Italian Dining Room Sets
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Place of Origin: Italian
Early 1900s Antique Italian Renaissance Revival, Set of 3, Dining Room Set!!
Located in Austin, TX
Early 1900s Antique Italian Renaissance Revival, Set of 3, Dining Room Set!! Stunning antique three-piece dining set, Italian Renaissance Revival, Carved Lion, early 20th century, 1900s!
This exquisite dining set is a true work of art, hailing from the Italian Renaissance Revival period in the early 1900s. The set includes a beautiful rectangular dining table, a sideboard/buffet, and a cupboard, all crafted from high-quality walnut wood with stunning dark wood tones. The intricate carvings featuring majestic lions add a touch of regal elegance to any dining room, making this set a must-have for antique enthusiasts and collectors alike. With seating capacity for four people, this antique dining set is perfect for intimate gatherings and family meals. Don't miss your chance to own a piece of history with this Italian Renaissance Revival dining set...
Category
20th Century Renaissance Revival Italian Dining Room Sets
Materials
Wood
Carlo Scarpa Walnut and Leather "Scuderia" Dining Room Set for Bernini, 1977
By Carlo Scarpa, Bernini
Located in Vicenza, IT
Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977.
Composed of 5 mod. 783 “Kentucky” dining chairs...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Leather, Plastic, Walnut
18th Century Hand Painted Venetian Style Black Provenza Bamboo Console
By Porte Italia
Located in Ronchi dei Legionari, IT
From our hand-painted Furniture Collection, we are pleased to introduce you to our Provenza Bamboo Console with drawers.
Finished in a timeless black backround with bamboo criss cross accents, this eclectic console...
Category
2010s Other Italian Dining Room Sets
Materials
Wood
Armonia Walnut Dining Chair, Set of 8, Silvio Piattelli design made in Italy
By Silvio Piattelli
Located in Tavarnelle val di Pesa, Florence
Introducing the Armonia Chair.
This set of 8 Italian walnut chairs is an unique and timeless dining chair set.
The chairs are made from...
Category
2010s Mid-Century Modern Italian Dining Room Sets
Materials
Leather, Fabric, Velvet, Walnut
Willy Rizzo style table and chairs by Gastone Rinaldi for Rima, 1970s
By Gastone Rinaldi
Located in Manzano, IT
Willy Rizzo style table and chairs by Gastone Rinaldi for Rima, 1970s
DESCRIPTION Table with briarwood and brass base, and smoked glass top. The chairs are made of chrome-plated iro...
Category
1970s Vintage Italian Dining Room Sets
Materials
Brass, Iron
Nerone & Patuzzi Dining Table for Gruppo NP2, 1970s
By Gruppo NP2, Nerone and Patuzzi
Located in Lonigo, Veneto
Nerone & Patuzzi dining table for Gruppo NP2, glass, iron and wood, Italy, 1970s.
Designed by the Italian duo Nerone and Patuzzi, this dining table is a work of art. The base consis...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Iron
Italian leather, brass and glass dining set by Renato Zevi, 1970's
By Zevi & C., Renato Zevi
Located in Langemark-Poelkapelle, BE
1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather.
Stamped with th...
Category
Late 20th Century Hollywood Regency Italian Dining Room Sets
Materials
Chrome, Brass
1960s iron Salterini outdoor bistro dining set, table and two chairs
By Salterini, Maurizio Tempestini
Located in Phoenix, AZ
Wrought iron patio Salterini “Radar” Collection bistro set with two hoop dining height chairs and a table. Designed by Maurizio Tempestini...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Wrought Iron
Bohemian Curved Bamboo & Cane Three Piece Dining Set from Italy, 1950s
Located in High Wycombe, GB
A Bohemian Curved Bamboo & Cane Three Piece Dining Set from Italy, 1950s
Wonderful addition to a contemporary or period garden room, with stow away seats ...
Category
Mid-20th Century Bohemian Italian Dining Room Sets
Materials
Bamboo, Cane, Bentwood
Giovanni Michelucci for Poltronova ´Torbecchia' Dining Table and Bench
By Poltronova, Giovanni Michelucci
Located in Waalwijk, NL
Giovanni Michelucci for Poltronova, ´Torbecchia', table and bench, walnut, Italy, design 1964
This dining room set consisting of a beautiful table and bench in walnut wood is desig...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Walnut
Giacometti Style Dining Set 4 Chairs Table with Glass Top
By Alberto and Diego Giacometti
Located in Miami, FL
A table and 4 chairs. Steel construction with an old silver patina.
