Poul Kjaerholm Model PK-54 Dining Table
- Of the Period
- Place of Origin
- Date of Manufacturecirca 1963
- Materials and Techniques
- Condition DetailsCippolino Marble has a hairline crack that has been expertly repaired.
- WearWear consistent with age and use.
- DimensionsH 25.5 in. x Dm 55 in.H 64.77 cm x Dm 139.7 cm
- Diameter55 in. (139.7 cm)
- Seller LocationSan Francisco, CA
- Reference Number1205319086509
Shipping, Returns & Payment
- ShippingRates vary by destination and complexityShipping methods are determined by item size, type, fragility and specific characteristics.Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
- Return Policy
This item cannot be returned.View details
- Online Payment Methods1stdibs accepts the following payment methods
About Poul Kjærholm (Designer)
A trained cabinetmaker, Poul Kjærholm’s use of industrial methods and materials in the 1960s brought a fresh, graceful, sleek new style to Danish modern design.
At Copenhagen’s School of Arts and Crafts, Kjærholm studied under Hans Wegner and Jørn Utzon — an industrial designer and the architect of the celebrated Sydney Opera House. The latter greatly influenced Kjærholm’s furniture production techniques — although he employed natural materials such as cane and leather, to a far greater extent than his peers Kjærholm embraced the use of steel (rather than wood) framing for his chairs and tables.
Kjærholm’s signal design was the PK 22 chair of 1956, a low-slung leather lounger on a steel base. The ideas introduced in the PK 22 — Kjærholm’s designs were named using a numeric system devised with his manufacturer, E. Kold Christensen — were refined throughout his career, as the offerings below show: the PK 11 chair of 1957, with back and armrests formed by a semicircle of ash; the capacious, richly patinated leather seat of a vintage 1961 PK 9 chair; the elegant rattan swoop of the PK 24 chaise longue (1965). The chaise longue's leather headrest, held in place by a steel counterweight, best shows Kjærholm's particular gift for combining technological advancements with a respect for traditional detailing. While respectful of the past, Poul Kjærholm's sensibility is one of optimism and expectation. His was design for those who lived with verve and élan, and confidently anticipated the future.
Read more about Poul Kjaerholm in Introspective Magazine