Victorian Marquetry Oval Table Attributed to Collinson and Lock, circa 1880

A Louis XV style marble and gilt-bronze mounted table Ambulante attributed to François Linke. French, circa 1880. A Louis XV style marble and gilt-bronze mounted table Ambulant...

An unusual transitional style gilt bronze mounted low side table, attributed to Maison Krieger. French, circa 1880. This unusual table has a shaped top centred by an inlaid f...

A fine Louis XV style gilt-bronze mounted mahogany Parquetry gueridon with a rare Alabastro Fiorito marble top, attributed to François Linke. French, circa 1890. This fine mah...

A Very Fine George IV Parcel-Gilt Amboyna Centre Table Attributed to Thomas & George Seddon. English, Circa 1830. The table is of finely figured Amboyna with a circular tilt-top above a triform column with parcel-gilt scrolled supports. It is raised on a conforming plinth base with foliate carved feet and concealed castors. George Seddon was the eighth child of John Seddon of Blakelea, Lancashire. His father apprenticed him to George Clemaphon of Cripplegate to learn cabinet making. He became a master cabinet maker. (He was Master of the Joiner’s Company in 1795). In the early 1750s he was sufficiently successful to acquire London House, Aldersgate Street. It consisted of extensive workshops, where furniture was made, and showrooms to display the finished products. London House had formerly been a palace of the Bishops of London. The panelled state-rooms were ideal for the display of fashionable furniture; and the chapel and library made convenient workshops. When Seddon married, he converted the garden house and infirmary into the family home. Seddon was the biggest furniture maker of his time. His furniture store covered a two acre site in Aldersgate Street. His workshop there was described by London visitor Sophie v. La Roche in 1786: "We drove first to Mr. Seddon's, a cabinet-maker,...He employs four hundred apprentices on any work connected with the making of household furniture—joiners, carvers, gilders...

A fine French Louis XVI style 'Bouillotte' table, in wood veneer and marquetry, with an inlaid beige veined marble top surrounded by an openwork brass gallery. The gambling card game...

Collinson & Lock Attributed. A small Aesthetic Movement Mahogany side table with raised Japanese fretwork to the lower shelf.

An ovoid form tray with two curved handles and a scalloped gallery rim on a felt lined oval Stand to create a low table. The center with musical trophies marquetry.

Charming Japanese-inspired « pagoda » table in tinted and carved wood attributed to G. Viardot. The rectangular top rests on four slightly curved legs adorned with openwork and sculpted geometric interlacing, joined by an engraved stretcher with a stylized cutout. Gabriel Viardot career began as a wood carver and he produced small furniture, sculpturally carved with naturalistic motifs and animals. In the 1855 Universal Exhibition in Paris, his finely sculpted objects were well received. However, with the increasing importation of similarly produced Swiss and German articles, he found less opportunity for these and decided to innovate. G. Viardot succeeded to his father's business in 1861 installed rue Rambuteau in Paris. Around 1870 he turned to the idea of producing « Meubles genre Chinois et Japonais ». The taste in Europe for exotic furniture, incorporating sometimes authentic Chinese or Japanese objects...