Italian Dining Room Sets

Chair measurements : Depth: 41cm Width: 55cm Heigh: 70cm Height to the seat : 50cm

Dining room set consisting of Angelo Mangiarotti for Bernini table model 302 with set of six dining chairs model 634 by Carlo De Carli for Cassina Angelo Mangiarotti for Bernini, d...

Nomos round table, designed in 1986 by Sir Norman Foster and produced in 1988 by Tecno. Its gleaming glass tabletop, supported by a black lacquered aluminum structure, offers an unp...

They can be sold separately 1930s amazing dining room in burl walnut flame applied with particular edge to 45 degrees, the furniture industry "Guido Pennati", design attributed to Os...

An über chic Italian Aldo Tura tobacco coloured lacquered goatskin / parchment elliptically shaped dining table by renowned Italian Desinger Aldo Tura in the mid 20th Century, a fine...

Oval dining table with one center leaf of cm 50 (19” ½), inlay top in Ebony Makassar with 6mm filet in Zebra veneer in high gloss polyester. Brushed and chrome stainless steel detail...

Stunning 1970's Tobia and Afra Scarpa Artona dark walnut burl dining table made for Maxalto. Unusual square model, measuring 55" on each side , can seat eight. Good vintage condition...

As part of the Cassigoli Black "for Planet" collection, this handmade coaster set is dressed with an innovative Biomaterial, obtained from the waste materials of wine production, wit...

Impressive antique 19th century Italian Renaissance sideboard set of two. Made entirely of carved walnut wood. The carving work is specta...

Icon of the Memphis Milano Movement. A set of four Ettore Sottsass Mandarin chairs for Knoll. Black Alcantara upholstery. Arms in red lacquer. Additionally, a Carrara marble round pe...

Italian Midcentury Modern Mahogany and Rosewood Dining set, Osvaldo Borsani 1950 Export document needed only for extra EU This exquisite Italian Midcentury Modern dining set, desi...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Modern 20th Century Italian beech table on a spreading four leg pedestal accompanied by a set of six complimentary chairs made of lacquered light w...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounde...

Unique "Paracarro" model dining table with a set of four chairs. It was designed by Giovanni Offredi and produced by Saporiti in Italy during 1973. Based on a prototype project, i...

A Bohemian Curved Bamboo & Cane Three Piece Dining Set from Italy, 1950s Wonderful addition to a contemporary or period garden room, with stow away seats ...

Italian Avant Garde Art Deco Style Dining Room Set Exceptional, rare, Italian avant garde Art Deco style dining room set. It was created by an extraordinary cabinet maker in the 197...

Asnaghi make pieces of furniture that are far more than just that. They create real works-of-art of intrinsic value, Peerless in design and execution, and expected to become heirloom...

Dining room set consisting of a table and six chairs, pine, Italy, 1960s The substantial size, peculiar material use, and superb carvings, combine to form an exceptional ensemble pe...

Nerone Ceccarelli "Cariatide 4" Dining Table For NERONE&NUZZI, wood and glass, Italy, 1983. Designed by Nerone Ceccarelli, Cariatide 4 is a striking dining table created for NERONE&...

Rare dining set by Willy Rizzo. Six chairs and table. Chrome and plated brass. Chairs are re upholstered in a mole cotton velvet Dimensions of table. 175cm x 85cm x 73cm

Elegant Art Deco Dining Room Set – Fine Craftsmanship and Premium Materials. This exquisite Art Deco dining room set showcases outstanding woodworking and high-quality materials. The...

Pink marble dining table designed by Karen Chekerdjian, part of the Inside Out Collection - accessories (fruit bowl, candles, flower vases) ta...

Mid century dining table and six chairs with lift off utensils storage. Excellent design. Great condition. H 48” W 75” D 34.25" (Chairs p...

Wrought iron patio Salterini “Radar” Collection bistro set with two hoop dining height chairs and a table. Designed by Maurizio Tempestini...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Dining table in laminated wood with wooden and satin finish black metal legs with brass feet adjustable in height, complete with six chairs in plywood and bent, with seat covered wit...

Introducing a beautiful Mid-Century Italian dining set designed by Paolo Barracchia for Roman Deco c1978. Set includes a smoked glass top dining table with eight dining chairs constr...

A Rare Marzio Cecchi Circular Glass, Metal & Wicker Pedestal Dining Table With A Set Of Four Woven S Chairs 1970's Made In Italy 1972 Table diameter 111 cm CHAIRS Height 120cm Wid...

