Antique Botanical Print of Dahlia Flower, Framed

This exquisite Coalport porcelain platter was hand-painted in England circa 1820. It features the Red Chrysanthemum pattern, which showcases a bold, Imari-style design. The intricate...

This 19th century watercolor with pen and ink is most likely Dutch, having been acquired in Holland. It shows a romantic scene of an attractive walled city with buildings and rooftops beyond a fortified wall with an open gate. Outside the wall...

The shepherdess is lovely. She is seated near her flock under the shade of a leafy tree, wearing a green and white dress and a hat with red trim....

The hand-written notes on the back of this miniature watercolor tell what was, at the time, a scandalous story. The portrait is of Hanah Tichbon. The inscription reads in part, "wen...

Antique botany print titled 'Pivoine double'. Hand-colored stipple engraving of a Paeonia officinalis, commonly known as the common peony. This colourful flowering plant is native to...

A particularly fine Victorian botanical study depicting a two toned dahlia from two sides. Well-presented in a complimenting oak frame with mount. On paper.

Plate XXI 'Amaranthoides', originates from 'Figures of the most beautiful, useful and uncommon plants described in the Gardener's Dictionary (..)' by P. Miller. Philip Miller was the principal horticulturalist in England in the mid-18th century.  As the curator of the Chelsea Physic Garden and an active member of the Society of Gardeners, he had the opportunity to interact with important naturalists as well as some of the best botanical artists of the period including Georg Ehret and Robert Furber...

Antique print titled 'Pivoine'. Print of peony (or paeony) flowering plant. This print originates from 'Musée d'Histoire Naturelle' by M. Achille Comte. Artists and Engravers: Publ...