Peter Hvidt Table

Grand Rapids, Michigan, was once known as “Furniture City” for its local mass-production industry that flourished from the mid-19th century into the early 20th century, led by furniture manufacturers like John Stuart. Stuart’s eponymous company, which would build showrooms in New York and Philadelphia, designed and sold elegant reproductions of various furniture styles, including 18th-century French and English furniture as well as what we now call mid-century modern home furnishings built by European craftsmen in the entrepreneur’s Grand Rapids factory.

In 1845, a British cabinetmaker named George Widdicomb arrived in New York before moving to Grand Rapids. There he set up a small cabinet shop in 1857 with a dozen craftsmen, including his son John Widdicomb. The store quickly found success due to Widdicomb’s English training and the dearth of other quality furniture makers in the region. Toward the end of the 19th century, Grand Rapids had earned an international reputation as a leader of American furniture manufacturing, and while the Widdicomb family would navigate some difficulty after the Civil War, they emerged anew as Widdicomb Brothers and Richards, and then the Widdicomb Furniture Company. Widdicomb’s son started his own company in 1897, the John Widdicomb Company, and in 1929, the Grand Rapids–born John Stuart joined the company as a director.

Stuart, who had been in the furniture industry since 1913, was named president of John Widdicomb Company in the early 1940s and by then had formed John Stuart, Inc., with partner Herbert M. Rothschild. John Stuart, Inc.’s offerings included oak buffets and other dining-room furnishings crafted in the Tudor and Elizabethan styles, with cabinet doors and drawer fronts characterized by meticulously carved natural-world motifs and other decorative flourishes. Stuart also oversaw the design of reproductions of sophisticated walnut and mahogany Queen Anne side tables and dining chairs, with the latter marked by pronounced, vase-shaped curves in the back splats and cabriole legs. In 1952, the manufacturer and distributor’s founder sold the business, including the right to trade under his name, to the John Widdicomb Company.

Find a wide variety of vintage John Stuart furniture on 1stDibs.

One half of the influential Danish furniture duo Hvidt and Mølgaard, architect and designer Peter Hvidt created shapely works in teak and rosewood that could be mass-produced and transported at a scale rarely seen before his time. Alongside his business partner, Aalborg-born designer Orla Mølgaard-Nielsen, the pair crafted furniture which stands today as a masterclass in the combination of elegance and practicality that is typical of Scandinavian modernism.

Hvidt was born in Copenhagen in 1916. He studied architecture and cabinetry, and graduated from the School of Arts and Crafts in Copenhagen. Hvidt established his own design firm in 1940 and taught for three years at his former school, during which he designed the teak Portex chair — Denmark’s first stacking chair (this design has alternatively been attributed to Hvidt’s partnership with Mølgaard-Nielsen over the years).

The exceptional collaboration between Hvidt and Mølgaard-Nielsen took shape in 1944. A student of pioneering Danish modernist designer and architect Kaare Klint and fellow graduate of the School of Arts and Crafts, Mølgaard brought his technical prowess and eye for practical design to the partnership. Together, for more than three decades, Hvidt and Mølgaard would produce over 250 furniture designs, a legacy that included the iconic AX chair.

A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair was designed in collaboration with manufacturer Fritz Hansen during the late 1940s. It features double-curved laminated wood in the seat and back, and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience. The AX went into production in 1950 and eventually gave way to a series that featured tables and other seating.

Hvidt’s proclivity for forward-looking design was typical of the venturesome furniture makers of the mid-century modern era. This extended to textures and materials, too — he believed that a tasteful combination of materials could add character and visual intrigue. With Mølgaard-Nielsen, Hvidt designed streamlined coffee tables, rosewood chairs upholstered with sumptuous black leather and teak side tables with cane shelves (teak was a sought-after material for designers at the time).

The duo’s work with celebrated manufacturers Fritz Hansen, France & Søn and Søborg Møbelfabrik has been a part of exhibitions at New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.

On 1stDibs, find vintage Peter Hvidt seating, tables and case pieces.