Autopsy #3 By Mary-Lynn and Carlo Massoud

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Working intuitively with hands-on techniques and a wide range of materials, young Norwegian designer Sigve Knutson creates objects that question contemporary mass-produced design. After presenting the critically acclaimed solo project Drawn to Production with Carwan Gallery during Milan Design Week in 2017, Knutson presents a new solo show at the gallery with works created in the past five years — including new objects inspired by the local context of Piraeus and created specially for the exhibition. Entitled Assembly, the exhibition explores the freehand, improvisatory approach that is part of Knutson’s practice, which is often driven by the pure joy of putting things together without planning or designing anything in advance. Each object he creates is unique and results from a process led by experimentation and an intuitive use of tools, to create archetypal forms that, in the designer’s own words, display different “gradients of functionality”. Abstract wood columns thus coexist in his work with playfully stacked shelves...

Name: 8x8 Sculptural table by Zougei carved furniture Material: Zelkova This work is carved from log with some kinds of chainsaws. Most of wood used for Nishimura's works are unable ...

Name: Daifuku Sculptural stool by Zogei carved furniture Material: Quercus serrata This work is carved from log with some kinds of chainsaws. Most...