Glass Gueridon

Pair of Mid-Century Modern round wire base folding cafe tables with glass tops on ball feet.

Thick 3/4" thick glass top cast aluminum base cafe dinette gueridon center table.

Great pair of round-square large modernist style gueridon made of polished aluminium and glass mirror On the back of the upper mirror is fixed another mirror underneath which is refelcting with the down miror in an infinite way (endless mirrors...

Maison Baguès, bronze and black opaline glass (marbrite). Gueridon circa 1950 old patina, scratches on the tray.

Maison Baguès style French gueridon table. Has a smoked glass top.

20th century beautiful Art Deco centre table with eglomise mirrored top. Base in dark tinted wood.

Dichroic side table, Rona Koblenz 49 x 50 x 30 cm "A spectrum (plural spectra or spectrums) is a condition that is not limited to a specific set of values but can vary infinitely...

Completely luxury handmade table in wooden structure, fabric, brass and metal decorations, sequins, berglass, nails and studs size: diameter 100 height 78 cm Full of splendour that it is declined in the interior decoration through a range of high-craft artistic products. A research that involves across the world of art, design, literature and tradition that translates into furniture, chandeliers and design works. The influences are a lot: a sophisticated Parisian interior from the 1700s, the sinuous figures of an art nouveau window, the refined stage clothes of an actress of the 1800s, a medieval or samurai...

Richly carved fruitwood gueridon supporting an important white marble top inset with various marbles, hard stones, with Roman polychrome antique glass...

Black Slate Guéridon, Averti, Frederic Saulou Materials: Black slate, grey smoked glass. Dimensions: W 25 x D 18 x H 50 cm Edition of eight. Signed and nu...

Modernist art deco gueridon with two trays, circa 1930 the upper tray is mirror-bottomed

Spectra side table - Rona Koblenz Dichroic glass Measures: 46 x 70 x 70 cm "A spectrum (plural spectra or spectrums) is a condition that is not limited to a specific set of valu...

Art Deco gueridon in lacquered wood, chrome metal and tinted glass, circa 1940-1950.

1980s Spanish round crystal top iron side table.

F.Lasbleiz, gueridon in lacquered metal and glass. Airborne Edition, circa 1954.

Art Deco gueridon in chromed metal, lacquered wood and mirror circa 1950 spots in the mirror.

The F* Hole Gueridon side table by Ferruccio Laviani is covered by dark feather Mahogany. To its classic taste and proportions, decorative details are added, golden designs and carv...

Edwardian satinwood display or bijouterie table with marquetry and stringing, the locking lift top fitted with curved front and back panes, the sides ...

Art Deco walnut gueridon in blackened wood and solid glass.

Low coffee table or gue´ridon in irregular turtle-shell color Chinese lacquer. Basin shape top with curved sides. Four shaped legs. Mirror top with a gilded 'e´glomise´' decor of a red and blue flowery branches frieze. Stamped 'Andre´ Arbus' as cabinetmaker. Lacquer work attributed to Jean Dunand. A facsimile of the original invoice with header 'Andre Arbus, 24 avenue Matignon, dated 19 Avril 1937'. Will be given to the buyer. Bibliography: Reproduced in Mobilier et de´coration, Revue mensuelle des arts de´coratifs applique´s et de l'architecture moderne, Editions Edmond Honore...

1970s Chrome Gueridon, located in ny

Round glass and mirror pedestal table with asymmetrical glass legs, mirrored top in the style of Fontana Arte from the 70s Italian work, design This pedestal table can be placed at t...

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

Mikado stand on silvered brass and glass. Legs composed by four sticks linked between them by a ring. Circular transparent glass tray. Work realized in the 1980s.   

Italian food feet guéridon