Early 17th Century Decorative Art

A rare set of 12 polychrome Dutch Delft tiles with flowers. Made in The Netherlands. Circa 1625 - 1650. This set of tiles is of very fine quality an...

A rare set of 35 polychrome Dutch Delft tiles with flowers. Made in The Netherlands. Circa 1620 - 1640. This set of tiles is of fine quality and has a bright glaze. They date to the...

An exceptional set of 15 polychrome Dutch Delft tiles with birds, flowers, and insects. Made in The Netherlands, circa 1625 - 1650. This set of tiles is of very fine quality and ha...

Antique print titled 'Il Monte avec la Main, les Eperons, et Gaule (..)'. Plate 4 from "La Methode et Invention Nouvelle de Dresser les Chevaux" by William Cavendish. This engraving shows William Cavendish, first Duke of Newcastle...

A set of 4 polychrome Dutch Delft tiles with ornamental design. Made in Haarlem, The Netherlands. Circa 1625 - 1650. The Netherlands Haarlem ...

Antique print depicting two horses near the Louvre, France. Also depicted are a group of men, including Mr. LeGrand. This print originates from 'L'Instruction du Roy en l'Exercice de...

A set of 6 polychrome Dutch Delft tiles with ornamental design. Made in Haarlem, The Netherlands. Circa 1625 - 1650. A panel of six colourful o...

A superbly carved, early 17th century decorative Renaissance walnut wall panel mounted within a carved oak frame, sourced from a private UK collectio...

Frans van de Casteele (Kasteels) called Francesco da Castello (Brussels, ca. 1541 - Rome, 1621) Adoration of the shepherds Crowning with thorns First decade of the 17th century. Tempera and gold on parchment, 290 x 240 mm (with frame). Original wooden frame with trimmed silver foil applications; in the corners, medallions with the four evangelists. The two refined miniatures of the Adoration of the Shepherds and the Crowning with Thorns are works of the artist's full maturity, dating from the first decade of the 17th century, characterized by formal simplification and pure colors in the invoice of the garments that stand out from the eburoral incarnations of the characters. Among the numerous motifs comparable to those of other miniatures by Francesco da Castello, the small medallions with the Evangelists barely outlined on a golden background, closely recall the miniatures, of reduced dimensions, inserted in the compartments of the frame of the altar with the Mysteries del Rosario, as well as those of another box with compartments with the Tree of Jesse...

Portrait of a Noble Family in the landscape circa 1600 On foreground the nobleman with his family and a table where appear meats and fixtures, showing her ancestry. In background two servants on both sides. Oil on canvas. Antwerp School...

Antique print, titled: 'Nyseus Bachus in Aedibus, Burghesys.' Statue of Bacchus or Dionysus, the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. From the 1660 Dutch edition of 'Icones et Segmenta Nobil. Signorum et Statuarum quae Romae extant' by Francois Perrier...

The antique print titled 'Retibus aut iaculis capitar sic sepe Palumbe' is a fascinating piece from the early 17th century, part of the renowned 104-print series "Venationes Ferarum, Avium, Piscium" designed by Joannes Stradanus and engraved by Philip Galle around 1615. This series is celebrated for its detailed depiction of various hunting scenes. **Key Aspects of the Print:** 1. **Scene Depiction**: The print vividly portrays the practice of catching wild doves. It features a hunter selling doves from a basket on the side of his donkey, capturing a moment typical of rural life and hunting practices of the time. 2. **Hunting Technique**: The method of catching doves using large nets in the trees is illustrated, showcasing a historical hunting technique. This detail provides insight into the methods and tools used in bird hunting in the early 17th century. 3. **Artistic Style**: The print reflects the artistic style of Joannes Stradanus, a Flemish artist known for his dynamic and detailed illustrations. Stradanus's work often depicted scenes of hunting, agriculture, and daily life, capturing the spirit of the Renaissance. 4. **Engraving by Philip Galle**: Philip Galle, a renowned engraver, was known for his skillful execution and contribution to the spread of Renaissance art through printed media. His collaboration with Stradanus resulted in high-quality and artistically significant prints. 5. **Cultural and Historical Significance**: This print is valuable for its portrayal of hunting practices and rural life in the early 17th century. It serves as a window into the societal norms, livelihoods, and traditions of the time. 6. **Part of a Larger Series**: Being part of "Venationes Ferarum, Avium, Piscium," this print is a piece of a larger collection that aimed to document various forms of hunting, fishing, and bird catching. The series is significant for its comprehensive portrayal of these activities. 7. **Educational Value**: For historians and art enthusiasts, this print offers educational insights into the techniques of Renaissance printmaking, as well as the socio-cultural aspects of hunting and trade in early modern Europe. The 'Retibus aut iaculis capitar sic sepe Palumbe' print is not only an antique hunting print...