Category
1970s Vintage Italian Dining Room Sets
Materials
Steel
Giovanni Offredi Dining Table with Salvati & Tresoldi 'Dania' Chairs
By Giovanni Offredi, Salvati & Tresoldi, Saporiti
Located in Waalwijk, NL
Dining room set consisting of Giovanni Offredi for Saporiti dining table with Alberto Salvati & Ambrogio Tresoldi for Saporiti set of ten 'Dan...
Category
1970s Post-Modern Vintage Italian Dining Room Sets
Materials
Aluminum, Steel, Chrome
Hank Lowenstein Padova vintage table and 6 chairs, from the 1970s
Located in Manzano, IT
TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s
DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....
Category
1970s Vintage Italian Dining Room Sets
Materials
Marble
Italian 19th Century Baroque Renaissance Style Carved Oak 13-Piece Dining Set
Located in Los Angeles, CA
A Fine and rare Italian 19th Century Baroque Renaissance revival style carved oak thirteen-piece dining suite. Comprising of a large rectangular center-pedestal dining table with four extensions and drop-support-legs at the end, the apron with carvings of entwined vines, ten dining chairs and two armchairs, all with an embossed leather backrest with figures of maiden wearing a helmet, carved figural corners and an ornamental crown...
Category
Late 19th Century Renaissance Revival Antique Italian Dining Room Sets
Materials
Leather, Oak
Afra & Tobia Scarpa Africa Dining Room Set for Maxalto, 4 Chairs and Table, 1976
By Maxalto, Afra & Tobia Scarpa
Located in Vicenza, IT
A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975.
Made of walnut, burl...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Brass
Vittorio Nobili Midcentury Teak “Medea” Dining Room Chairs, 1956, Set of Four
By Vittorio Nobili
Located in Vicenza, IT
Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954.
Made of teak plywood, excellent vintage condition.
Reported at “Compasso d...
Category
1950s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Iron
Afra & Tobia Scarpa Black Leather 121 + 778 Dining Set for Cassina, 1967
By Cassina, Afra & Tobia Scarpa
Located in Vicenza, IT
A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Leather, Walnut
Rattan Round Dining Table Set with 4 Matching Chairs, Italy 1960s
By Franco Albini
Located in Naples, IT
Bamboo lounge set from the 1960s attributed to designer Franco Albini, consisting of four chairs/armchairs and a round table. Finely worked curved ba...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Bamboo, Rattan
Midcentury Italian Set of 4 Chairs and Table, 1970
Located in Los Angeles, CA
The midcentury Italian set of four chairs and table from the 1970s, crafted in giunco wood, exudes a rustic charm and timeless elegance. The chairs feature a stylish and ergonomic de...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Rush
Dining Set for 3 People, 1970, Set of 4
Located in Montelabbate, PU
A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...
Category
1970s Vintage Italian Dining Room Sets
Materials
Steel
Midcentury Italian Set of 4 Chairs and Marble Table, 1980s
Located in Los Angeles, CA
The midcentury Italian set of four chairs and marble table from the 1980s offers a blend of sophistication and luxury. The chairs have been thoughtfully reupholstered in green suede,...
Category
1980s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Marble, Metal, Brass
Midcentury Living Room Table w/Black Glass Top and Six Chairs
Located in Roma, RM
Midcentury Living Room Table w/Black Glass Top and six chairs
Product details
Table Dimensions : 160 w x 80 h x 87 d cm.
Chair dimensions: 39 w...
Category
1950s Vintage Italian Dining Room Sets
Materials
Wood, Leather, Glass
Bentley Home Walnut Burl and Leather Dining Table and Chairs
By Club House Italia
Located in Vancouver, CA
This beautiful dining table and chairs are made in Italy by Cub House Italia, They collaborated with Bentley Car company to design and manufacture this stu...
Category
21st Century and Contemporary Modern Italian Dining Room Sets
Materials
Leather, Walnut, Burl
Italian Midcentury Set of Giorgetti Dining Table with Chairs from 1980s
By Giorgetti S.p.A.
Located in Vilnius, LT
Italian midcentury Giorgetti dining set including dining table and four chairs.
