Round Long Leg Table

This original handmade bench is a part of the Gomez originals inventory. Fashioned with black French natural nail heads. The wood bench hosts 10 full-down feather pillows outfitted with fine South African gazelle...

This is a custom made Modern Luxury design piece from the Gomez atelier. With lucite legs and premium foam insert this bench is made with textured parchment colored Italian leather. ...

This special made pouf is reminiscent of the notorious Polish Cossack hats. The wooly Australian sheep's wool is soft and plush. The 4 legs are hand carved and are sturdy enough to h...

The Tulip ottoman in fiery red leather is a modern take on a beloved classic. With its metal frame and solid black leather cushion top it is the perfect accent piece.

This table is raised on a base composed of six bobbin turned Legs and a optogonal star stretcher, also turned. Oval antique wine or side table of the 19th century. Wood with bobbin ...

1970s Side Table with Round Top and Root Base

Very impressive Regency style round center table. The beautiful round brown thick marble top over veneered frieze over carved pedestal with platform and gilt bronze lion feet...

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...