Stunning dining set by Leomardo Fiori in teak wood and metal, pro ISA Italy 1950, composed by Measures: 1 table: 140 x 75 cm H 73 cm 6 chairs: 42 x 48 x 84 cm.

Dining set: table + 4 chairs by Pierluigi Molinari for Pozzi Milano, 1960 Materials black lacquered wood and Vienna straw. Dimensions: Table 175 W x 75 H x 78 D cm Chair 41...

Rare Aldo Tura goatskin parchment dining set with six chairs and table with inserted wine cooler, Italy, 1950s. Every piece is in goatskin parchment. The upholstery is from the fine...

The table and chairs can be sold separately A Guglielmo Urlich Italian midcentury table and chairs for Palazzi dell'Arte Cantù., in mahogany emerald glass top. Chairs in original le...

This set of a table and six Italian dining chairs was designed by Carlo Ratti in the 1950s. Both, the chairs and the matching table were manufactured by the company Industria Legni C...

Set of Four Medea Chairs Designed by Vittorio Nobili for Fratelli Tagliabue, 1956 This set of four Medea dining chairs features: - Elegant beech plywood shell construction - Sculptu...

Wonderful refinished Mid 20th Century Dining Set For Dassi Mobili Moderni by designer Edmondo Palutari. The set consisting of a tapered rectangular shaped dining table with two leave...

Locus Solus set is composed of four chairs with a structure in tubular steel a seat in padded leather and a table with a frame in tubular steel and a glass table top. The Locus Sol...

Rare set of 1960s Italian table and six chairs with elaborately detailed backs, in the design of a sheaf of wheat. Raised on gorgeous slim legs with X stretchers, Classic Italian gil...

A fine and rare Italian 19th century Baroque style oak-carved figural credenza cabinet. The upper part with a pair of colorful Vitreaux (Stained glass) panelled doors, surmounted on ...

Midcentury Living Room Table w/Black Glass Top and six chairs Product details Table Dimensions : 160 w x 80 h x 87 d cm. Chair dimensions: 39 w...

A fine and rare Italian 19th century Baroque style carved oak figural single-door vitrine cabinet. The upper surmounted on each side with a figure of a young fisherman holding a fish...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Made of steel and fabrics with original and unprecedented patterns, Locus Solus is a reissue of a collection designed by the unpredictable flair of Gae Aulenti in 1964. The retro des...

Country French Carved Italian Two Drawers Dining Game Table 4 Chairs Set MINT! Table is 40" square X 30"H Mint frames and all the wood details. Up...

A unique mid-century Italian chinoiserie dining table and six dining chairs, designed by Umberto Mascagni for Harrods. Circa 1960s. Image numbers 6 and 7 show original photographs...

Maurizio Tempestini for Satlerini Patio Set, White Reed Enameled steel 1960s. Rare set includes 4 lounge chairs and coffee table. Original finish. Lovely and relaxing alternative to ...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

From our hand-painted Furniture Collection, we are pleased to introduce you to our Provenza Bamboo Console with drawers. Finished in a timeless black backround with bamboo criss cross accents, this eclectic console...

The “778” model is an example of solid wood boards arranged to form a C-shaped frame. The table, with a top that opens, is supported by four trestles, two of which are a few centimet...

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

Sehr besonderes und seltenes Esszimmer Set vom niederländischen Designer Derk Jan De Vries für Maisa Di Seveso Mailand aus der „Samara“ Serie, bestehend aus einem quadratischen Essti...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Set of Six Medea Chairs Designed by Vittorio Nobili for Fratelli Tagliabue, 1956 This set of six Medea dining chairs features: - Elegant beech plywood shell construction - Sculptura...

A beautiful pair of vintage 1960's Italian chairs with elaborately detailed backs in the design of a sheaf of wheat along with the original bistro table. Raised on gorgeous slim leg...

Rectangular table in Brazilian rosewood satin finish with Italian walnut inlay top with 2 extension of cm. 48 (19”) each. Brushed steel accents on the base. Art Deco Size 78’’ ½ W ...

Medea dining circular table, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak iron and brass, excellent vintage condition. Reported at “Compasso d’Oro Prize...

This dining set by Vittorio Dassi, dating from the 1950s, is a refined example of Italian mid-century modern design. The set includes a glass-top dining table paired with four sculpt...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

Oskar 705 Scalene Triangular Table by Cassina. Designed by Isao Hosoe in 1991. The crystal glass tabletop is supported by three conical legs upholstered in Russian red saddle leather...

Very rare dining room set by Gaetano Pesce featuring 6x chairs model Dalila and a table model Sansone I. Made by Polyurethane and urethane resin, pre -...