The dining table is in black painted wood with walnut top and brass details on the legs.
The chairs...
Category
Mid-20th Century Mid-Century Modern Italian Dining Room Sets
Materials
Brass
"Big Iron/Running Gun" Dining Room Set, Iron, James Vincent Milano, Italy, 2023
By JAMES VINCENT MILANO
Located in Milano, IT
“Big Iron/Running Gun” Dining Room Set, Iron, JAMES VINCENT MILANO, Italy, 2023
“Running Gun” Dining Table, Iron, JAMES VINCENT MILANO, Italy, 2023
Irregular hexagonal top. Tripod...
Category
21st Century and Contemporary Brutalist Italian Dining Room Sets
Materials
Iron
"Big Iron" Chairs / "Running Gun" Table, Iron, James Vincent Milano, Italy, 2023
By JAMES VINCENT MILANO
Located in Milano, IT
“Big Iron/Running Gun” Dining Room Set, Iron, JAMES VINCENT MILANO, Italy, 2023
“Running Gun” Dining Table, Iron, JAMES VINCENT MILANO, Italy, 2023
Irregular hexagonal top. Tr...
Category
21st Century and Contemporary Brutalist Italian Dining Room Sets
Materials
Iron
1970s Italian Set of Table & Chairs Attributed to Guiseppe Rivadossi
By Giuseppe Rivadossi
Located in London, GB
This table and 6 chairs from 1970's Italy is attributed to Guiseppe Rivadossi, but the piece is unsigned. The solid walnut table base and chairs hav...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Glass, Walnut
Tito Agnoli for Matteo Grassi Leather Dining Table and Six Chairs
By Matteo Grassi, Tito Agnoli
Located in Oostrum-Venray, NL
Tito Agnoli for Matteo Grassi leather dining table and six chairs.
The table has the same beautiful brown color and is covered with leather. The glas...
Category
1970s Vintage Italian Dining Room Sets
Materials
Leather, Glass
Italy Modern Chairs, Bench and Dining Table in Solid Wood, 1980s
Located in MIlano, IT
Italy modern chairs, bench and dining table in solid wood, 1980s
Set composing by 3 chairs, a dining table and a bench, entirely in solid w...
Category
1980s Modern Vintage Italian Dining Room Sets
Materials
Wood
Philippe Starck Sculptural Dining Chairs for Driade, circa 1980s
By Philippe Starck, Driade
Located in Atlanta, GA
Set of four sculptural "Costa" Model Dining Chairs, designed by Philippe Starck for Driade, Italy, circa 1980s. These chairs are being refinished and reupholstered and can be complet...
Category
1980s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Metal
Italian Design Dining Room Set, Hollywood Regency, Vivai Del Sud Inspired, 1950s
Located in Antwerp, BE
Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s;
...
Category
1950s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Glass, Wood
Osvaldo Borsani / Eugenio Gerli T69 Dining Set for Tecno, Italy, circa 1960
By Eugenio Gerli, Osvaldo Borsani, Tecno
Located in Pijnacker, Zuid-Holland
Iconic dining table and six dining chairs by Osvaldo Borsani and Eugenio Gerli for TECNO, Italy, circa 1960. Four chairs have galvanized metal details and two chairs have brass detai...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Metal, Brass
Carlo Scarpa & Marcel Breuer Naxos Marble “Delfi” Table for Studio Simon, 1969
By Carlo Scarpa, Studio Simon, Marcel Breuer
Located in Vicenza, IT
“Delfi” dining table, designed by Carlo Scarpa and Marcel Breuer and produced by the Italian manufacturer Studio Simon in 1969.
Made of white Nax...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Marble
Dining Room Set with Table and Four Chairs by Giotto Stoppino, Italy 1970s
By Giotto Stoppino
Located in Hellouw, NL
Very nice dining room set by Giotto Stoppino from the 1970s in Italy. This set consists of a dining table and four matching dining room chairs. The table has a tubular, chrome-plated...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Metal, Chrome
Mario Botta Vintage Dining Table & 10x Chairs Set for Alias, Italy, 1980s
By Mario Botta
Located in PEGO, ES
Gorgeous all original dining set by Mario Botta for Alias, Italy 1985, composed of large dining table and 10x La Tonda chairs, excellent condition overall
--Table and/or Chairs CAN ...
