Italian Dining Room Sets

Large and round marble table with feet in the shape of lions, Italy.

This is a handsome oiled-walnut dining set designed by Bertha Schaefer for M. Singer & Sons in 1952 and produced in Italy for the Singer Modern collection. The set includes a large o...

Rectangular table in Brazilian rosewood satin finish with Italian walnut inlay top with 2 extension of cm. 48 (19”) each. Brushed steel accents on the base. Art Deco Size 78’’ ½ W ...

Dining room set consisting of a table and six chairs, pine, Italy, 1960s The substantial size, peculiar material use, and superb carvings, combine to form an exceptional ensemble pe...

Very rare dining room set by Gaetano Pesce featuring 6x chairs model Dalila and a table model Sansone I. Made by Polyurethane and urethane resin, pre -...

A set of eight finely carved and gilt dining chairs, all finely distress paint decorative with original horsehair seats. Each alternating chair measures 18 in W, 43 in H, 15 in D. wi...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

Medea dining circular table, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak iron and brass, excellent vintage condition. Reported at “Compasso d’Oro Prize...

Maurizio Tempestini for Satlerini Patio Set, White Reed Enameled steel 1960s. Rare set includes 4 lounge chairs and coffee table. Original finish. Lovely and relaxing alternative to ...

Italian Avant Garde Art Deco Style Dining Room Set Exceptional, rare, Italian avant garde Art Deco style dining room set. It was created by an extraor...

Step into the epitome of mid-century modern sophistication with this exquisite dining set straight from the stylish era of 1970s Italy. The suite boasts a sleek chrome and glass dini...

This elegant 1970s Italian dining set by Marzio Cecchi for Studio Most comprises a striking oval glass-top table and six high-back dining chairs in rattan and stained wood. A masterf...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d...

Boat-shape rectangular table with two extension leaves. Top with combination of crotch mahogany and straight sapele mahogany. Brushed steel details on the base. Open table: 112” L x ...

A beautifully ebonized mahogany and rose marble dining table by Arredamenti Borsani Varedo,whit original label, Italy, circa 1950. The wonderf...

Luigi Colli Italy set of chess glass coffee table in work iron years ’40 perfect and original condition, very rare. Top glass with work acid engraved the chessboard in the surface...

A rare and exclusive modernist dining set from the renowned Italian label Giorgetti from their “New Gallery” collection. A large table and six cha...

The T/5140-180 dining table is part of the new Classic collection by Zanaboni: veneered in citronnier and ebony woods, the direction of the veneer is ...

Inlaid Salon Set by Vittorio Dassi and Piero Del Grande for Dassi Mobili Moderni, 1950s – Set of 12 An exceptional and extremely rare salon set design...

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

Baroque Ferrarese burl walnut with neoclassical references , Art Decò age, table with six chairs of the early twentieth century, in solid blond walnut. Shaped oval shaped table, wit...

Art Deco table with clean, rational lines. The rosewood base gives way on the front to green aniline-stained maple. The top is made of rosewood feather laid open. The piece showcases...

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

These four chairs were made by the famous Italian company Giorgetti, the four chairs are in stained beech, with a high back, the upholstery has been redone in ivory velvet. The set w...

We are delighted to offer for sale this very fine original RRP £4,500 Burr Satinwood Giorgio Collection large wall mirror This piece is part of a monumental £50,000+ dining room suite which includes the extra large extending table...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Italian Midcentury Modern Mahogany and Rosewood Dining set, Osvaldo Borsani 1950 Export document needed only for extra EU This exquisite Italian Midcentury Modern dining set, desi...

Dining table in laminated wood with wooden and satin finish black metal legs with brass feet adjustable in height, complete with six chairs in plywood and bent, with seat covered wit...

They can be sold separately 19th century Baroque round table, extendable, restored with six Luigi Filippo new-upholtered chairs. Table measure cm:...

Chair measurements : Depth: 41cm Width: 55cm Heigh: 70cm Height to the seat : 50cm

Mid-Century Modern dining table and six chairs by Umberto Mascagni, the table with a cinnabar red chinoiserie top, the matching six chairs covered in cream and textured vinyl, the ta...

