20th Century Dining Room Sets

A fantastic Curvilinear dining table by Paul Evans for Directional circa 1970s. Model PE-509 with Olive Burl wood patchwork contrasting the shades of brass. Heavy and substantial, th...

Sturdy and handcrafted dining chairs with matching table produced by Depuydt Kunstmeubelen in Belgium. The entire set is made out of solid oak. It's rare to have the chairs and...

Charming set it 4 folding chairs with matching folding table. Table: 34.5” x 34.5” top 29” high Table folded: 34.5”D x 34.5”W x 2.75”H Chairs: 16”w 19”d 37”h Seat Height 18.5” Ch...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Billy Haines style faux bamboo and bronze dining set. The table and chairs have faux bamboo wood frames with bronze mounts. The table has a smoked glass top. There are four chairs wi...

Foldable winemaker's table in solid oak Wear consistent with age and use. Circa 1940s - Rustic - Nice patina Measures : Ø 110,5cm H:70,5cm Material : Wood

An incredible rare dining set designed by Nanna Ditzel for Domus Danica, circa 1969 A set of 4 untouched dining chairs with a rare vinyl upholstery and a large dining table. M...

Origin: Denmark Designer: Erik Buch Manufacturer: O.D. Møbler Era: 1960s Materials: Teak Measurements: 30″ wide x 21.75″ deep x 20.5″ tall

Henry Link Pencil Reed and Wicker Dining Set, Made in the Philippines – 5-Piece Five-piece dining set by Henry Link, made in the Philippines. Includes four wicker chairs with new Su...

Set of six mid century chrome dining chairs in the style of Milo Baughman, American, circa 1960s. These chairs are currently being reupholstered and can be completed in your fabric. ...

Sophisticated dining set Ebonized Mahogany wood dining table Six blue velvet chairs Mexico circa 1950s Attributed to Eugenio Escudero. Unmarked. Set includes six dining chairs and an oval shaped dining table. Mahogany Wood ebonized with black lacquer. Chairs have brass accents and blue velvet seats. Very comfortable. Original preowned vintage condition. Wear consistent with age and use...

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished with leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us about using the material rationally, having the design as a tool to avoid waste. Aesthetically, the patchwork explores the different tones of the Brazilian rosewood beautifully, achieving a unique result. At the time, the Guanabara table was presented as a dynamic piece that could be used in the corporate spaces (as a meeting...

Odd rattan bases with woven faux leather seats with high backs. Table has rattan base with oval glass top. 2 arm chairs measure 49" H x 26 1/4" W x 26" D. Seat height 18 1/2". 6 ...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

A rare and exclusive modernist dining set from the renowned Italian label Giorgetti from their “New Gallery” collection. A large table and six cha...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisitely designed, hand made in England occasional dining table with Celtic design top and three Geo...

Mobichalet, set of dining table and a pair of benches, oak, beech, Belgium, 1950s. This rustic dining set will come forward nicely in a relaxing a...

An outstanding vintage Italian lacquered dining table and chairs by Pierre Cardin for Roche Bobois. This was made in Italy, it dates from around the 1970’s. The quality is fantastic...

Beautiful tripod dining table model "Eros" from the Italian designer Angelo Mangiarotti from the 70s. The legs (independent) and the top are in Car...

Round dining table - Entrance table hallway - 120 diameter Offered for sale is a modern eclectic dining set, made with a set of four Monk chairs by Afra & Tobia Scarpa for Molteni ...

An Elegant And Timeless French Late Art Deco / Modern Neoclassical dining room table in cherry by Andre Arbus. The table without leaves is 72" long....

Maison Jansen Style Triple Pedestal Ebony Dining Table. Part of our extensive collection of over forty dining tables and chair sets as seen on this site, thus why we are referred to ...

Large and round marble table with feet in the shape of lions, Italy.

We are delighted to offer for sale this sublime Stewart Linford handmade in England Burr Yew & Elm extending dining table and eight Windsor chairs RRP ...

Exceptional hand woven rattan dining set circa 1970. 1 table, 2 armchairs and 4 chairs. Incredible rattan work, very good condition. Rare!

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Vintage French Art Nouveau Style Wrought Iron Garden Patio Dining Set - 5 Pc Set. Set includes 4 dining chairs with leafy detail to backs and round perforated seats. Table includes a...

Mobichalet, set of dining table - pair of benches - stool, oak, beech, Belgium, 1950s This rustic dining set will come forward nicely in a relaxing ...

Oak dining chairs, Dutch Art Deco era, Hague school, 1928. Minimalist and modern for its time. Truly an Avant-Garde item. Certainly an inspiration for later Scandinavian Modern desig...

Vintage 1980s Spanish handcrafted bronze and glass 10-seater round table signed "González".  

We are very pleased to offer a stunning dining table attributed to Suzanne Dahl & Jerry Barich, circa the 1970s. Tusk-shaped legs, lucite, brass, and glass, all exquisitely combined ...

Teak door table made in Australia and shipped to Coeur d'Alene by a doctor. Teak frame and post legs with inset vintage heavily iron decorated teak door. In...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely sublime American Mahogany Kesterport Dining table & Chair suite Please note the delivery fe...

