Walnut Dining Room Tables

Florence Knoll for Florence Knoll International, large dining table, walnut, metal, United States, 1963. Large dining or conference table with boat shaped top in walnut. The table has six cylindrical metal legs. The top of this table shows the beautiful grain of the luxurious walnut. Nicely contrast of the natural and elegant top with modern and clean base. Due to its tapered shape, everyone at the table will be able to look each other in the eye. A perfect table for any dinner or meeting. Florence Knoll (1917) was trained as an architect and had a sense of style from a very young age. During her school time at Cranbrook, Eliel Saarinen (then the headmaster) and his family included her in their family. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and (as if the long list of eminent designers is not long enough) Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York she worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...

Frank Lloyd Wright “608 Taliesin” dining table for Cassina, walnut, Italy, 1986. This dining table was designed for the Kansas governor and state senator Henry J. Allen in 1917. Rec...

From Niagara Furniture, a vintage Berkey and Gay Banded Dining Table in overall great condition. The top has some minor surface scratching which ca...

Rare Mid Century Studio Craft Sculptural live edge Walnut Dining Table or Desk by James Martin. Handmade in the USA - New Hope, PA. All Solid American black walnut wood. James Martin...

Kipp Stewart for Drexel Declaration midcentury Walnut Dining Table This dining table measures: 47.25 wide x 47.25 deep x 26.25 high, with a chair clearance of 25.5 inches All p...

A fabulous vintage Boho dining table. A chic farm table with a beautiful patinated finish. Made of a solid walnut with carved details in the ...

Italian drop leaf dining table or desk, Italy, circa 1970s. Interesting drop leaf joinery on either side. This would be the perfect size for an NYC apartment...

Preben Fabricius & Jørgen Kastholm for Kill International, walnut, metal, Denmark, 1970s This rare dining or conference table is designed by Preben Fabricius & Jørgen Kastholm for K...

Beautiful live edge walnut slab dining table the style of Nakashima. 3" thick slab with live edges on both sides and butterfly joints and an o...

This gorgeous midcentury table is incredibly practical. Because of its dimensions and purposeful design, it can serve as a dining table, a conference table, or as a majestic desk. The oval top, which is 1, 1/4 inch thick, has many alluring design elements, including a starburst pattern to the inlaid walnut top. The edge treatment includes an solid walnut bullnose tip crowning a knife-edge profile, as seen in the iconic designs by Florence Knoll. The base consists of a thick column supported by four splayed legs having levelling pods at the end of each. The base is constructed of steel and has a bronzed finish. Both the brass and paper manufacturer labels are intact on the underside of the top. There is a warm patina to the original finish on the walnut top. There are a few hard-to-see blemishes. And there is minor oxidation to the base. The table is quite heavy, but the design of the splayed legs more than adequately supports the expansive surface. So, no wobbling. You will love the original condition of this vintage and classic...

European Style Coffee Table with Scalloped X-bar Stretcher A Renaissance revival walnut cocktail table with carved legs, finial and 'x' stretchers. 48" x 30" x 22".

An extremely rare design by Mario Bellini for Cassina. The La Corte dining table was only produced in very limited numbers. After the famous exhibition ‘Italy: The New Domestic Lands...

Afra & Tobia Scarpa for Maxalto, 'Artona' dining table, walnut, walnut burl, lacquered wood, brass, ebony, Italy, 1975/1979 This table was designed by Afra & Tobia Scarpa within th...

Broyhill Brasilia midcentury walnut dining table with 1 leaf. This table measures: 66 wide x 40 deep x 29.75 high, the leaf measures 12 inches wide, making a maximum table width o...

Jens Risom midcentury Dining Table Walnut with 3 Legs This dining table measures: 48 wide x 48 deep x 28.75 high, with a chair clearance of 27.25 inches All pieces of furniture...

Martin Visser inspired midcentury center or dining table with pedestal black enameled base and walnut hexagon top. The striking shape of the top is also reminiscent of Charlotte Perr...

Produced by Mobilgirgi Italia in 1975 Chairs: Set of six robust Italian dining chairs with saddle-stitched leather seats, black colored. Very comfortable even for larger sitters despite the slim profile. Dimensions: 50 x 47 x 82cm, assise 45 cm. Dining table in walnut, dimensions 209 x 89 x 76 cm. Sideboard: manufactured by Mobilgirgi in Italy in the 1970s. Very rare walnut sideboard. Dimensions: 250 x 50 x 79.5 cm. Showcase furniture...

Lane perception midcentury walnut expanding dining table with 2 leaves. This table measures: 42 wide x 42 deep x 29 high, with a chair clearance of 25.25 inches, each leaf measure...

Swedish design dining room table. this square design table is very practical and elegant, its light color makes it easy to combine with other colors in the room. Perfect for a modern...

Exceptional dining, or conference table, having a thick solid walnut top, which is supported by a bright chrome pedestal base with four chrome legs which radiate from the center pole...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Young Manufacturing midcentury walnut dining table with 2 leaves This table measures: 44.25 wide x 44 deep x 29.25 high, with a chair clearance of 25.5 inches, each leaf measures ...

A profound dining table from the noteworthy Stately Homes Collection by Baker Furniture, circa 1980s. Drawing inspiration from English Chippendale and Queen Anne Styling. The tab...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Italian dining table, designed by Luciano Frigerio for the Frigerio - Desio company. It is part of the Norman series, made of dark Italian walnut, reminiscent of the keys of a piano...

Franco Poli Table “Cangrande” in Walnut for Bernini, Italy 1970s A superb solid walnut wood table with a lovely beveled crystal top with sandblasted frosted bands by Italian designe...

