Italian Dining Room Sets

High cabinetry dining room set, consisting of: 2 sideboards, a mirror, table and 6 chairs. The sideboards are moved, with finely carved feet in an elong...

A set of eight finely carved and gilt dining chairs, all finely distress paint decorative with original horsehair seats. Each alternating chair measures 18 in W, 43 in H, 15 in D. wi...

Exceptional rationalist set including: - a sideboard with mirror H99.5X243Xp53 mirror H152. - bar sideboard with riser H99.5X202Xp53 with riser H.120. - a table H80.5X191X91 - 4 Chai...

A beautifully ebonized mahogany and rose marble dining table by Arredamenti Borsani Varedo,whit original label, Italy, circa 1950. The wonderf...

Step into the epitome of mid-century modern sophistication with this exquisite dining set straight from the stylish era of 1970s Italy. The suite boasts a sleek chrome and glass dini...

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...

This is a handsome oiled-walnut dining set designed by Bertha Schaefer for M. Singer & Sons in 1952 and produced in Italy for the Singer Modern collection. The set includes a large o...

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

Mid-Century Modern dining table and six chairs by Umberto Mascagni, the table with a cinnabar red chinoiserie top, the matching six chairs covered in cream and textured vinyl, the ta...

Beautiful midcentury set, made of bamboo and rattan foldable table and four chairs. It is an Italian production of 1960s and the state of conserva...

Art Deco table with clean, rational lines. The rosewood base gives way on the front to green aniline-stained maple. The top is made of rosewood feather laid open. The piece showcases...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Tablecloth by Davide Medri Materials: mirror mosaic (silver) Also available in gold. Dimensions: H 90 x D 120 cm Davide Medri was born in Cesena on August 7th 1967 and graduated at ...

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

Art Deco dining room consisting of one large sideboard, a dining table and six side chairs. The furniture is ebonized. Decorative fluting on the frames and front of the sideboard uni...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

“Big Iron/Running Gun” Dining Room Set, Iron, JAMES VINCENT MILANO, Italy, 2023 “Running Gun” Dining Table, Iron, JAMES VINCENT MILANO, Italy, 2023 Irregular hexagonal top. Tr...

Midcentury Modern Italian Dining set Midcentury modern dining set made of six iron and faux leather chairs and a big wood and iron table...

Large and round marble table with feet in the shape of lions, Italy.

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

Boat-shape rectangular table with two extension leaves. Top with combination of crotch mahogany and straight sapele mahogany. Brushed steel details on the base. Open table: 112” L x ...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d...

Description: Mid-Century modern dining room sets by Paolo Buffa (La Permanente Mobili Cantu) consists of: long sideboard, small sideboard, table with glass top and four chairs. Orig...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

“Big Iron/Running Gun” Dining Room Set, Iron, JAMES VINCENT MILANO, Italy, 2023 “Running Gun” Dining Table, Iron, JAMES VINCENT MILANO, Italy, 2023 Irregular hexagonal top. Tripod...

Country French Carved Italian Two Drawers Dining Game Table 4 Chairs Set MINT! Table is 40" square X 30"H Mint frames and all the wood details. Up...

A rare and exclusive modernist dining set from the renowned Italian label Giorgetti from their “New Gallery” collection. A large table and six cha...

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

Original Spaghetti Patio chairs and matching rectangular table with reversible top in all Black by Giandomenico Belotti for Alias Made in Italy. Gorgeous Minimalist Italian design fr...

Italian Mid-Century Modern dining table 8 chairs set new linen upholstery seats Mint!. Measures- Chair: 18'' x 20'' x 33'' & seat height: 19...

Made in Italy, 1950s. It features a maple and beech frame and brass feet caps. This table has a glass top that underneath has its original marble patterned film. It is a vintage pie...

This dining set by Vittorio Dassi, dating from the 1950s, is a refined example of Italian mid-century modern design. The set includes a glass-top dining table paired with four sculpt...

Table and six chairs set, burl maple veneer top and walnut base. Chairs reupholstered in original material from the period some of the upholste...

Baroque Ferrarese burl walnut with neoclassical references , Art Decò age, table with six chairs of the early twentieth century, in solid blond walnut. Shaped oval shaped table, wit...

