Fabric Decorative Art

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on any wall. ...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This is a vintage embroidered panel. A Korean, silk cotton embroidery of colourful birds, dating to the Art Deco period, circa 1930. Striking colour to this delightful Art Deco pie...

A wonderful example of Chinese embroidery, this framed silk textile uses the infamous forbidden stitch to depict a fine blue-and-white porcelain vase....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Bulgaria. Ready to go on a wall. Fra...

A French framed oil on canvas still-life painting from the 19th century depicting fruits, signed Morin. Created in France during the 19th century, this oil on canvas painting features mouth-watering cherries and prunes displayed in wicker baskets and flanked with a copper strainer...

Wall Sculpture #758 by Karen Gayle Tinney Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with white cotton fringe in two thicknesses. Hanging wire...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Ottoman Turkey Ready to go on a wall....

This is a lovely set of Italian hand colored engravings framed with a linen matting. The frames are a painted and carved gift wood. They depict scenic views of Rome. The image is 12”...

Debiève was a French artist who specialised in cubism and contemporary art work, often referred to as tapestries these pieces are actually screen prints on a variety of medium. ‘The Flight of the Flamingos’, or ‘Le vol de Flamants’ is screen printed on canvas mounted on board and brilliantly illustrates Debiève’s mastery of cubism. Producing only a few of these incredible, huge works of art, it is signed by the artist ‘R Debiève...

Striking and beautiful New England quilt in the drunkards path pattern. Excellent condition with a highly modern design pattern. Found in Maine, this quilt made from blue and red pri...

Fantastic original promo poster from 1992 for DC Comics Wonder Woman featuring artwork by Brian Bolland. This vintage poster is sized 14 1/2 x 22 1/4 inches (plus a couple of extra ...

Coffee brown wall hanging of coffee brown sueded leather strips. The strips of suede are in randomized lengths and widths and have been woven into a cotton backing. The hanging has b...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Ottoman Turkey Ready to go on a wall....

a late 20th-century mini square Turkish kilim Details rug no. j3830 size 2' 5" x 2' 6" (74 x 76 cm)

Very rare late 19th Century, "The Original Holden's Mannikins", original vintage theatrical Vaudeville play linen backed one-sheet movie poster (one sheet; measures 28" x 42", actual poster size 27" x 41". Early Vaudeville Marionette, Automata and Mannequin poster with vibrant colors, another one can't be found. The playbill poster features vibrant illustrations of Clowns, Skeletons, Royalty, Cowboys, Mimes, Nurses, Fairies... This poster has an address for a theatre in St. Martin Paris, France. From the book; The Holdens: Monarchs of the Marionette Theatre by John McCormick The Holden family were the most celebrated English marionette performers of the nineteenth century. The trajectory of the Holdens provides a vivid example of developments in entertainment across the century. Having begun on the fairgrounds, they moved on to large halls, theatres and music halls. At the height of their popularity, when they had two main companies in operation, the Holdens were even better known abroad than at home. Their name was almost synonymous with puppetry, and they were credited with every innovation in marionette theatre. Then, with the advent of cinema, their business suffered a rapid decline. Based on extensive archival research and lavishly illustrated with photographs, sketches, diagrams, playbills and posters, The Holdens: Monarchs of the Marionette Theatre explains why the Holden shows had such impact and were so frequently imitated. Below are two newspaper reviews from 1903 and 1907. Holdin’s Mannkins Location: New York City Theater: New York Date: 1903 Type: Marionette, Automata and Manikin This is another of Mr. Keith’s acts and it is safe to say that we have never seen marionettes in this country before. The general fitting up of the act is great—had a fine stage with a full set of scenery, and everything is first class order—strongly, and it is hardly possible to conceive how people can produce the effects that they do by the manipulation of strings. Every move made by these little figures is absolutely natural and life-like, and the audience were quick to appreciate this fact and were most hearty in their applause. The act is closed with a transformation feature which was very pretty and attractive. It is an exceptionally strong turn throughout. 24 minutes, full stage. Source: University of Iowa, Keith-Albee Vaudeville Collection, Manager Reports, 2 September 1902-3 September 1903. Holden’s Manikins Location: Philadelphia Theater: Keith's Date: 1907 Type: Marionette, Automata and Manikin 22 min, F.S., 2 shows. On at 8:04. This is a children’s feature. I doubt whether it would be so well received at any other than about Christmas time, but it quite won the house. The manikins performs various simple stunts, such as dancing, Punch and Judy comedy, etc. The finish of the act was a spectacular feature without moving figures, which did not run as smoothly as it should have done. However, the act will certainly please the little folks and it cannot be conceived how the wooden manikins can be manipulated so life-like. Holden got a good hand on his appearance after the act...

Large soft painting woven wool rug / wall art-tapestry "Essence of Absurd #2" by Argentinian-Israeli artist Calman Shemi, circa 1984. This a vibrant and expressive tapestry that sho...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Kazakstan, ( silk embroidery on silk...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...

This large, old master still life painting is a perfectly balanced composition of fruit and game birds. In the foreground a rabbit is stretched out. A copper kettle and a basket are ...

It has been hand backed on linen and stretched over a stretcher , and finished with the wooden frame. Ready to go on any Wall.