Beautiful bird's eye-view plan of the town of Duinkerken. From Ludovico Guicciardini.'s description of the Netherlands 'Beschrijvinghe van alle de Nederlanden anderssins ghenoemt Ned...

Antique print titled 'Provincie Pegu incola (..) - Incola ex Insulis Moluco (..) - Penequais familiae (..)'. Old print showing various figures including a man from Pegu, a man from the Moluccan islands, Penequais Indians and inhabitants of S. Thomas. Illustration from an edition of Linschoten's Itinerario. This work informed Europeans of the 16th century Portuguese trade and navigation in southern Asia.

The ruins of the Roman fortress Brittenburg near Katwijk, The Netherlands. Made by 'Ludovico Guicciardini' after an anonymous artist. Lodovico Guicciardini (19 August 1521-22 March 1...

Early 17th century, French hand colored equestrian engraving. After Antoine de Pluvinel (French, 1552-1620), "Henry IV, Mounted", figure 42 from "L'Instruction du Roy en l'Exercice de Monter a Cheval", c. 1625, matted and framed under UF-3 plexiglass (blocks approx. 97% of UV) , gallery label verso. Figures from this publication have sold at Christie's. Those were not hand colored. A highly detailed engraving with the French King Henry 1V the central figure. Mounted on horseback, Le Roy (the King) is watched by no less than 10 courtiers some of whom are mounted on horseback, all of which are named in the engraving. Antoine de Pluvinel (1552, Crest, Dauphine - 24 August 1620) was the first of the French riding masters, and has had great influence on modern dressage. He wrote L’Instruction du Roy en L'exercice de Monter à Cheval ("instruction of the King in the art of riding"), was tutor to King Louis XIII, and is credited with the invention of using two pillars, as well as using shoulder-in to increase suppleness. In 1594, Pluvinel founded the "Academie d'Equitation" near what is now Place des Pyramides. There, the French nobility was trained not only in horsemanship, but also in all the accomplishments (dancing, fashionable dressing, etc.) It can be said that Pluvinel's influence on the aristocracy lasted from the late 16th century to the 17th century. Richelieu, the future Prime Minister of King Louis XIII attended the Academie; so did William, Duke of Cavendish. Pluvinel's book was published posthumously by the Flemish engraver Crispijn van de Passe II and the royal valet de chambre...

Francesco Zucco (circa 1575-1627) Gentleman’s portrait Measures: Oil on canvas, cm 120 x 140 The painting analyzed here belongs to the pictorial production of Francesco Zucc...

The countye of Monmouth with the situation of the townshire described Anno, 1610 The reverse with Monmouthshire, Chapter VI and an alphabetical list of towns. In a beautiful Flemish oak polished and gilded frame Cartographer: John Speed...

Follower of Simon Vouet (Paris, 1590 - 1649) The Holy Family with bird Oil on glass, cm 20.5 x 23.5; with frame cm 27.5 x 29.5 The small painting examined, made on glass and...