Category
Late 20th Century Italian Dining Room Sets
Materials
Metal
Carlo Scarpa Cognac Leather “Kentucky” Dining Chair for Bernini, 1977, Set of 5
By Carlo Scarpa, Bernini
Located in Vicenza, IT
Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977.
Structure made from oak and walnut timber.
Seats and backrest made from cognac leather.
Excellent vintage condition.
Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini.
The architect took inspiration from the “shaker” movement.
He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance.
Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of:
– Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55)
– Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame.
Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza.
Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Walnut, Leather, Plastic
Handmade Silver Plated Spoon Server Jasper Natural Stone Designed Natalia Criado
By Natalia Criado
Located in Milan, IT
Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...
Category
2010s Modern Italian Dining Room Sets
Materials
Stone, Metal, Silver Plate
Vittorio Dassi Iconic Design Mid-Century Modern Italian Dining Table, 1950s
By Vittorio Dassi
Located in Puglia, Puglia
Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950.
The exceptional woodwork is highlighted by the curved green glass top and the rounde...
Category
1950s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Marble
Handmade Silver Plated Spoon Server Green Quartz Stone Designed Natalia Criado
By Natalia Criado
Located in Milan, IT
Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...
Category
2010s Modern Italian Dining Room Sets
Materials
Stone, Metal, Silver Plate
Über Chic Italian Aldo Tura Tobacco Coloured Lacquered Goatskin / Parchment E
Located in Benington, Herts
An über chic Italian Aldo Tura tobacco coloured lacquered goatskin / parchment elliptically shaped dining table by renowned Italian Desinger Aldo Tura in the mid 20th Century, a fine...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Goatskin
Locus Solus, Gae Aulenti, Orange Set with 4 Chairs
By Gae Aulenti
Located in Milano, Lombardia
Made of steel and fabrics with original and unprecedented patterns, Locus Solus is a reissue of a collection designed by the unpredictable flair of Gae Aulenti in 1964. The retro des...
Category
1960s Post-Modern Vintage Italian Dining Room Sets
Materials
Aluminum
Carlo Scarpa Mid-Century Brown Walnut “Scuderia” Dining Table for Bernini, 1977
By Carlo Scarpa, Bernini
Located in Vicenza, IT
“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977.
Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972.
The table features a solid walnut structure.
Available also five “Kentucky” dining...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Walnut
Studio Tetrarck Design for Alberto Bazzani Italy in Years 1970 Set
By Studio Tetrarch
Located in Biella, IT
studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs
original top glass of 0.6 inches tickness
table measue 48 inches diamet...
Category
1960s Modern Vintage Italian Dining Room Sets
Materials
Chrome
Studio Simon Granite Brutalist Samo Table in the Style of Carlo Scarpa, 1970
By Studio Simon, Carlo Scarpa
Located in Vicenza, IT
Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970.
Made of granite.
Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180.
Excellent vintage condition.
The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table.
Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza.
Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Granite
Steel and Glass Coffee Table "Alanda" by Paolo Piva for B&B Italia, 1980s
By Paolo Piva, B&B Italia
Located in taranto, IT
"Alanda" model coffee table, design Paolo Piva for B&B italia, 1980s
inverted pyramid structure in black steel , light signs of wear due to age
Size cm 120 x 120 x 26
will be shi...
Category
1980s Vintage Italian Dining Room Sets
Materials
Steel
1960s Mario Bellini Design First Edit Scacchi Two "Horse" C&B Italy
By Mario Bellini
Located in Biella, IT
Mario Bellini design first edit two horse "scacchi" for C&B italy production years 1968
this is very rare set first edition from C&B Italy and not for the after b&b.
auction ...
Category
1970s Modern Vintage Italian Dining Room Sets
Materials
Acrylic
Vittorio Nobili Mid-Century Teak Medea Dining Room Set with Table & Chairs, 1956
By Vittorio Nobili
Located in Vicenza, IT
Set composed of four Medea dining chairs and their circular table, designed by Vittorio Nobili for Fratelli Tagliabue in 1954.
Made of teak plywood, excellent vintage condition.
Reported at “Compasso d’Oro Prize at Milano Triennale, in 1956.
The Medea chair was manufactured in Italy between 1950 to 1959. The manufacturer of this chair was Fratelli Tagliabue. Vittorio Nobili designed it. Although he designed this chair in vintage times, it is suitable for our modern needs.
