fixture that can also be made electrical. This large and all handcrafted sconce is a joy to own and look at, also if there are no candles in it. ...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a leaf lattice pattern taken from the border of the MAK Museum’s rug...

A very large and Majestic ornately detailed antique 19th century Victorian cast iron fire grate in the Gothic-Revival manner. The large Doric arched backplate centred with an Heraldic Plaque...

Stunning John-Richard decorative wall mirror with a modern twist on neoclassical design. Silver fleck finish adorned with black and gold harlequin columns. Striking presence...

Pair of Maitland Smith bronze figures holding baskets of flowers. Very nice patina… Proximately 42 inches tall and 12 inches wide at the base.

Signed Diehl à Paris. Wood and silvered copper inkwell. Central drawer ornamented with an escutcheon and flanked by two small lateral drawers forming two containers, surmounted by a lid representing a nestling. Central niche ornamented with a winged creature. Inkwell flanked by two felines. Toped by a penholder representing a Moorish head resting on an eagle claw. This exceptional piece was realized thanks to the collaboration of ornemanist J. Brandely, sculptor E. Frémiet and cabinet-maker C.-G. Diehl. The motif of the fantasy creature dear to Diehl, is to be seen on the famous cabinet made by him in 1867 and now exhibited at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”, D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love” (p. 133) and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

OUTSTANDING Antique French Pedestal, Plant Stand, or Display Table with Marble Top~~48" Tall~~c. 1880s TALL French HIGHLY CARVED pedesta...

Coppia Di Vasi Circolari In Legno Laccato color avorio e dorato con curvi manici in ferro battuto e dorato, appoggiati su di una alta base quadrata laccata in color avorio che sostie...

This exquisite 19th-century French lamp showcases exceptional craftsmanship and artistic elegance. The lamp features a glass base encased in an ornate gilt bronze frame, adorned with...

Garnish with clock and candelabra in porcelain and gilt bronze. France, 19th century. Mechanism in perfect working order. Fireplace garnish composed of a clock and two five-light candelabras, all three pieces made by combining gilt bronze, with relief elements and round bulges and cold-chiseled details, and porcelain decorated with low-temperature enamels, including gold enamel. The porcelain pieces follow models from the Sèvres National Manufacture of the 18th century, with large pictorial cartouches on a cobalt blue background adorned with golden plant motifs. The set follows a historicist design that combines baroque and neoclassical elements with enamelled scenes of Rococo inspiration, representing landscapes and scenes with mythological themes alluding to the arts and the goddess Venus. The clockwork is stamped “Chles. MT”, with serial number 17420. The main glazed porcelain plates are signed DP Boncher. The clock follows an architectural structure, with an oval base with a prominent front in plan, raised on four molded feet in the shape of a top, on which a large ornamental vase is placed. This plinth has a distinct pinto and, above it, a main body as a façade, with a circular pediment that houses the clock face. This includes black enamelled Roman numerals on white medallions with a gold border, arranged around the central representation of a putti reclining among clouds, holding a floral garland and accompanied by musical instruments. Among the medallions that house the numbers, a small jeweled decoration that evokes pearls and embedded rubies, which is echoed in the secondary areas of the body of the piece and also the vase, always combined with delicate golden filigrees. On both sides of the sphere are two female portraits of ladies from the 18th century, in oval frames. Below, a classically inspired scene with a muse holding musical instruments, probably Euterpe or Erató, accompanied by a putti reading a sheet of music. On the sides of the clock body, two large curved rectangular plates house highly pictorial enameled landscapes, worked with the same miniaturist precision as the rest of the enameled cartouches. These are landscapes of romantic heritage, again inspired by the 18th century, with ideal settings for a twilight atmosphere, featuring classical ruins. The vase that tops the body of the clock has a hemispherical tank, shoulders ending in an edge, an openwork truncated conical neck, which opens smoothly towards the shoulders, and a domed lid, also openwork. The handles are figurative, in bronze, with two female sisters crowned with flowers, of clear Greco-Latin inspiration, worked in a round shape. In the tank, the vase houses two enameled porcelain cartouches, the front one with two putti and a dove - a symbolic allusion to Venus - and the back one with musical instruments. The design of the clock is completed by two thick bronze S-shaped plant braces, under the vase, and counter moldings and plant motifs cast in relief and cold chiseled, combining matte and polished finishes. The candelabras follow a similar design, with large vases of neoclassical design on pedestals, in this case cylindrical, raised on four low feet of turned design. The bases house porcelain cartouches with scenes of putti related to the arts; In one of them we see two putti practicing painting, and in the other two others in a scene related to classical lyric poetry, with one putto writing while the other, holding a lyre, raises a laurel wreath above his head. The cartouches that occupy the front of the candelabra vases...

Set of four 19th century English mahogany chairs features an elegant look inspired by the French Empire style, with the sheer natural beauty of...

Rare set of 3 large gilt arched Rococo over mantle mirrors These mirrors have beautiful Rococo gilt frames they are elaborately decorated with a ...

Pair of Rare Antique 19th Century Victorian Clarke's Gilt Ormolu Bronze candleholders. Neo-classical styling. Made by Samuel Clarke of Cricklewood in London circa 1880-1890 at the W....

Mid-Century small Renaissance Italian dresser in walnut restored polished to wax Measures cm: H 93, W 77, D 37.

A finely carved white statuary marble figure of Psyche. In Greek mythology, Psyche is the goddess of the soul and wife of Eros, god of love. She was the most beautiful girl in the w...

Vintage Venetian Etched Glass Wall Mirror A Venetian wall mirror with an elaborately detailed frame, decorated with frosted and convex floral...

Early 19th Century Pair of Gothic Revival ​Architectural Pieces, Oak, Gorgeous pieces! Set of 2 Gothic Revival Architectural Salvage pieces Possibly from a church Solid Oak These pi...

Early 1900s large Venetian Rococo mirror by Testolini-Salviati giltwood, hand-carved walnut. Measures cm: H 178 W 117 D 10

Decorative Italian gilt roccoco style wall mirror from the 1950s in Venice. A real eyecatching mirror from the mid century period, modeled after the famous venetian roccoco/ baroque ...

A pair of antique European carved oak corner chairs with beautifully aged dark rich patina. Born in the early/mid-19th century, hand-crafted in Moorish Renaissance taste, having he...

Fantastic cut crystal and bronze ormulu Mounted vase made in France for Baker Knapp and Tubbs. Designed and of the quality and in the manner of Baccar...