Italian Dining Room Sets

This dining set by Vittorio Dassi, dating from the 1950s, is a refined example of Italian mid-century modern design. The set includes a glass-top dining table paired with four sculpt...

Unique "Paracarro" model dining table with a set of four chairs. It was designed by Giovanni Offredi and produced by Saporiti in Italy during 1973. Based on a prototype project, i...

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Dining room set with table and chairs, lacquered wood, fabric, Italy, 1970s A lovely dining set made in Italy in the 1970s. This Post-modern set stands as an exquisite centerpiece, ...

Large and round marble table with feet in the shape of lions, Italy.

Vintage Italian Art Deco Rectangular Glass Center Birdseye Maple and Black Lacquer Extending Dining Table with 6 High Back Dining...

Country French Carved Italian Two Drawers Dining Game Table 4 Chairs Set MINT! Table is 40" square X 30"H Mint frames and all the wood details. Up...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

Set of Four Clean Lined Italian Dining Chairs, designed by Gianfranco Frattini for Lema S.P.A., Italian, circa 1960s. The chairs are currently being reupholstered and can be complete...

Circa 1970's Romeo Rega design for Mario Sabot dining table and 4 chairs. Lovely combination of brass, smoke glass and wicker trimmed in chrome make this set a standout in any decoru...

Description: Mid-Century modern dining room sets by Paolo Buffa (La Permanente Mobili Cantu) consists of: long sideboard, small sideboard, table with glass top and four chairs. Orig...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounded...

Refined dining set dating back to the second half of the 19th century, in the Louis Philippe style, consisting of a round inlaid table and six matching chairs. The table features a f...

Baroque Ferrarese burl walnut with neoclassical references , Art Decò age, table with six chairs of the early twentieth century, in solid blond walnut. Shaped oval shaped table, wit...

This elegant 1970s Italian dining set by Marzio Cecchi for Studio Most comprises a striking oval glass-top table and six high-back dining chairs in rattan and stained wood. A masterf...

Table set - 6 dining chairs and Table - Giotto Stoppino Born 1926, Giotto Stoppino was one of the most relevant representative of the Italian Space Age movement. He worked as an ar...

Bamboo and Brass dining set from the 1960s attributed to Vivai del Sud. Table made from bamboo. The tabletop in a stunning herringbone motive. Perfect for use as an indoor use or...

Rectangular table with two extension of cm 48 (19”) with top in ash-burl inlay and curly sycamore veneer in high gloss polyester, finish in dark moka tone and polished stainless stee...

Dining table designed by Umberto Mascagni of Bologna in the 1950s. The main body structure is in solid European wood, covered in brown veined vinyl and anodized aluminum. The legs ar...

Wrought iron patio Salterini “Radar” Collection bistro set with two hoop dining height chairs and a table. Designed by Maurizio Tempestini...

Mid-century dining table and 4 chairs by Salvarani Depositato made in Italy in the 1950s The design is fantastical 'aviator'. The desktop is made from Formica and shows only light w...

Lent of the table close is 53 and open is 70.5 with Butterfly mechanism extension the chairs are regular dimension. Butterfly mechanism extension is functi...

Art Deco dining room consisting of one large sideboard, a dining table and six side chairs. The furniture is ebonized. Decorative fluting on the frames and front of the sideboard uni...

Tulip model table by Eero Saarinen for Knoll, 1955. 90 diameter table, central base in white lacquered cast aluminium and white laminate top, part of the famous Pedestal series desig...

A unique mid-century Italian chinoiserie dining table and six dining chairs, designed by Umberto Mascagni for Harrods. Circa 1960s. Image numbers 6 and 7 show original photographs...

From our hand-painted Furniture Collection, we are pleased to introduce you to our Provenza Bamboo Console with drawers. Finished in a timeless black backround with bamboo criss cross accents, this eclectic console...

Rare dining set by Willy Rizzo. Six chairs and table. Chrome and plated brass. Chairs are re upholstered in a mole cotton velvet Dimensions of table. 175cm x 85cm x 73cm

Fantastic post-modern dining table and 4 lacquer and leather dining chairs made in Italy. 2 tapered geometric V shaped base legs. Thick beveled glass top. Chairs have gentle sloping ...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Ce majestueux ensemble des années 1970, conçu par Osvaldo Borsani, pour Tecno se distingue par sa table aux dimensions de 85 cm x 120 cm et une hauteur de 70 cm, accompagnée de chais...

The table and chairs can be sold separately A Guglielmo Urlich Italian midcentury table and chairs for Palazzi dell'Arte Cantù., in mahogany emerald glass top. Chairs in original le...

Set of Four Medea Chairs Designed by Vittorio Nobili for Fratelli Tagliabue, 1956 This set of four Medea dining chairs features: - Elegant beech plywood shell construction - Sculptu...

