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17th Century San Giovannino in the Desert Emilian School Painting Oil on Copper

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17th Century Putto with Rose Painting Oil on Canvas Emilian School
Located in Milan, IT
Emilian school, 17th century Putto with rose Oil on canvas, 43.5 x 32 cm - with frame 45 x 32.5 cm The figure of the putto, when equipped with specific attributes, lends it...
Category

Antique 17th Century Italian Paintings

Materials

Canvas

17th Century Rest on the flight to Egypt Emilian School Painting Oil on panel
By Parmigianino
Located in Milan, IT
17th century, Emilian school, Pamigianino painter Rest on the flight to Egypt Oil on panel, 46 x 39 cm - with frame 55.5 x 48.5 cm The wor...
Category

Antique 17th Century Italian Paintings

Materials

Wood

17th Century Rest on The Flight to Egypt Emilian school Painting Oil on Canvas
Located in Milan, IT
17th century, Emilian school Rest on the flight to Egypt Oil on canvas, 42 x 33 cm Frame 65 x 55 cm The present Holy Family, ...
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Antique 17th Century Italian Paintings

Materials

Canvas

Emilian school of the 17th century, four evangelists
Located in Milan, IT
Scuola emiliana, XVII secolo Evangelists (4) oval oil on copper, 9 x 11.5 cm Framed, 12.5 x 15 cm The four small copper ovals presented here depict the four evangelists Mark, Mat...
Category

Antique 17th Century Italian Other Paintings

Materials

Copper

Oil painting on canvas depicting Still life Roman school of the 17th century
Located in Milan, IT
Roman School, 17th century Still Life Oil on canvas, 79 x 107 cm Framed, 93 x 121 cm The work under scrutiny, depicting a majestic still life of flowers, is ascribed to the 17th...
Category

Antique 17th Century Paintings

Materials

Canvas

17th Century Madonna with Child Painting Oil on Canvas Tuscan School
Located in Milan, IT
17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...
Category

Antique 17th Century Italian Paintings

Materials

Canvas

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