This chair adds elegance and looks to its surroundings. This chair was reported at the prestigious Industrial Design Award, Compasso d’Oro, in 1955. Other iconic pieces, such as Soriana by Afra and Tobia Scarpa...
Category
1950s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Iron
Italian Dining Chairs by Gianfranco Frattini Reupholstered
By Gianfranco Frattini
Located in Atlanta, GA
Set of Four Clean Lined Italian Dining Chairs, designed by Gianfranco Frattini for Lema S.P.A., Italian, circa 1960s. The chairs are currently being reupholstered and can be complete...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Upholstery, Plastic, Wood, Maple
1970s Italian Black Oval Folding Table and Four Chairs designed by Mackintosh
By Charles Rennie Mackintosh
Located in Baambrugge, NL
Elegant dining set, designed by Charles Rennie Mackintosh and expertly manufactured in Italy during the 1970s. This set includes a sophisticated oval dining table and four matching c...
Category
1970s Vintage Italian Dining Room Sets
Materials
Mother-of-Pearl, Rush, Ash, Oak
Set of 3 Vintage Chess Coffee Table "Chess" in Work Iron by Luigi Colli, Italy
By Colli Torino
Located in Biella, IT
Luigi Colli Italy set of chess glass coffee table in work iron years ’40 perfect and original condition, very rare.
Top glass with work acid engraved the chessboard in the surface...
Category
1950s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Iron
Set of Round Table and Five Chairs by Willy Rizzo, 1970's
By Willy Rizzo
Located in Lisboa, PT
This set of table and chairs was designed by Willy Rizzo for Mario Sabot, in Italy during the 1970's. The chairs are in lacquered wood, steel and reupholstered with a synthetic leath...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Metal
Tablecloth by Davide Medri
Located in Geneve, CH
Tablecloth by Davide Medri
Materials: mirror mosaic (silver)
Also available in gold.
Dimensions: H 90 x D 120 cm
Davide Medri was born in Cesena on August 7th 1967 and graduated at ...
Category
2010s Modern Italian Dining Room Sets
Materials
Mirror
Mid Century Italian Dining Set by Gianfranco Fratrini
By Gianfranco Frattini, Bernini
Located in Paddock Wood Tonbridge, GB
Dining table and six chairs by Gianfranco Frattini
A table and six chairs designed by Frattini and produced by Bernini in Italy in 1957. The model 552 dining table has two hourglass...
Category
1950s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Rosewood
Selection of Colombostile Furnitures with Swarovski, Handmade in Italy
By Colombostile
Located in Vaughan, ON
Colombostile is one of the most luxurious furniture manufacturers in the world, Michael Jackson's favourite interior designer brand.
This selection of absolutely luxurious Colombostile furniture...
Category
2010s Italian Dining Room Sets
Materials
Crystal
Mid-Century Modern Dining Table & Six Chairs by Umberto Mascagni, Italian, 1950
By Umberto Mascagni
Located in Banner Elk, NC
Mid-Century Modern dining table and six chairs by Umberto Mascagni, the table with a cinnabar red chinoiserie top, the matching six chairs covered in cream and textured vinyl, the ta...
Category
Mid-20th Century Mid-Century Modern Italian Dining Room Sets
Materials
Aluminum
Dining Room Set in Style of Gio Ponti
By Gio Ponti
Located in Los Angeles, CA
Lent of the table close is 53 and open is 70.5 with Butterfly mechanism extension the chairs are regular dimension. Butterfly mechanism extension is functi...
Category
1960s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Cane, Wood
Mid-Century Modern Italian Bamboo Game Table Set with 2 Chairs, 1970s
Located in Prato, IT
Mid-Century Modern Italian Bamboo game table set.
The Table top with green cloth is endorsable to become a normal dining table equipped with two bamboo seats...
Category
1970s Mid-Century Modern Vintage Italian Dining Room Sets
Materials
Fabric, Bamboo, Rattan, Wood
Giorgio Collection Monte Carlo Extendable Dining Table Sycamore Wood High Gloss
By Giorgio Collection
Located in New York, NY
Rectangular table with two extension of cm 48 (19”) with top in ash-burl inlay and curly sycamore veneer in high gloss polyester, finish in dark moka tone and polished stainless stee...
Category
21st Century and Contemporary Art Deco Italian Dining Room Sets
Materials
Steel
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