19th Century Amboyna Centre table, after Holland and Son

A fine quality Victorian period Burr Walnut centre table, with Tulip wood inlaid cross banding, raised on a tripod base with gilded ormolu mounts and mouldings. In the manner of Holl...

A good quality 19th century French Boulle inlaid serpentine shaped center table, having gilded ormolu mounts of sun bursts on four side, a mahogany lined frieze drawer and raised on ...

A good quality Chinese, 19th century hardwood centre table. having an inset marble top. Carved foliate decoration to the frieze. Raised on a central pedestal with carved Chinese figu...

A late 19th century carved oriental centre table, having a polished top carved scrolls, leaf and mythical dragon masks to the apron. Raised on carved scale...

• One of the finest pieces of 19th century English furniture ever made • Firmly attributed to the Royal cabinetmaker, Holland & Sons • Made using stunning rare & exotic timbers, Th...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A very fine and substantial centre table in the Louis XVI in the Manner of Holland & Sons Of exceptional quality, utilising beautifully grained woods, including Circassian walnut,...

An exceptional 19th century amboyna and ebony games table firmly attributed to Holland & Sons, the rectangular hinged top decorated with leaf banding, opening on telescope action to ...