Paul M. Jones Modern Gilt Iron Glass Cocktail Coffee Table

MODERNIST GILDED WROUGHT-IRON AND GLASS COFFEE TABLE French, circa 1950s unmarked Item # 401RGG02P-1 An endlessly interesting modernist accent table from the 1950s, it works perfectly both as a side table beside a low sofa or chair or as a coffee or cocktail table. The diminutive stature of the table allows it to be a part of the room without dominating at all, adding texture and visual interest with the brilliantly textured gilt patina while having a great deal of negative space that makes the table feel light, airy and relaxed. The 3/8" thick (and brand new) glass top is set into tiny grooves in the legs, each with a single twisted iron ring hanging from the top with a gentle curved profile that terminates in a stubbed sabot. Ready to place. We acquired this together with a matched pair to this that is almost identical in size but is a simple black patination instead of having the gilt surface on the wrought iron; contact us if you would like to know about the other table. Measurements: 19 1/8" H x 29 5/8" diameter Condition Report: Glass is brand new 3/8" thick tempered clear glass; table in very good condition, light wear to gilding and overall patina in a few spots, incredibly sturdy and solid. A fine ready-to-place presentation. About silla antiques...

CARVED WALNUT MARBLE-TOP LOW COFFEE TABLE IN THE LOUIS XV TASTE France, circa 1900 Item # 403KQO18P A wonderful French coffee table with the most spectacular marble top - this gorge...

Mid century modern coffee table with a thick square glass top with cut corners on a gilt wrought iron base with cabriole legs. A chic take on Louis XV style, this table has beautiful...

French Art Deco coffee table in gilt hand forged iron, by Rene Prou, circa 1930. 44” long x 26” wide x 23” high with glass. Frame: 41.5” long x 21” wide. Rene Prou (1889-1948) A decorator as well as furniture designer, Rene Prou was born in Nantes and educated in Paris. He studied at the Ecole Bernard-Palissy in Paris and shortly thereafter joined the design house, Gouffé. By 1912 he had become their chief designer and was being called the first decorator of the modern taste (gout moderne). Prou’s varied design career included: 1922 oceanliner Paris 1922 – Paris to Deauville train (aka Train Bleu) 1923 – showed at the Salon des Artistes Decorateurs 1924 oceanliner de Grasse 1925 – with Eric Bagge...