Dining table designed by Warren Platner edited by Knoll, composed of a steel structure with welded rods creating curved and circular shapes. Tabletop made of Carrara marble, USA, 197...

Dining table and six chairs designed by Edmondo Palutari for Dassi, the set is in teak and has been restored and the chairs covered with a new hemp fabric, similar to the original, I...

Refined dining set dating back to the second half of the 19th century, in the Louis Philippe style, consisting of a round inlaid table and six matching chairs. The table features a f...

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Rectangular Dining Table "Andrè" with Chairs - Design classic from the 1960s Discover the charm of the 60s with this beautiful dining table and chair set, designed by Tobia Scarpa for Gavina Knoll. An example of timeless design, this set adds a touch of vintage elegance to any interior. The sturdy chrome-plated metal frame, combined with a thick glass top, provides a durable and stylish dining experience. Despite some signs of use over the years, the set is in good overall condition, ready to take center stage in your dining room. Advantages: Authentic design by Tobia Scarpa from the 1960s. Sturdy and durable with a metal frame and thick glass top. Includes 4 matching chairs with comfortable fabric seats. Adds a vintage charm to any dining space. Good to know The table measures 200cm in width, 74cm in height and 100cm in depth. The chairs have a width of 45cm, a height of 80cm, a depth of 50cm and a seat height of 45cm. Some signs of use are visible, which contributes to the authentic character of this set. Resume Vintage design by Tobia Scarpa for Gavina, 1960s. Stylish and durable with chrome-plated metal frame and thick glass top. Includes 4 matching chairs, perfect for any dining room. This vintage dining table and chair set...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

Art Nouveau Bar for sale in wood Private Collection

We are delighted to offer this very fine original RRP £12,000 extra large Burr Satinwood Giorgio Collection extending dining table This piece is part of a monumental £50,000+ dining room suite which includes the extra large extending table...

In this listing you will find an iconic design piece, a Space Age "Tulip" dining table designed by Eero Saarinen for Knoll International. It features a cast aluminum base with the m...

This complete dining set, designed by British industrial designer Rodney Kinsman for the renowned Italian manufacturer Bieffeplast, embodies the essence of 1980s postmodern minimalis...

Interesting handcrafted oak set consisting of a solid table with colored laminate top and five chairs built with off-axis backs, upholstered with original leatherette cloth. The who...

Elegant italian mid century dining set consisting of an extendable wooden dining table and 6 black ebonized wooden dining chairs with vinyl up...

These four chairs were made by the famous Italian company Giorgetti, the four chairs are in stained beech, with a high back, the upholstery has been redone in ivory velvet. The set w...

Made in Italy, circa !980"s chrome breakfast/dining set in the style of Willy Rizzo. Four Cantilevered chairs with a plinth based round table and a round glass top. The lime green ba...

A modern Italian years 2000s table in wood and chromed steel by Piero Lissoni, Brera-Milano with four chairs in chromed steel and two-colored technopolymer seat by Calligaris. Meas...

1940s Wooden Dining Set - Table, Chairs & Sideboards (Set of 9) This exquisite 1940s dining set, crafted from a refined selection of beech, maple, rosewood, brass...

Elegant dining table designed by Pier Luigi Colli with finely carved and painted legs decorated with acanthus leaves. Dark red glass top. The same set ...

Dining room set by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood set consisting of four chairs, a table and a sideboard. The table has an extendable glass top (extensio...

They can be sold separately 19th century Baroque round table, extendable, restored with six Luigi Filippo new-upholtered chairs. Table measure cm:...

Beautifully carved, gilded and painted Venetian table.

Outstanding elegant dining set designed by Pier Luigi Colli. Composed by; - Dining table with finely carved and painted legs decorated with acanthus leaves. Dark red glass...

Tito Agnoli for Matteo Grassi leather dining table and six chairs. The table has the same beautiful brown color and is covered with leather. The glas...

Vintage 1970s garden or patio set with table and four comfortable bamboo chairs. Note the quality of the items; the glass is 1cm thick. Ideal as a vintage garden dining set or also...