20th Century Dining Room Sets

Set of Antique Rajasthan Courtyard Door Dining Table with 6 Spanish Oak and Leather Chairs This is a large antique Indian dining table from the 19th...

Incredible vintage bohemian bamboo rattan dining set. Set contains 4 exceptional flared arm chairs with a matching dining table base which holds up a large square beveled glass top. ...

Rectangular Dining Table "Andrè" with Chairs - Design classic from the 1960s Discover the charm of the 60s with this beautiful dining table and chair set, designed by Tobia Scarpa for Gavina Knoll. An example of timeless design, this set adds a touch of vintage elegance to any interior. The sturdy chrome-plated metal frame, combined with a thick glass top, provides a durable and stylish dining experience. Despite some signs of use over the years, the set is in good overall condition, ready to take center stage in your dining room. Advantages: Authentic design by Tobia Scarpa from the 1960s. Sturdy and durable with a metal frame and thick glass top. Includes 4 matching chairs with comfortable fabric seats. Adds a vintage charm to any dining space. Good to know The table measures 200cm in width, 74cm in height and 100cm in depth. The chairs have a width of 45cm, a height of 80cm, a depth of 50cm and a seat height of 45cm. Some signs of use are visible, which contributes to the authentic character of this set. Resume Vintage design by Tobia Scarpa for Gavina, 1960s. Stylish and durable with chrome-plated metal frame and thick glass top. Includes 4 matching chairs, perfect for any dining room. This vintage dining table and chair set...

Rare set of Danish and American mid century dining set by Poul Kjærholm and Mira Nakashima. The iconic round PK54 table with cippolini marble and steel base is produced and stamped b...

This is a handsome oiled-walnut dining set designed by Bertha Schaefer for M. Singer & Sons in 1952 and produced in Italy for the Singer Modern collection. The set includes a large o...

Oak dining chairs, Dutch Art Deco era, Hague school, 1928. Minimalist and modern for its time. Truly an Avant-Garde item. Certainly an inspiration for later Scandinavian Modern desig...

Martin Eisler created this original table in the 1950s to take advantage of space, assuming two positions: in the normal position, it serves as a dining table for up to six people; i...

A walnut extending dining table, circa 1960s Extended width 182cm

This early 20th century tea table and set of four stools were carved of a fine hardwood with a tight grain and beautiful, warm coloring. The detailed style of carving on the legs and...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Antique Art Deco Dining Table with 6 Chairs (circa 1935) Description: This exquisite dining set, consisting of a table and six chairs, embodies the elegance and craftsmanship of th...

Billy Haines style faux bamboo and bronze dining set. The table and chairs have faux bamboo wood frames with bronze mounts. The table has a smoked glass top. There are four chairs wi...

Baker Charleston Collection double pedestal mahogany banded dining table w/ 3 extension leaves 6 chairs set. Chair: 19 × 22 x 38 inches ...

Large 5 pcs Mid Century Modern Glider Chair Sofa Loveseat & Two Side End Tables Wrought Iron. Settee: 24x51×33, seat: 18 Triple Chair: 24×74×33, seat: 1...

An incredible rare dining set designed by Nanna Ditzel for Domus Danica, circa 1969 A set of 4 untouched dining chairs with a rare vinyl upholstery and a large dining table. M...

Art Deco Dining Room Set: - Long sideboard with dark lacquered doucine veneer finish, nickeled door handles, three doors and internal cedar wood dr...

Organic table and its 4 stools, rattan, rafia, rope and branches, circa 1970 Measures: table: H 73 cm D 70 cm Stools: H 42 cm D 31 cm.  

A drop-leaf console table opens to seat, six (6) for dining. Set complete with two banquette chairs and four side chairs.

Tommi Parzinger Race Track dark walnut finish Hollywood inlaid dining table Parzinger originals, with two leaves 20” each.  

Made in Italy, 1950s. It features a maple and beech frame and brass feet caps. This table has a glass top that underneath has its original marble patterned film. It is a vintage pie...

Exceptional Danish Modern dining set having four chairs and a table. Designed by Nanna Ditzel, made in Denmark by Frederica Stolefabrik circa 1993. Very rare to find a set still in...

A gorgeous dining set made of Brazilian rosewood by Dyrlund in Denmark, circa 1960s. Includes 6 chairs recently reupholstered in an ivory performance fabric, and a table that include...

Dining set, France, around 1920. Very good condition. Wood: oak dimensions table height 78 cm length 129 cm length after unfolding 240 cm depth 100 cm chairs height 100 seat hei...

Dining room set consisting of a set of six dining chairs by Ernesto Valabrega paired with a dining table by Biosca Ernesto Valabrega, set of six dining chairs, oak, leather, iron, ...

Designed by Gilbert Marklund for Furusnickarn AB, Sweden 1970s. Unique and durable, solid pine wood dining table in original condition. Exceptionally sturdy, showcasing impressive Sc...

