Pair of Sheraton Period West Indian Satinwood Demi Lune Console Tables

Victorian satinwood demi-lune commode in the Sheraton revival taste, with a central door showing a painted romantic scene between two panels of pleated silk, decorated throughout with delicate bands...

A fine Victorian Sheraton revival West Indian satinwood demi lune commode, the semi-circular top above three panels, the central one disguising a cupboard door, painted with three ovals in the style of Angelica Kaufman...

A Fine Pair of Late 19th Century Demilune Satinwood and Inlaid Side or Console Tables in the Neoclassical Style Attributed to Edwards and Roberts This fine pair of neoclassical-style tables are of demilune, or semicircular, shape and veneered principally in satinwood. Large-scale panels of satinwood have been laid on the carcass of the frieze to give a segmented effect, which is very attractive. The tapering square-sectioned legs and contrasting spade toes are all classic Sheraton design features, being reused here a century later. The most impressive parts of the tables are undoubtedly the beautiful tops, with the central feature being an inlaid fan-shaped patera, centered by a smaller example of the same form with additional penwork foliage on it. This, in turn, centers on a semicircular feathered boss. Around the edge of the tabletops is a wide crossbanding upon which a repeating neoclassical design featuring penwork scrolling foliage and urns is delicately executed and highly attractive. Footnote: The quality of the present tables indicates that they would have been produced in one of the leading workshops of the period. On stylistic grounds, the most likely maker is Edwards and Roberts. Particularly adept at producing furniture in the inlaid Sheraton style, the firm had an elite clientele and, as such, was able to make the finest furniture without cutting corners. For an example of a Carlton House table...

An Exceptional Edwardian Satinwood Commode, Reproducing Thomas Chippendale’s Piece-Known as the Diana and Minerva Commode-Supplied to the Lascelles Family at Harewood House A satinwood Sheraton Revival breakfront marquetry commode, the shaped marble top above one long drawer flanked by two concave drawers decorated with inlaid festoons, all above a recessed, arched central drawer and concave side-cupboard doors, decorated in fruitwood and hardwood marquetry with crossbanding, bellflower garlands and classical motifs centred on roundels depicting Diane and Minerva with mother-pearl and bone detailing, applied with ormolu mounts and raised on six carved square-section legs, the locks on one drawer marked ‘Hobbs & Co’. English, circa 1900. Ivory reference number: A89CGW1D Published: Christopher Payne, ‘British Furniture 1820-1920: The Luxury Market.’ Woodbridge, 2023, p. 436, pl. 8.89. Acknowledged as one of Chippendale’s finest documented pieces, the Diana and Minerva commode was supplied for the State Bedroom at Harewood House in 1773. Our example faithfully reproduces the spirit and decorative impact of Chippendale’s original-including the wonderful inlaid ivory panels-whilst adding a very practical marble top. For a very similar commode see the 1900 painting ‘Sir George Sitwell, Lady Ida Sitwell and Family’ by John Singer Sargent. The locksmiths’ company of Hobbs & Co of London was actually founded by an American salesman and inventor for Jones & Newell of New York. Boston born Alfred Charles Hobbs (1812-1891) created quite a stir at the Great Exhibition of 1851 when he picked the ‘impregnable’ locks of both Bramah and Chubb! Making the most of his fame, he registered his own company, Hobbs and Co...

Pair of 19th century original painted pine Swedish demi lune console tables. 1860. Dimensions 43 inches (109 cms) wide 21.5 inches (55 cms) deep 30 inches (76 cms) high.

Pair Antique English Painted Satinwood Demi-Lune Console Tables, Circa 1890.

Pair of Italian Period Baroque Walnut Demi-Lune Console Tables, circa 1680 With a sobriety and a serenity of line, these tables are perhaps the most authentic form of Italian Baroq...

A fine quality late 18thC Adam period demi-lune console table; the entire table is painted a cream colour, the four shaped and tapered legs decorated with gilded wood fillets; the frieze is fluted all round with large gilded patterae above each leg. The painted top has an outer green banding decorated with garlands of flowers and gilding, the back of the painted top has a neoclassical fresco; depicting a classically draped winged Goddess surrounded by cherubs, flowers and scrolling, in the manner of Angelica Kaufmann...