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

“Big Iron/Running Gun” Dining Room Set, Iron, JAMES VINCENT MILANO, Italy, 2023 “Running Gun” Dining Table, Iron, JAMES VINCENT MILANO, Italy, 2023 Irregular hexagonal top. Tr...

Dining room set by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood set consisting of four chairs, a table and a sideboard. The table has an extendable glass top (extensio...

“Big Iron/Running Gun” Dining Room Set, Iron, JAMES VINCENT MILANO, Italy, 2023 “Running Gun” Dining Table, Iron, JAMES VINCENT MILANO, Italy, 2023 Irregular hexagonal top. Tripod...

Tablecloth by Davide Medri Materials: mirror mosaic (silver) Also available in gold. Dimensions: H 90 x D 120 cm Davide Medri was born in Cesena on August 7th 1967 and graduated at ...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

This complete dining set, designed by British industrial designer Rodney Kinsman for the renowned Italian manufacturer Bieffeplast, embodies the essence of 1980s postmodern minimalis...

Rare set of 1960s Italian table and six chairs with elaborately detailed backs, in the design of a sheaf of wheat. Raised on gorgeous slim legs with X-stretchers, Classic Italian gil...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

A Bohemian Curved Bamboo & Cane Three Piece Dining Set from Italy, 1950s Wonderful addition to a contemporary or period garden room, with stow away seats ...

Art Nouveau Bar for sale in wood Private Collection

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Original Spaghetti Patio chairs and matching rectangular table with reversible top in all Black by Giandomenico Belotti for Alias Made in Italy. Gorgeous Minimalist Italian design fr...

Italian 1970s bonacina design bamboo coffee table and chairs set

In this listing you will find an iconic design piece, a Space Age "Tulip" dining table designed by Eero Saarinen for Knoll International. It features a cast aluminum base with the m...

Interesting handcrafted oak set consisting of a solid table with colored laminate top and five chairs built with off-axis backs, upholstered with original leatherette cloth. The who...

Dining table and six chairs designed by Edmondo Palutari for Dassi, the set is in teak and has been restored and the chairs covered with a new hemp fabric, similar to the original, I...

Timeless sophistication and the understated elegance of high-quality pieces distinguish this superb set of tablecloth and twelve napkins. Entirely made by hand, this set is in a deli...

Dining table designed by Warren Platner edited by Knoll, composed of a steel structure with welded rods creating curved and circular shapes. Tabletop made of Carrara marble, USA, 197...

Roda Plein-Air Dining Table & Piper Chairs — Outdoor Dining Set for 6-8 Table: 86.75″ W × 39.375″ D × 29.125″ H Six Piper Dining Comfort Chairs: 22.75″ W × 24.25″ D × 33.25″ H, seat...

Ultra rare “Jocker” dining set by A Simonit & G. Del Piero for Olivia Srl. Made in Italy circa 1970s. Simple and elegant design featuring 3 bent ply legs and 3 leaves to fill out...

A modern Italian years 2000s table in wood and chromed steel by Piero Lissoni, Brera-Milano with four chairs in chromed steel and two-colored technopolymer seat by Calligaris. Meas...

1940s Wooden Dining Set - Table, Chairs & Sideboards (Set of 9) This exquisite 1940s dining set, crafted from a refined selection of beech, maple, rosewood, brass...

Asnaghi make pieces of furniture that are far more than just that. They create real works-of-art of intrinsic value, Peerless in design and execution, and expected to become heirloom...

Table and six chairs set, burl maple veneer top and walnut base. Chairs reupholstered in original material from the period some of the upholste...

Vintage 1970s garden or patio set with table and four comfortable bamboo chairs. Note the quality of the items; the glass is 1cm thick. Ideal as a vintage garden dining set or also...

Made in Italy, circa !980"s chrome breakfast/dining set in the style of Willy Rizzo. Four Cantilevered chairs with a plinth based round table and a round glass top. The lime green ba...

Manuttii Outdoor Table & Radoc Chair set. Manuttii Torsa Table in brushed teak nero & travertin geo Designed by Stephane De Winter Torsa is the epitome of sophistication: slender...

Elegant italian mid century dining set consisting of an extendable wooden dining table and 6 black ebonized wooden dining chairs with vinyl up...