Foldable winemaker's table in solid oak Wear consistent with age and use. Circa 1940s - Rustic - Nice patina Measures : Ø 110,5cm H:70,5cm Material : Wood

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

Danish Modern Mahogany dining table, designed by Frits Henningsen, Denmark, circa 1930s. This dining table is currently being refinished and the leaves will be re-veneered, as their veneer was missing when we purchased the set. It expands from a compact 43" circle to an impressive 108.5" oval with all three of it's leaves installed. We also have the matching dining chairs from the same estate currently listed on 1stdibs. Please see last photos. This listing and pricing is for the dining table only.

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

Refined dining set dating back to the second half of the 19th century, in the Louis Philippe style, consisting of a round inlaid table and six matching chairs. The table features a f...

An Andre Arbus bleached fruitwood draw -leaf dining table and eight dining chairs, circa 1935. The rectangular parquetry top with matching leaves, ...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

This beautifully restored Frankl style mid-century rattan dining set features four dining chairs and a dining table. This minimal yet elegant dining table and chair set features a st...

Wonderful and unique wood dining set of unusual design, comprised of a table and four chairs. The chairs have curved cockfighting-style backs with an interesting geometric pattern...

A very well made custom New Haven Woodworks arts & crafts style oval cherry wood table with square tapering legs and covered with a granite top. The table is accompanied by 2 arm cha...

Beautiful Dutch dining set manufactured by L.O.V. (Labor Omnia Vincit - Labor Overcomes Everything) in the mid-1920s. It was innovator Gerrit Pel...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

Henry Link Pencil Reed and Wicker Dining Set, Made in the Philippines – 5-Piece Five-piece dining set by Henry Link, made in the Philippines. Includes four wicker chairs with new Su...

Important Rare Gustav Stickley Sideboard. This is one of the nicest Sideboards designed by Harvey Ellis for Gustav Stickley! This piece has several instances of true Through Tenon ...

A Bohemian Curved Bamboo & Cane Three Piece Dining Set from Italy, 1950s Wonderful addition to a contemporary or period garden room, with stow away seats ...

Art Deco dining room consisting of one large sideboard, a dining table and six side chairs. The furniture is ebonized. Decorative fluting on the frames and front of the sideboard uni...

Baroque Ferrarese burl walnut with neoclassical references , Art Decò age, table with six chairs of the early twentieth century, in solid blond walnut. Shaped oval shaped table, wit...

Vintage 1980s Spanish handcrafted bronze and glass 10-seater round table signed "González".  

Dining table (2 Armchairs and 6 chairs) Year: 1900 Country: French Material: golden iron It is an elegant and sophisticated dining table. You want to live in the golden years, this ...

Original Spaghetti Patio chairs and matching rectangular table with reversible top in all Black by Giandomenico Belotti for Alias Made in Italy. Gorgeous Minimalist Italian design fr...

Mid Century Modern Atomic Space Age Richard McCarthy for Selrite Style Forged Wrought-Iron and Oak Captain Chairs & Pedestal Base Glass Top Table ...

Midcentury Modern Italian Dining set Midcentury modern dining set made of six iron and faux leather chairs and a big wood and iron table...

Vintage Rustic Reclaimed Barnwood Extending Rectangular Dining Set Gorgeous rustic reclaimed barnwood extending 2 end leaf French oak rectangular dining table and 6 matching high b...

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

A stunning dining table crafted by a Danish cabinetmaker in luxurious rosewood, featuring a Dutch extension mechanism, dating back to the 1960s. This dining table epitomizes the ele...

Rare dining set with table, bench and 2 chairs. Dinning room set By Ilmari Tapio vaara, designed in the 1950ties. This set is in good vintage condition. Dimensions: Table : 12...

Wonderful 1960’s vintage Mid-Century Modern spun fiberglass forest green painted outdoor or patio dining table & four armchairs on casters. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. New paint but not done by us. Needs cushions. Please see photos and zoom in for details. We attempt to portray any imperfections, circa, Mid-20th Century. Who needs to go to a fancy restaurant for dinner when you can stay home and have fine dining like this? This is a fabulous spun fiberglass outdoor dining set comprised of a table with a cinched pedestal base and a round top with a glass insert and four armchairs on casters. So often pieces like this are Attributed to Russell Woodard, and throughout the design community there are debates and discussions as to what in fact defines a Russell Woodard piece, but in fact he never produced spun fiberglass furniture...

Round table with chairs in Art Deco style, POLAND, 1940s. Very good condition, after professional renovation and replacement of upholstery. Wood: walnut dimensions : table height...

Table with chairs for dining room in Art Deco style, Poland, around 1940. Furniture in very good condition, after professional renovation. Chair seats have been covered with new nat...

Art Nouveau Bar for sale in wood Private Collection

Original walnut extendable table, designed by Louis Majorelle, with 6 Art Deco chairs. The elegant walnut chairs have been renovated and upholstered with new beige fabric. The walnut...

Elegant and unusual outdoor/garden dining set, comprising a large square table and four large armchairs. The structure is made of hand-wrought iron, and the table top and chair seats...

A rare and exclusive modernist dining set from the renowned Italian label Giorgetti from their “New Gallery” collection. A large table and six cha...

Sculptural Elegance with Iconic 1960s Flair. Bring architectural drama and timeless style to your dining space with this striking Mid-Century Modern dining set inspired by the iconic...