18th Century Spanish Painting on the Glass, Couple of Painting, Gildwood Frame

Exceptional fragment of a baroque altarpiece in carved and gilded wood. The technique used in the conception of this piece is exceptional, the different elements have been devastated...

Gorgeous Etching, with aquatint and color matrix by the South Korean artist Deok Sung Kang, made around 1990. The works of this artist, although they tend towards abstraction, are really inspired by nature. They illustrate a very personal vision of everyday objects and phenomena. The creative brilliance of this artist is widely recognized. In this case, the work is divided into two areas, the first of which is dominated by a red color, which represents a pair of red roses using a rather realistic technique. However, in contrast, a larger area of ​​intense blue inspired by natural motifs and splashed with a red spot. About the artist Deok Sung Kang is a painter and printmaker of South Korean origin. He studied Fine Arts in his native country, although he later attended the École de Beaux Arts in Paris and, later, in 1989, he settled in Madrid, where he continued his studies at the Complutense University of Madrid. The highlight of his facet as a painter are his prints, often using rice paper as a support. Most of his works have been exhibited at fairs and exhibitions in Spain, but he has also done some in his country, such as at the Art Museum in Seoul. About the technique The origin of prints in Asian art has its foundations in the knowledge of printing texts on woodblocks, around the 8th century. Over time, it evolved and this new art became accessible to the majority of the public, opening the doors to the enjoyment of art and collecting, which until then was limited only to merchants, rich warriors... Gprgeous Etching is a type of engraving, which is made using a metal plate (iron, zinc or copper) as a base, which is covered with a light layer of a protective varnish or acid-resistant wax. The engraver draws with a stylus on the layer of varnish, reaching just up to the metal plate. Later, the plate is dipped in etching, hence its name, a solution based on water and nitric acid, which corrodes the copper in the areas where it was not protected by the varnish. The immersion time is what determines the depth of the line. Metal plates engraved with this technique can be printed with the desired ink colour, prepared by combining various pigments and binders. Beautiful work of art by the contemporary Korean artist Duck Sung Kang...

Outstanding piece representative of Spanish Baroque Art. It has a corner Console , the polychromy is the original, preserved in Venetian red, which...

“The walk”, Lluís Muntané Muns, Catalan School, pp. 20th century - Spain Technique on support: oil on canvas Title of the work: “The Walk” Author: Lluís Muntané Muns (1899 - 1987) Style/School: Catalan School Period: first half of the 20th century Country of origin: Catalonia, Spain Origin: Banco Santander Some damage visible in the photographs and that could be restored Dimensions: 204 x 343 cm. One of a kind and Large oil on canvas signed by Lluís Muntané Muns depicting a pleasant everyday scene, aristocrats and bourgeois taking a walk along a wide avenue. The ladies with their elegant dresses and parasols and the men with long coats. This work is unique, not only for its pictorial quality in such a large, almost muralist size, but for its traceability, it was commissioned at the beginning of the 20th century and includes a bank building from the end and beginning of the 20th century in Latin America. The composition is divided into a horizontal strip in the lower half in which the different characters are arranged, conversing with each other, flanked by the trees that appear at the ends. Behind them, in the center of the composition rises a large neoclassical-style building that escapes towards the landscape that can be seen in the background. Lluís Muntané Muns opted for a realistic academicism, of high quality but with sober and static expression, which is also reminiscent of some of the characteristics of Catalan noucentisme. Although most of his career was dedicated to portraits, he also cultivated muralism. A lover of chiaroscuro, he managed to provide warmth to his plastic environments with an equally elegant and contained palette. His compositions are always well constructed and have the elegance that seems a dominant note in all aspects of his work. Noucentisme or Novencentism designates a cultural movement that began in 1906 in Catalonia (propounded by Eugenio d'Ors), claiming the need for a classicism with a sense of modernity, but that was at the same time linked to tradition, given its nationalist mood. . Catalan identity linked to the classic substratum of Catalonia and its connection with the Mediterranean. He wanted to break with the cosmopolitan character of Modernism and the transience of Impressionism. He set out to achieve a more objective, constant and, ultimately, eternal art. For this, the idea of ​​the “classical” (but never an explicit copy of said period) and the “Mediterranean” was used and the way to capture it in painting was through static, balanced, and simple compositions. It must be pointed out that it cannot be understood as a style, but as a series of ideas that each artist understands in his own way. In this case, the memory of noucentisme is appreciated above all in the composition: a feeling of serenity, proportion, the figures do not present very exaggerated or grandiose movements... It attempts to represent the eternal through compositional balance. The colors seem muted because this effect was sought, since they understood classicism as something serene and balanced. Lluís Muntané Muns (Mataró, Barcelona, ​​1899 – Barcelona, ​​1987) A disciple of Vicente Borrás and José...

Antonio Bertoli (active between 1829 - 1842) Portraits of women (2) Oil on canvas, 41.5 x 31 cm With frame 52 x 42.5 cm Signed below A. Bertoli The two portraits examined here are by the hand of the artist Antonio Bertoli, a painter active in Florence between 1829 - 1842. He trained at the Florentine Academy, where in 1832 he obtained the prize for the nude in drawing. At the academic exhibitions of the following years he exhibited mainly portraits, including a representation of Nicolò Macchiavelli executed in 1837. An eclectic artist, he experimented with different genres: for the Villa Puccini di Scornio in Pistoia, in 1838, he was commissioned to create a history picture, The death of Francesco Ferrucci (Pistoia, Civic Museum), inspired by an episode of the novel Siege of Florence by Francesco Domenico Guerrazzi. Instead, two religious paintings date back to the 1840s: Christ chasing the merchants from the Temple and a Virgin Mary, In the portraits analyzed Bertoli depicts two half-length women taken from a foreshortening and a frontal in close pose, characterized by very similar Mediterranean features. In the first painting the woman, taken from the front, looks directly at the viewer. The wavy hair is decorated with a colorful violet and is partially covered by a white veil...

Complete series of late 18th century still life paintings are depicting everything on the kitchen table, fruit, vegetables, meat, fish and deserts, beautifully displayed. Affluent ho...

A wonderful reverse painted glass image. The image of a 17th C. female is wonderfully done and in very nice colors. The Frame is gilt and the image sits back, creating a shadow affec...

18th century Spanish school still life flowers oil on canvas painting. Dimensions with frame: 44.5 x 54 x .2.5.