Fighting for Love, Tracey Emin, Offset lithograph, 1998

Designed in 1958, the Saturno Sofa was one of the most iconic designs by Gastone Rinaldi, a prominent figure in Italian design alongside Gio Ponti, Ettore...

A rare and illusive Mex Cube 271 extra wide sectional, down-filled cushions, completely reupholstered in Elmo-soft Saddle Brown leather. Designed and went into production by Cassina ...

A rare and illusive Mex Cube 271 extra wide three-seater sofa, down-filled cushions, completely reupholstered in Elmo-soft Saddle Brown leather. Designed and went into production by ...

Rare Classic Braun Audio 310 unit paired with L60 floor speaker designed by Dieter Rams, produced by Braun. The unit is fully functional, recently cosm...

Andy Warhol (1928-1987). 1960, Untitled (Fleming-Joffe Colors). Offset lithograph with collage of colored leather samples. 23 3/4 in. high x 17 7/8 ...

A beautiful limited edition abstract Expressionism offset lithograph of the Russian painter and art theorist Wassily Kandinsky's "Liason". This work has been printed on Arches paper and is plate signed (initialed in the design). Published by Maeght Editeur (one of France's premier publishers with their blind stamp in the corner. Maeght R55) and printed by ARTE in Paris. Limited to 1000 copies. Wassily Kadinsky is commonly considered to be one of the pioneers of abstraction in western art. This print would be a great addition to any collectors of Kadinsky's work or Modern Abstract Expressionism art...

Tracey Emin’s 20-Year Retrospective Lithographic Poster published by the Scottish National Gallery of Modern Art Publisher: Scottish National Gallery of Modern Art Publication Date: 2nd August 2008 Dimensions: Height: 70 cm Width: 50 cm Edition: Open edition but the print run was limited to 500 impressions. Condition: Excellent The provocative imagery chosen for the poster advertising her first landmark retrospective held at the Scottish National Gallery of Modern Art from 2 nd August to 9 th November 2008 not only reflects the defiance behind the often-sexually provocative attitudes depicted in her work but also resonates with the feminist tenets she has advanced throughout her career with her wide-ranging creations. It is after the original photograph of Tracey Emin taken by Scott Douglas MacNee. The Scottish National Gallery of Modern Art, erring on the side of caution, only printed 500 imprints of this poster, which were all sold out in a matter of days. Tracey Emin was born in 1963 to Turkish Cypriot parents to Margate in Kent. Her young life was a mixture of promiscuous sex and self-destructive activities as she moved between different men and art schools. Rape, abortion, family tragedy and a host of unpleasant diseases figure in her early life and most of these tragic events were well-documented in the ‘20 Years’ Retrospective held at the Scottish National Gallery of Modern Art. She was the ‘enfant terrible’ of the group that came to be known as the YBAs in the 1980s (Young British Artists) which included such artists as Sarah Lucas, Damien Hirst, Gary Hume and Sam Taylor...

Framed Serigraph by Yaacov Agam, circa 1970 numbered and signed by the Artist. Title of the piece : Colors of Love.