"Zeno" Asymmetrical Beech and Ebony Desk by Massimo Scolari for Giorgetti, 1990s

1980's Memphis Style 'La Vuelta' desk by Perry King & Santiago Miranda. Named after a Spanish bicycle race this large versatile desk has attractive curves and unique accents that liv...

Simply gorgeous maple desk with return and generous storage by Italian design great Giovanni Offredi for the internationally acclaimed Saporiti company. Meticulously designed and ins...

Expandable Desk by Roberto Pamio, Renato Toso & Noti Massari for Stilwood / Italy, 1970's. Desk top slides open, cabinets swing out on rollers and one ...

Mid-Century Teak desk by Herbert Hirche for Holzapfel. Handsome writing desk with attractive teak grain and a set of stacked drawers. Its grey enameled metal legs, matching drawer pu...

Very elegent and finely crafted coffee table by Giorgetti. Solid cherrywood with beautiful elegant legs. Very good condition 1990s - Italy Dimensions: Height 40cm Width x depth: ...

Designed by Chi Wing Lo This writing desk in walnut Canaletto wood and saddle leather harks back to the lightness and elegance of an Ionic column. A versatile and practical product...

Designed By Pamela Amine Alma, from the Latin Almus, meaning “soul”, “she who nourishes”, celebrates the main function of a desk, which is to open the mind and expand one's knowle...

This exceptionally rare and large 'Kono' table, which works excellent as either a dining table or a desk, by Lella Vignelli and Massimo Vignelli was designed in 1984 and this example created in the mid-to-late 1980s by Casigliani in Pisa, Italy. This rare example of the 'Kono' design features a monumental Black Granite slab for the top, two thick slabs of Imperial Red Granite which connect together to form one of the bases, and the Vignellis signature Patinated Copper cone which forms the other base. The 'Kono' design was normally made as coffee tables so it is quite rare to find examples made scaled up in dining table size. In addition, typical Kono tables were made with glass tops and a single slab granite base. This example however, the Vignellis selected Black Granite instead of the typical glass tops. Also, rather than using a rectangular single-slab base, this example features an L-shaped base constructed with two slabs that connect together along one angled edge. It still employs the cone-shaped patinated copper base typical of Kono tables, however this example is much larger of course than cocktail table versions. The Vignelli Center for Design Studies, which houses the artists’ archive, confirmed this table to be one of two known drawings by the Vignellis (a copy of the Vignelli sketch, which they provided, is included in the photo gallery) though it is unknown if the other table was ever produced, making this table potentially an important one-of-a-kind. The Black Granite top in lower light settings is dark, deep and mysterious. With direct sunlight its luminosity is intense - see the photo gallery for images of the table in direct sunlight from our skylight above. It glows, shines and shimmers with incredible vibrancy, similar to diamonds - to see it in person is quite exquisite and remarkable. While we only had it set up under our skylight for a couple hours, I would describe the experience as recharging - I felt like I had just spent a couple hours meditating, this would be incredible to wake up to every day before leaving to work. The Vignellis described the 'Kono' table as: “This design exploits the relationship between geometrical figures and material finishes." Over the course of their four-decade-long design practice, Lella and Massimo Vignelli collaborated on projects that ranged from product design and brand identity to interior and furniture design. Whether designing New York City’s subway map...