1970s Bamboo Dining set Product Details Glossy-finish pressed bamboo table + 4 chairs and 2 armchairs, complete with cushions. Chair dimensions: 50 W x 101 H × 50 D cm Table dimensio...

Incredible vintage bohemian bamboo rattan dining set. Set contains 4 exceptional flared arm chairs with a matching dining table base which holds up a large square beveled glass top. ...

Set of six Mid-Century Modern Dining Chairs, Milo Baughman style, Chrome, Fabric Set of six Mid-Century Modern dining room chairs comprised of four side chairs and a pair of arm chairs...

Carlo Hauner and Martin Eisler are most known for well-shaped armchairs made in iron, but the production is away more complex, handcrafted, and extensive. The wood pieces produced by...

Splendid Set of Four Leggera Chairs and Round Table by Gio Ponti for Cassina. This set in Oakwood is a very early edition each chair carries the red metal tag Figli di Amedeo Cassina...

Vladimir Kagan (American, 1927-2016) Eva Dining Room Set, Vladimir Kagan Designs, Inc., USA, circa 1983 Pieces can be purchased separately. Please inquire for separate pricing. Provenance: Property from the Personal Collection of Vladimir Kagan Birdseye maple veneer, painted and lacquered wood, Fully Refinished Table...

This unique Sheraton style mahogany dining table features swing legs which is perfect in case you need more space at times and features fluted legs with brass castors. Four handsome ...

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

A striking Mid-20th Century metal faux bamboo dining set featuring a Chippendale-style design with an original aged yellow finish in the manner of Phyllis Morris. The set includes si...

Elegant and unusual outdoor/garden dining set, comprising a large square table and four large armchairs. The structure is made of hand-wrought iron, and the table top and chair seats...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d...

✨ Vintage Teak Elegance from the 1980s ✨ This stunning Oval Teak Patio Dining Table set is a timeless piece from the 1980s that effortlessly combines style, quality, and functionali...

Vintage Chinese Harwood Chinoiserie Dining Room Set Table 8 Chairs - 9 Pc Set. Listing includes (1) 24" leaf, (2) armchairs, (6) side ch...

Mid-Century Ercol Grand Windsor Extending Dining Table by Lucian Ercolani  Elegant and Functional Mid-Century Ercol Grand Windsor Dining Table This vintage dining table is an iconic example of British mid-century modern furniture, ideal for adding a sophisticated touch to any dining space. Beautiful Solid Elm Top with Extendable Dining Space The Ercol Grand Windsor Dining Table features a solid elm wood top with a rich, natural grain that adds warmth and character to any room. Designed with versatility in mind, this extendable dining table transforms from a compact 152cm, suitable for small family meals or daily use, to a generous 224cm, perfect for hosting dinner parties or large gatherings. Standing at 72cm in height and 82 cm in width, the table is supported by sturdy, splayed beech legs, delivering both stability and visual appeal. Timeless Mid-Century Style and Collectable Value Crafted circa 1960, this mid-century modern dining set is in excellent vintage condition, showing light wear that adds to its authentic character. Perfect for both modern and traditional interiors, this iconic design by Lucian Ercolani enhances any home with collectable mid-century furniture value and investment potential. Why Choose the Mid-Century Ercol Grand Windsor Dining Table? Designed by Lucian Ercolani, a pioneer of British mid-century modern furniture Features an extendable solid elm wood tabletop for adaptable dining Solid wood construction with splayed legs and ergonomic Quaker chairs...

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...

MINT Country French Parquetry Top Table 6 Dining Chairs 2X22" Extension Board Leafs Table Dimensions: 46" x 76" x 30" 2x22" leaves with an extended table length of 120"

Exquisite set of 4 Charles Rennie Mackintosh “309 Ingram” dining chairs for Cassina in stained cherry and black leather. The 309 Ingram dining chairs, designed by Charles Rennie Ma...

Sculptural Elegance with Iconic 1960s Flair. Bring architectural drama and timeless style to your dining space with this striking Mid-Century Modern dining set inspired by the iconic...

Beautiful, minimalist chic dining table and credenza set. The top of the table and credenza end in pagoda-style beveled edges. Tapered legs. Lovely warm c...

Faux Bamboo Compact Dining 34x34 Game Table 1 Leaf 4 Chairs Set MINT! The table measures: 34x34x29 + 18" extension leaf.

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

A spectacular dining table, modernist, constructivist, free-form, bamboo structure with dynamic lines, large wooden top inlaid with wicker checkerboards, by Audoux-Minnet, France 197...

An Original & Rare Black Ash & Aluminium Arkana Circular Dining Table With Three Black & Orange Matching Tulip Model 115 Dining Chairs Engraved with mak...

A lovely little vintage cast aluminum dining set by Robert Josten from the 1970’s. Dark wood seats. The table is somewhat rare in this shape and size. The wood seats are in good con...

Rare set of 1960s Italian table and six chairs with elaborately detailed backs, in the design of a sheaf of wheat. Raised on gorgeous slim legs with X-stretchers, Classic Italian gil...