A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France land...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on any wall. ...

Lovely textile sample Fabulous colours Great piece of folk art. Likely to be of East European origin. Possibly Balkan. In new white painted box fra...

Incredible postmodern three piece wall art. Each piece is comprised of wood in the shape of a triangle. Displays and green paint over paper.

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

Fantastic US film poster for The Beatles much-loved classic Yellow Submarine. Featuring the iconic and colourfully psychedelic Edelmann artwork. A rare and collectible poster. Heinz ...

Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 Maggio 1839 - Roma, 23 marzo 1891. Born i...

Get Carter 1971 UK Quad Quotes style film movie poster The very rare UK quotes style quad film poster for 70s gritty Michael Caine thriller Get Carter. Fantastic fluorescent daygl...

British sailor's woolwork of three royal navy ships Circa 1885 The British sailor woolwork depicts an unusual scene of three different types of Royal Navy Ships which are all flying the White...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Uzbekistan. Ready to go on a wall. ...

A Korean four-panel folding screen circa 1830s, from the late Joseon Dynasty. The painting depicts a vivid hunting scene on four vertical scroll panels mounted with brocade borders. The four panels are related to each other in narrative but not in an absolutely continuous fashion, therefore they could be viewed individually and independently, which was not uncommon in the screen paintings as they are meant to be folded and unfolded as needed. The pictures show a general on the far left panel seated on a low platform bed...

Ha! I told you chains of green kryptonite could not hold me! Fabulous original 1960s Superman poster - Printed by G & F Posters NYC official licensees Copyright National Periodical ...

A unique oil on canvas painting that is so perfectly executed that it almost appears to be a machine made print. However, it is not. Instead it's a work that is masterfully painted w...

The very rare and very fabulous original Italian 2 Foglio film poster for Batman. The poster with plenty of Kapow! This vintage movie poster from 1966 has ...

Stunning large scale Mid-Century Modern tree grove landscape painting. The lovely brown, beige and burnt orange painting features a grove stand at dusk. Concentric wrings of white at...

Unsigned. Ca. mid-19th c. portrait of a lovely seated lady wearing a black dress with a fine broad lace collar, a sign of her high status in socie...

Stunning first-year-of-release French film poster for Steve McQueen's racing classic Le Mans featuring a great design by Rene Ferracci. This original vintage move poster has been pr...

This painting was originally a 19th century winetabletop. As the original linnen cloth on the top was beautifully aged we decided to mount it as a painting. For us it's reminiscent t...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Ottoman Turkey Ready to go on a wall....

Fabulous original vintage French alcohol advertising poster for Old Manada Rum. This French poster is from the 1930’s and features a stunning image...

A large intermediate size Caucasian rug from the early 20th century Measures: 5'2'' x 9'4''. Antique Caucasian rugs from the Shirvan district village are still considered one of th...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th C. Uzbekistan. Ready to go on a wall. Fram...

Huge 17th C. Regal Flemish baroque Historical tapestry Royal court Antique LA CA . The period followed Renaissance and preceded Rococo and Neoclassical styles. The movement exuberant...

Vividly colorful and classically composed, yet loosely painted, this original still life oil on canvas painting of flowers in a vase on a table is a fine example of the work of famous, listed, deceased American Impressionist painter, Louis Ritman...

Simply wonderful first-year-of-release French Moyenne for classic Bond From Russia With Love. We adore Boris Grinsson's design and colours on this beautiful poster. In Sean Connery’...

This is a vintage display panel. A Korean, silk cotton embroidery decorative scene, dating to the Art Deco period, circa 1930. Gaze upon a calming, tasteful example of Korean Art D...

Abstract Mid Century on Canvas. This custom frame has been painted white since being photographed. Nice bright colors make up this abstract modern composit...

Original signed artwork of Suzhou embroidery and its important to Chinese culture as an art form. Stunningly beautiful and traditional work in this...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. India Ready to go on a wall. Framed...

Rare Mid-1800s Antique Flemish Tapestry Fine Wool & Silk Green/Blue 5'2' x 5'3" 158cm x 160cm Circa 1790 "This is a very fine Authentic Antique Flemish Tapestry in Wool & Silk ...

The Big Country 1958 US 1 sheet film movie poster, bass, linen backed. Another fabulous design by Saul Bass features on the US 1 Sheet Style B poster for 50s The Big Country starrin...

A large oil-on-canvas painting, representing an exotic dreamy palm tree on a colourful pastel backdrop. Entitled ‘Palm’s Parade’, and dated 1980, the painting borders a palm tree with a snapshot of three palm trees on the top right. This painting is the epitome of 1980s American interiors, with its bold pastel shades and abstract shapes. A true 1980s Florida/Palm Beach and Miami artwork...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

The artwork by legendary poster artist Silvano "Nano" Campeggi on this 1966 re-release Italian locandina is simply stunning. Surely the best artwork of Paul Newman and Elizabeth Tayl...

Oil portrait of an elegant young woman arranging flowers 19th century, initialed "J.M." Wonderful oil painting housed in a gilded frame. The painting shows a young woman arr...

Pietro Gabrini (Italian, 1856-1926) a very fine and large oil on canvas "Three Singing Italian Beauties on The Road" depicting three cheerful Village young maidens walking through a ...