Paper Drawings

Elevate any space with this unique hand-drawn work of art. Done with pencil on paper- this is an anatomically correct excerpt from a student's figure study sketchbook from the early ...

Bearded Man Framed, Collectors Wall Art Black Chalk On Paper Signed J. Parry CA . English 18th / 19th Century J. Parry, Head and Shoulders Of A Bearded Man. Signed on Verso. (parry w...

This fantastic 1920s Academic Study Drawing of a Male Nude Model by Luigi Lobito was done in Italy 1927. It is framed. A unique piece which is a great eye-catcher for your antique, ...

Created early in De Lue's career, possibly when he worked in the New York studio of Bryant Baker, this handsome Art Deco drawing depicts a nude male figur...

"Peche au Cachalot" (Sperm whale fishing) Original colored lithograph enhanced with watercolor by Louis Lebreton (? - 1866).

An original Maison Jansen pencil drawing depicting an architectural detail "Rosace de Plafond Louis XIV" page 136 Stamped: Jansen, 9 Rue Royale Paris 8e.

Figurative pastel painting of mother and child drawing on paper by Leon Pierre Collard (1916-2011). This drawing is rendered nicely and the im...

Jules Pascin (Bulgarian/French, 1885-1930), "La Loge" [The Theater Box], Etching in Colors, 1925, signed in pencil lower right, Wolseley Fine Arts Gallery label to verso, giltwood fr...

1930s colored drawing inscribed on the back "Promenade" This important drawing we can very likely attribute to the Italian master Carlo Carrà. The beauti...

Swiss alp watercolor " Soleure "

Large Antique Male Nude Art Study Drawing From Paris, Framed in Italy Offered for sale is a late 19th-century male nude art study drawing in graphi...

Contemporary abstract painting in gouache and pencil on paper in a black rectangular frame (Untitled, 2010. Tom John) 12 more similar pieces: JOH6201-JOH6212.

A Fine and important depiction of an African American worker, one of the artist's favorite subjects, this drawing by Francis De Erdelyi gives a hint of his important influence on a g...

Swiss alp watercolor " Glarus "

Swiss alp watercolor " Oberhafsle " from Bern alp region

Swiss alp watercolor " Freybourg " from Fribourg region

Drawn by one of the great muralists for Radio City Music Hall -- Eduard Buk Ulreich -- this beautifully detailed Art Deco scene shows a caped nude figure ...

Charcoal Drawing Inspired by the Mano dell Davide, Venice.Overall, charcoal drawing is a dynamic and expressive medium that offers artists a wide range of creative possibilities. It'...

Very nice pastel on paper featuring a young girl noblewoman. This painting, never before on the market, comes from a private collection and is beautified by an impressive XVIII Cent...

This classic and important drawing by Jacques Azéma depicts two Moroccan male youth in the hammam or bath house, relaxing in the nude and imbibing in tea...

A collection of 12 mid-19th century hand colured engravings of botanical specimens from the American Practice of Medicine, 1850 Each has been professionally mounted and framed in a ...

Reminiscent of John James Audubon specimen drawings, these two meticulously drawn swallow tail butterflies are matted separately and framed in a beautifully carved silver frame Sylvia Beckman Bloodroot, 2010 colored pencil on paper 19.5 x 18.25 framed SUB005 Sylvia Beckman, b. 1938, Detroit, MI Education University of Michigan, School of Arch. & Design University of Wisconsin, Botany Private apprenticeship in stone sculpture, bronze, gilding and painting Exhibitions 2017 “Coming Attractions”, Gallery Victor Armendariz, Chicago, IL 1997 S.O.F.A. exhibition, Ann Nathan Gallery, Navy Pier, Chicago, IL 1997 Monumental Bronze Sculpture Commisson, Olbrich Park, Madison, WI 1994 Sculpture, Olbrich Botanic Gardens, Spring Display, Madison,WI 1994 Paintings & Drawings, North Seas Gallery, Charlevoix, MI 1994 Paintings & drawings, Olbrich Botanic Center, Madison, WI 1988 Monumental Stone Sculpture...

William P. Katz, American (1926-2003). "The Lady of the Forest", mixed media gouache and pastel on paper, 1991. Signed/dated "W.P. Katz '91" bottom right, inscribed on verso: "To Ruthie 4/6/92; Happy birthday from 'The Lady of the Forest'". Presented in a gold-painted wooden frame. A lovely and whimsical painting in pastel colors by respected sculptor/artist William P. Katz, depicting the face of a woman...

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

A gouache and ink "Abstract Expressionist" drawing. Important modern Japanese artist, exhibited in MOMA's 1966: "The New Japanese Painting and S...

J.A. Van de Velde 'Jongedame' Charcoal on Paper Belgium 1950s A wonderful and very simple yet elegant drawing in charcoal. Very well drawn and quintessentially 1950s. Signed J.A...

Stunning abstract composition by John Monti. John Monti (1957-) is one of the upcoming "undiscovered" artists of his generation. This piece, dated 1987, belongs to his early period. John Monti has exhibited regularly in New York since the mid-1980s. Against a fluctuating backdrop of stylistic convulsion he has single-mindedly pursued his own ideas. Monti's work is ingeniously devised and fabricated. His earliest wood sculptures, suggesting unlikely mergers of Constructivism and West African...

Color lithograph by Carlos Franqui, circa 1976. Published by Galeria Eude Ediciones, Barcelona. Framed. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Carlos Franqui (December 4, 1921 – April 16, 2010) was a Cuban writer, poet, journalist, art critic, and political activist. After the Fulgencio Batista coup in 1952, he became involved with the 26th of July Movement which was headed by Fidel Castro. Upon the success of the Cuban Revolution...