Silvio Coppola design walnut dining table for Bernini, Italy. Post modern table with interesting architectural bases on rounded splayed legs. Made with book matched walnut veneer on ...

1980s Louis XV or Provincial inspired breakfast or dining table. Made from walnut with a washed base. Features a natural top over a serpentine cut apron, dovetailed drawer with brass...

Seats up to 10 people. The dining table was designed by Baughman for Directional and is comprised of the finest hand selected fletches of book matched veneers in: walnut, rosewood, English brown oak...

Jack Cartwright for Founders mid century walnut drop leaf dining table This table measures: 27.25 wide x 54.25 deep x 29 high, with a c...

Walnut cross-banded extension dining table with 1 leaf on a single quadruped base. It’s original finish in good condition with underlying craquelure effect to the finish.

Blowing rock mid-century walnut dining table This table measures: 60 wide x 42 deep x 30 inches high, with a chair clearance of 26 inches All pieces...

Dunbar Mid Century Expanding Hidden Leaf Walnut Dining Table with 2 Leaves This table measures: 64 wide x 42 deep x 28 high, with a chair clearance of 25 inches, each/the leaf measu...

60s 70s walnut dining table Wilhelm Renz dining table folding table Object: dining table Manufacturer: Wilhelm Renz Condition: vintage ...

Kipp Stewart for Drexel declaration mid century walnut dining table This table measures: 60.5 wide x 40 deep x 29.5 high, with a chair clearance of 26 inches All pieces of furn...

Stylish and elegant Italian Mid-Century Modern dining table, 1970. The tabletop shape is rectangular with thick glass, the base is in a splendid walnut root with refined brass detail...

American Studio craft solid beautiful Hardwood & walnut dining table style of Wharton Esherick with 4 carved legs. Curved organic table design made in the style of Wharton Esherick. All Solid Hardwood great vintage condition. Comes with 1 leaf with wood grain in the opposite direction. Great American design Studio craft dining table...

Futurist dining or conference table with a light walnut top. Designed by Norman Foster for Tecno. Italy around 2000.

Broyhill Saga mid century dining walnut surfboard dining table Table measures: 50 wide x 36 deep x 30.5 inches high; the leaf is 12 inch...

Paul McCobb for Calvin mid century walnut and brass dining table with 6 leaves This table measures: 62.25 wide x 41.25 deep x 29 high, with a chair clearance of 28 inches, each le...

Craddock furniture mid century walnut surfboard dining table Table measures: 60 wide x 40 deep x 30.25 inches high All pieces of furn...

An incredible, one of a kind, dining table designed and made by Charles Faucher in 1975. Table consists of three leg posts with a section of walnut petals between each leg. Walnut petals are separated by thin pieces of maple adding to the dramatic effect. Table features an opening in the middle which is exposed to showcase the construction details. Comfortably sits 6 with large dining chairs...

Mid Century Expanding Walnut Dining Table with 2 Leaves This table measures: 66 wide x 42 deep x 30 high, with a chair clearance of 26...

An exceptional French Provincial Louis XV style extension dining table By John Widdicomb USA, Circa 1980s Gorgeous book-matched figured walnut, with carved solid walnut cabr...

Oval table in solid walnut with 4 legs connected by a frame in the same wood which supports a large white marble top slightly veined in black. French polish. In the style of Tobia...

An exceptional Italian Provincial or Mediterranean style extension pedestal dining table By Henredon, "Amalfi Coast Collection" U...

Drexel Dateline mid century walnut dining table The table measures: 24 wide x 24 deep x 29.5 high, with a chair clearance of 23.5 inches All piec...

A beautiful dining table designed by Angelo Mangiarotti and manufactured by La Sorgente Dei Mobili, Arosio, in the early ’70s. A very rare example with dark blue cast iron lacquered...

Broyhill forward 70 mid century walnut dining table with one leaf This table measures: 60 wide x 40 deep x 30 inches high; with a chair clearanc...

Lane Rhythm mid-century walnut drop leaf expanding dining table with 2 leaves The table measures: 62 wide x 42 deep x 29.25 high, with a chair clearance of 25.75 inches; each leaf...

Ansager Mobler mid-century Danish walnut hidden leaf dining table This table measures: 35.5 wide x 35.5 deep x 30 high, with a chair clear...

Mid Century walnut folding dining table This table measures: 28 wide x 28 deep x 28 inches high, with a chair clearance of 25 inches ...

Mid-Century Modern walnut dining table by Tomlinson Furniture. America circa 1970’s, composed of walnut and Carpathian elm. Masterfully restored in a modernized 2-tone satin finish. ...

Mid-Century Modern walnut elliptical starburst design dining table by Stow & Davis furniture company - often attributed to Osvaldo Borsani (we suspect it is). Featuring a rich walnut starburst...

Broyhill style mid century walnut laminate dining table Table measures: 58 wide x 41 deep x 29 high, with a chair clearance of 25.5 inches All pieces of furniture can be had in...

Lawrence Peabody Mid Century Walnut Dining Table with 2 Leaves This table measures: 47 wide x 47 deep x 30 high, with a chair clearance of 29.5 inches (The leaf measurements are pen...

This newly refinished cerused oak and walnut extendable dining table by Lou Hodges for California Design Group, circa 1979, has incredible vivid oak graining throughout with walnut a...

A stunning heavy parquetry dining table. Extendable with two self contained leaves of 16 inches each. Amazing banded and book matched parquetry work of various Solid woods species, ...