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Untitled (Yellow/Red Blocks), Bram Bogart (1989)
$16,071.50
£11,945.50
€13,500
CA$22,190.33
A$24,607.43
CHF 12,929.38
MX$300,661
NOK 161,764.18
SEK 151,843.32
DKK 102,795.75
About the Item
This striking work by Bram Bogart, an exceptional example from his relief series, showcases the artist's groundbreaking approach to materiality and color. Created in 1989, this piece is not a traditional print but a sophisticated work cast paper, sometimes referred to as 'aquagravure'.
The unique process involved forming paper pulp under high pressure in a meticulously sculpted mold, creating a three-dimensional, textured paper substrate. The mold is then hand painted and another pressing applies the design of the artist. This ensure each edition possesses its own unique textural qualities and nuances, but more profoundly, bridges the gap between printmaking, painting and sculpture.
This piece features two prominent, thick blocks of color – a vibrant yellow on the left and a rich red on the right – contained within a looser, gestural blue and black border. The impasto effect is extremely pronounced, creating a relief-like surface. The sense of division yet harmonious balance between the two primary colors is striking.
Bogart's innovative technique defies categorisation, offering collectors a tangible and immersive experience that is a hallmark of his celebrated oeuvre.
The work is protected/framed in plexiglass case
Artist: Bram Bogart (Belgian/Dutch, 1921-2012)
Year: 1989
Medium: Cast Paper, Pigment
Edition: 80/99 (Signed and numbered by the artist)
- Creator:Bram Bogart (Artist)
- Dimensions:Height: 28.59 in (72.6 cm)Width: 28.59 in (72.6 cm)Depth: 2.92 in (7.4 cm)
- Style:Other (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1989
- Condition:
- Seller Location:AMSTELVEEN, NL
- Reference Number:1stDibs: LU10205246517262
Bram Bogart
Bram Bogart was a Dutch painter and artist associated with the COBRA group. After World War II, he moved to Paris, where he was among the founders of Informal Art (also known as Arte Informale). He experimented with Cubism and figurative drawing, depicting flowers, still-lifes and self-portraits. In the 1950s, he worked on the impasto technique. In 1961, he went to Belgium and, in 1969, he became a Belgian citizen. In 1971, he represented Belgium at the Venice Biennale.
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