They can be sold separately 19th century Baroque round table, extendable, restored with six Luigi Filippo new-upholtered chairs. Table measure cm:...

A Rare Marzio Cecchi Circular Glass, Metal & Wicker Pedestal Dining Table With A Set Of Four Woven S Chairs 1970's Made In Italy 1972 Table diameter 111 cm CHAIRS Height 120cm Wid...

Timeless sophistication and the understated elegance of high-quality pieces distinguish this superb set of tablecloth and twelve napkins. Entirely made by hand, this set is in a deli...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

The T/5140-180 dining table is part of the new Classic collection by Zanaboni: veneered in citronnier and ebony woods, the direction of the veneer is ...

Italian modern dining table, designed by Bertha Schaefer for Singer and Sons, Italy, circa 1950s. This table is currently being refinished ...

Rectangular Dining Table "Andrè" with Chairs - Design classic from the 1960s Discover the charm of the 60s with this beautiful dining table and chair set, designed by Tobia Scarpa for Gavina Knoll. An example of timeless design, this set adds a touch of vintage elegance to any interior. The sturdy chrome-plated metal frame, combined with a thick glass top, provides a durable and stylish dining experience. Despite some signs of use over the years, the set is in good overall condition, ready to take center stage in your dining room. Advantages: Authentic design by Tobia Scarpa from the 1960s. Sturdy and durable with a metal frame and thick glass top. Includes 4 matching chairs with comfortable fabric seats. Adds a vintage charm to any dining space. Good to know The table measures 200cm in width, 74cm in height and 100cm in depth. The chairs have a width of 45cm, a height of 80cm, a depth of 50cm and a seat height of 45cm. Some signs of use are visible, which contributes to the authentic character of this set. Resume Vintage design by Tobia Scarpa for Gavina, 1960s. Stylish and durable with chrome-plated metal frame and thick glass top. Includes 4 matching chairs, perfect for any dining room. This vintage dining table and chair set...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Chinese Red Lacquer Lattice Dining Chairs, Italian, circa 1960s. They retain their original Chinese Red color lacquer finish and caned seats. We ...

Dining table in laminated wood with wooden and satin finish black metal legs with brass feet adjustable in height, complete with six chairs in plywood and bent, with seat covered wit...

Made of steel and fabrics with original and unprecedented patterns, Locus Solus is a reissue of a collection designed by the unpredictable flair of Gae Aulenti in 1964. The retro des...

A set of eight finely carved and gilt dining chairs, all finely distress paint decorative with original horsehair seats. Each alternating chair measures 18 in W, 43 in H, 15 in D. wi...

Elegant Art Deco Dining Room Set – Fine Craftsmanship and Premium Materials. This exquisite Art Deco dining room set showcases outstanding woodworking and high-quality materials. The...

Mid century dining table and six chairs with lift off utensils storage. Excellent design. Great condition. H 48” W 75” D 34.25" (Chairs p...

Inlaid Salon Set by Vittorio Dassi and Piero Del Grande for Dassi Mobili Moderni, 1950s – Set of 12 An exceptional and extremely rare salon set design...

Very rare dining room set by Gaetano Pesce featuring 6x chairs model Dalila and a table model Sansone I. Made by Polyurethane and urethane resin, pre -...

Icon of the Memphis Milano Movement. A set of four Ettore Sottsass Mandarin chairs for Knoll. Black Alcantara upholstery. Arms in red lacquer. Additionally, a Carrara marble round pe...

The iconic Basilan 1 dining set designed by Afra &Tobia Scarpa in 1974 for B&B Italia - under the division of Compagnia dells Filippine. Afra &Tobia Scarpa initiated the design proje...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

Italian Avant Garde Art Deco Style Dining Room Set Exceptional, rare, Italian avant garde Art Deco style dining room set. It was created by an extraor...

Tulip round dining table designed by Eero Saarinen in 1957 and manufactured by Knoll in 1967. Composed of a white lacquered pedestal and a tabletop made of Carrara Arabescato marble...

Dining table and set of six chairs is an original design furniture realized by Umberto Mascagni in the 1950s. The set is composed...

Beautifully carved, gilded and painted Venetian table.

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

Elegant dining table designed by Pier Luigi Colli with finely carved and painted legs decorated with acanthus leaves. Dark red glass top. The same set ...

Set of Six Medea Chairs Designed by Vittorio Nobili for Fratelli Tagliabue, 1956 This set of six Medea dining chairs features: - Elegant beech plywood shell construction - Sculptura...

Mid-Century Modern Dining Set by Marco Zanuzo for Poggi, Italy, 1970s Chairs : 39x43x90 cm Sh 44cm