"Hotel Parco Dei Principi" Ceramic Tile by Gio Ponti
View Similar Items
"Hotel Parco Dei Principi" Ceramic Tile by Gio Ponti
About the Item
- Creator:Gio Ponti (Designer)
- Dimensions:Height: 10 in (25.4 cm)Width: 10 in (25.4 cm)Depth: 3 in (7.62 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1961
- Condition:Wear consistent with age and use.
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: LU80912759492
Gio Ponti
An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.
Ponti (1891–1979) designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.
The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.
His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.
Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.
Find a range of Gio Ponti furniture on 1stDibs.
- Gio Ponti Tea / coffee set from the Parco dei Principi hotel in Rome 1960s circaBy Gio Ponti, CalderoniLocated in Roma, ITTea or coffee set designed by Gio Ponti for the Hotel Parco Dei Principi in Rome and produced by the historic Italian manufacturer Fratelli Calderoni between 1950s and 1960s. This vintage breakfast set consists of 5 pieces: 1 small teapot with built-in filter in the body 1 large coffee maker 1 Water Jug 1 sugar bowl 1 Tray with feet...Category
Mid-20th Century Italian Mid-Century Modern Tea Sets
MaterialsSilver Plate, Nickel
- Ceramic Tile by Gio Ponti for Richard GinoriBy Gio Ponti, Richard GinoriLocated in London, LondonPolychrome Ceramic tile By Gio Ponti For Richard Ginori Titled "La Bevuta" Marked to the reverse Richard Ginori, Made in Italy Impressed initials RGM Italian 1930s.Category
Mid-20th Century Italian Mid-Century Modern Ceramics
MaterialsCeramic
- Gio Ponti Green Ovoid Ceramic Glazed Shingles Tiles 100, by PdP Hotel Roma, 1964By Gio PontiLocated in Rome, ITExclusive group of 100 ovoid shingles tiles, glazed earthenware by Gio Ponti produced by Ceramica JOO for the wall decoration of the Hotel Parco dei Principi,Roma 1964 Measures: He...Category
Vintage 1960s Italian Mid-Century Modern Sculptures
MaterialsCeramic
- Costumi Ceramic Tiles after Giò PontiBy (After) Gio PontiLocated in Weesp, NLCostumi designed after Giò Ponti for Bardelli Ceramica, Italy. 14 New old stock 1980's ceramic tiles designed after Giò Ponti, made under license by t...Category
Vintage 1980s Italian Mid-Century Modern Ceramics
MaterialsCeramic
- “La Canzone” ceramic tile, designed by Giò Ponti for Richard Ginori, Italy 1930sBy Gio Ponti, Richard GinoriLocated in Milano, IT“La Canzone” polychrome ceramic tile, designed by Giò Ponti for Richard Ginori - San Cristoforo, Milan 1930s. This tile is a tangible ode to an age when the world was captivated by ...Category
Vintage 1930s Italian Mid-Century Modern Ceramics
MaterialsCeramic
- Gio’ Ponti Box Ceramic 1927 ItalyBy Gio PontiLocated in Milano, ITBox Gio Ponti 1930Category
Vintage 1920s Italian Art Deco Ceramics
MaterialsCeramic
Recently Viewed
View AllRead More
Barnaba Fornasetti’s Hallucinatory House Has His Father’s Spirit
Behind a nondescript facade in northeastern Milan is the magical residence of Barnaba Fornasetti. It's a shrine to the style developed by his design-legend father, which still defies categorization.
Billy Cotton Layers His Interiors with Lived-In Comfort
The Brooklyn-based designer is adept at styles ranging from austere to over-the-top, espousing an architectural, detail-oriented approach also evident in his line of furniture and lighting.