Trompe l’oeil and silver medal of Jan Wolfert van Brederode

Framed early 18th century trompe l’oeil of silver medal celebrating Dr. Nicolaes Tulp’s fourth term as mayor of Amsterdam Pen and black ink with grey and yellow-brown wash, over black chalk, within black ink framing lines. Signed at the lower right of the fictive sheet of paper: Antonina houbraken. Inscribed, below medallion: Dr Nicolaas Tulp. Ao1672. / oudste Raad.Burgermeester van Amsterdam By Antonina Houbraken Paper watermarked with a fleur de lis 208 x 297 mm Bears stamp, verso, indicating the drawing was at one point a gift from Dr. B.W.Th. Nuyens (1866-1945), a medical doctor in Amsterdam, known, among many other things, for his efforts to fight tuberculosis and his promotion of post-natal care. Antonina Houbraken (1686 Dordrecht – 1736 Amsterdam) was a draughtswoman who is known for her many topographical drawings of Dutch sites. She also drew landscapes and is recorded as a skilled portraitist. Houbraken was the daughter of painter and writer Arnold Houbraken and sister of the printmaker Jacob Houbraken. It is assumed she learned to draw in her father’s workshop. In 1723 she married Jacobus Stellingwerff, a draughtsman who also made topographical drawings for the albums of Andries Schoemaker, a numismatist and medal specialist and collector of topographical prints and drawings. Schoemaker was also a contributor to the famous standard work on Dutch medals...

Obverse: JONKHR. C.H.A. VAN. DER. WYCK. – GOUVERNEUR. GENERAAL., bust in official robes facing left Reverse: AAN / ZIJNEN. OUD / GOUVERNEUR / GENERAAL / _ / HET. DANKBARE / INDIË / 1...

Pair of French School drawings in 18th century style. Hand drawn in Old Master Technique. Boucher School style Pair of Trompe l'Oeil Three-drop Panel...

This trompe l'oeil drawing depicts the artist's tools -- a black and a red crayon, and a folding steel ruler that was painted with silver pigments, which have blackened with age. They're shown on a sheaf of papers that include a medieval manuscript page, a musical score, and a group of prints. The unifying theme is the artistic patronage of the Medici, the Grand Dukes of Tuscany, who intermarried with the Habsburgs, who were the Holy Roman Emperors. Among the papers are prints by Stefano Della Bella, the Florentine artist who worked for the Medici. They depict a negro page with a horse, and portraits of Lorenzo Lippi...