Important framed 19th Century oriental ink on paper drawing Ideograms were often accompanied by images of animals and objects, but sometimes also articulated compositions. A carp j...

Black Americana original illustration for Collier's Magazine by Frederick Coffay Yohn, American artist and magazine illustrator (1875 - 1933) Fine drawing / illustration for "The Modern Judgment of...

Amazing drawing of three horses galloping. This painting is signed "Chub 59' ". This drawing has a custom-made black painted frame.

Beautifully realized, this depiction of a male nude leaning against a rock formation shows the stylization characteristic of the Modern or Art Deco movement of the 1920s, as well as indications of fractured surfaces and tilted planes associated with Cubism. The artist was known for his Surrealist works in the late 19th century, and was associated with the mystical, religiously-saturated Salons de Rose...

A brushed ink "Abstract Expressionist" drawing on tracing paper. Important modern Japanese artist, exhibited in MOMA's 1966: "The New Japanese Painting and...

Fantastic pair of rare framed etchings by Peter Max (American b. 1937) V3 X and XI. In the manner of Picasso each color pencil signed lower ce...

Loren Maciver (American 1909-1998) drawing of berries conte crayon on pastel paper. APF Matted and framed 13 5/8" x 12 1/2", sight size 8 3/4" x 7 3/4".

Three drawings of boxers by Tony Sisti. Sisti was a master draftsman. With just a few lines he captures the moment. Sisti was a professional boxer and an accomplished artist. He was able to see the subject from the view point of the boxer and the artist. The seated boxers...

Pop Art Pol Mara, mixed-media on paper (pencil, aerograph, watercolor, pastel) framed.' Dimension for drawing only: 107 x 72cm, Signed and dated 71 Pol Mara (1920-1998) was a Belgia...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

Offered here for your consideration is a vintage original Earl MacPherson pastel painting of a pin-up girl. Depicting a blond, smiling, nude pin-up girl dressed only with two larg...

Vintage Chinese Asian Artistry Fisherman in Boat Framed Wall Art Yang Chun Floods No information available Preowned vintage unrestored condition 24 h...

Selection of black and white nude artwork from various artists, American, circa 1950s. From left to right, as seen in the first photo, they are: 1) The k...

Felicia Pacanowska Pastel on Paper in archival frame Polish Artist (1907-2002)

This Italian lithograph depicts the town hall palace in Sienna, Tuscany, the center of Venice, Italy. More formally known as “Palazzo Publico Sienna”,...

This portrait of a handsome young man with cleft chin, wavy hair and a steady gaze was drawn by Porter Woodruff in pastel and sanguine on pale yellow paper in the 1930s. The artist is best known for his paintings and illustrations for Vogue magazine -- one of five American fashion illustrators who worked for the magazine -- as well as House & Garden. Woodruff was born in Tennessee, but spent much of his creative life in Paris and Tunisia, where he lived with Georges Sébastian, an important Hungarian-born, French orchestra...

Watercolour on paper by Luez "The Ivory Coast", framed under glass, 20th century. Measures: H: 37.5 cm, W: 60 cm, D: 2.5 cm.

1960s Fine Chinese Art Child Being Carried on Man's Back Scenic Road Travel Frame 16.5 tall x 12.75 w x .75 thick, art 11.5 x 8 w Original vintage condition unrestored See images pro...

An American Art Deco 'fashion plate', in period and in a Winold Reiss style. Reiss, was an artist and designer of many styles, and this unsigned watercolor is in the style of his Emp...

At once fantastical and earthbound, this remarkable drawing depicts three seminude goddesses -- perhaps the Three Graces -- dancing to a tune provided by a nude Pan figure seated on ...

Important Leon Kroll charcoal on prepared illustration board. Unsigned but annotated verso in the artist's hand: 'Study of head for woman with children...

The pair of gouaches with views of a volcanic eruption during the day and the night

Stunning Midcentury pen & ink drawing of a dark haired woman with a floral bouquet, dressed in black & restored in its original black frame. A striking image by an unknown artist.

Pierre Bonnard, Le Parc Monceau, original etching, 1937/500 impressions for Paris plus proofs with large margins, of which this is one. Bouvet helpfully tells us that Bonnard's etchi...

Landscape Drawing, Black Marker Boat and Harbor Scene, France 1966. This vintage black felt-tip pen drawing from 1966 captures a scene of the Cape Antibes, located on the French Riv...

Two engravings from the book "The Description of Egypt", a major publication by the scholars who accompanied Napoleon, which included descriptions and engravings made by these schola...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

A pair of vintage framed Chinese pen & ink paintings from early 20th century with stunning detailing. The paintings have been framed with a glass front and...

Pencil drawing by Togores for Galerie Simon, 1923. It preserves the original label in the back. Framed with a mid XXth century wooden frame. A label on the verso of Togores Nu (192...

Italian Painting from the 1960s: Accademia di Belle Arti, Venezia.Overall, charcoal drawing is a dynamic and expressive medium that offers artists a wide range of creative possibilit...

Immerse yourself in the timeless allure of Brassaï's masterful artistry with this exceptionally rare nude pencil drawing, delicately crafted in 1944 Paris. A captivating portrayal of...

Nice sample of this series of the well known Philippine artist Jojo Legaspi , also master of drawing in charcoal .the image Zise is 8.5 x 11.75 inches , a...