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Carnelian Center Tables

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Material: Carnelian
19th Century Italian Specimen Pietra Dura Table Attributed To Giacomo Raffaelli
By Giacomo Raffaelli, Gillows of Lancaster & London
Located in London, by appointment only
One of the most important early nineteenth century specimen hardstone table tops ever created, with 373 specimens, mounted on a beautifully designed and constructed base by Gillow. ...
Category

Early 19th Century Italian Regency Antique Carnelian Center Tables

Materials

Agate, Amethyst, Carnelian, Lapis Lazuli, Malachite, Belgian Black Marbl...

Claro Walnut Wood Coffee Table Quartz Gemstone Inlay Lucite Base by Danna Weiss
Located in Jersey City, NJ
This is a stunning one of a kind handmade coffee, cocktail, center table or desk in Claro Walnut with an array of rare crystal and gemstone inlays and a gorgeous lucite base. Its gem...
Category

2010s American Other Carnelian Center Tables

Materials

Stone, Carnelian, Crystal, Multi-gemstone, Opal, Quartz, Rock Crystal, T...

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19th Century Italian Micro-Mosaic Grand Tour Table Attributed to Roccheggiani
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A rare grand tour table Possibly by Cesare Roccheggiani The circular platform of marmore nero, inset with fine micromosaic panels consisting of thousands of coloured glass tesserae; a central roundel depicting The Vatican from St Peter's Square within a malachite border, surrounded by a border including four cartouches in polychrome reserves of Roman views including the Coliseum, the Roman Forum, with the remnants of the Temple of Vespasian; the Temple of Vesta, and the Pantheon, all interspersed and linked by voluminous bouquets of fruit and flowers representing the 4 seasons; the outer stylised border inlaid with deep blue tesserae evocative of exotic Lapis Lazuli. Supported on a finely carved Italian giltwood base, its design incorporating baskets of fruit and floral garlands echoing the 4 seasons theme of the table. Italian, Circa 1875 Other table tops inspired by this design, although not as finely executed, can be found in several Russian collections (which house the greatest micromosaics) including Vorontsov Palace, Muranovo House, as well as the imperial State Hermitage Museum. A tabletop with profuse floral micromosaic work was commissioned by the Belgian Royal family (sold Sotheby's, 2003). The floral garlands, the magnificent quality of the inlay and the use of distinct curved tesserae support the present attribution to Cesare Roccheggiani. According to Jeanette Hanisee Gabriel, the world expert on micro mosaics, curved tesserae pieces were used in foliage, grass and animal fur by only the very best mosaicists such as Roccheggiani. Evidence of curved pieces, for instance, is observed in the foreground of the Temple of Vesta cartouche, to name but one observation of the master's hand. The scion of a dynasty of mosaicists, Roccheggiani was perhaps the most successful mosaicist in the last quarter of the nineteenth century. He is doubtless related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni. Nicolo Roccheggiani, possibly Lorenzo's son, was also a principle artist at the Vatican, involved in executing the famous tabletop Achilles Shield...
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