Paintings

English Georgian (18/19th Cent) oil painting portrait of a young British officer with arms crossed wearing a red coat with gold epaulets in a gilt carved frame.  

A fine collection of Five original silhouette portrait miniatures by the Miniaturist painter Dorothy Turton ( 1900 to 1990s). These are all hand painted...

A finely executed early 20th century 'plein air' landscape by noted British landscape artist Henry John Kinnaird, titled ‘View of Winchester Cathed...

English oil on canvas painting of 18th century gentleman holding a portrait of lady within a gilt molded frame (possibly 18th cent).     

We are delighted to offer for sale this stunning Frederick Golden Short 1863 – 1936 oil painting which dated 1920 and signed of the Bluebell wood in New Forest This painting is o...

A pair of Italian miniature portraits with ebonized wooden frames. The portraits measures 1.2 inch in diameter. Purchased between 1940-1960 at Savarese Art Shop in Sorrento Italy. Bo...

Attributed to William Huggins (1820-1884) Head of a Tiger. Bears signature 'W. Huggins' and dated 1875, on the (lower right). Watercolour on paper laid down on board irregula...

19th century English school of a young officer in a scarlet tunic Oil on canvas, canvas size 48 x 33.5 cm, frame size 44.5 width, 4.5cm in depth, 58cm in height Two elderly re...

Title: 'McLady' Technique: oil on canvas (vintage oil painting intervention) Artists: Tatsu & Horvikt Year: 2020 About 7710 studio: We are...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). K. Collings, watercolor, portrait ...

A pair of Georgian English 19th century portraits of a gentleman and a woman, oil on canvas, original frame and stretcher, crackle paint (stable condition) typical of older paintings...

Few coach panels survive. This is a striking example with the double headed eagle, gilded armorial and burgundy background. The closest I can find to ar...

Fine Art, Charles Henry Scwanfelder (1774-1837). Signed C H Schwanfelder Pinx and dated 1825. An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream. Charles born in England, the son of a German decorative painter started his career helping his father painting clock faces and snuff boxes and became renowned in his own right for his animal paintings, later being appointed by George III and George IV. Exhibiting at the Royal Academy between 1809 and 1814. His works can be found at - Temple Newsam House, Lotherton Hall, York Museum trust, National Trust, Florence Court, Leeds City Museum and Galleries, The Ferens Art Gallery and Newstead Abbey...

Offered here for your consideration is an antique watercolor painting on laid paper. It depicts a cowherd with a cow and sheep at a water trough by ancient architectural ruins. Th...

Early 19th century oil on canvas of three dogs by well listed British artist James Ward (1769-1859), known for his paintings of horses and dogs...

18th century English noblewoman in a gold gilt ornate period frame. Lovely detail and color, coat of arms in corner. Unsigned. Without the frame the painting itself measures 29 inche...

An extremely true to the original work by Scottish-born artist Sir David Wilkie, (1785–1841) now displayed in the Tate Gallery in London The painting ...

A signed oil on canvas of the Grand Canal in Venice by the 19th century English Italian artist Francis Moltino. Francis Moltino (1818–1874) was an Italian painter, resident in London...

Remarkable 18th century oil painting on canvas depicting the portrait of an old gentleman dressed in armour. Very expressive facial features. Unsigned. The detailed frame is 19th cen...

This charming enamel painting shows a gentleman, centrally positioned, being led by two women, one on each arm. The woman on his left has a troubled expression, her hair is grey, and she wears a dark red shawl and green costume, with a knife stored under her belt. She points up to the sky with her left hand. By comparison, the woman on the gentleman’s right looks cheerful, she has youthful blond hair, and is clad in a pink and white dress...

Portrait of Lydia Augusta Allen, English, attributed to artist George Clint, Oil, circa 1835, newly reframed.  

English Art Moderne oil painting of Stewart's cup horse race in rosewood frame. Signed lower left: "E. Noble /1938". Painted lower right: "Harmachis (Revans) Winning the Steward's cu...

Early 20th-century English watercolor painting with an earthy color palette of deep ruddy browns, smoky charcoals and creamy bone whites. Dream-like and otherworldly, the subject mat...

Exceptional English George III period neoclassical memorial or mourning portrait of a gentleman attributed to famed London portraitist Thomas Hudson (1701-1779) depicting 'Edward Lon...

Oil on herringbone canvas copy of Joshua Reynolds’s portrait of the architect Sir William Chambers painted in 1779; the original of which is in the Royal Academy of Arts, London. Thi...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

Most likely a really good gallery copy of Orpen’s portrait of Lady Evelyn Herbert. Portrait of Lady Evelyn Herbert after Sir William Orpen (1871-1931). Oil on canvas. The sitter was the daughter of Lord Carnarvon who discovered Tutankhamen's tomb and she was one of the first to enter the tomb in 1922. She was the first woman to do so. This painting was exhibited in the same Gallery as the Roscommon Dragoon by Orpen, also in this category……namely the Ballyrickart Gallery of Irish Art in Ireland. Oil on canvas……signature on back (not authenticated). Details of painter on the back with "Certificate of Authenticity" from the ‘National Fine Arts Title Registry’ which we do not feel confident supporting as genuine. Beautifully framed. Repair to top left of frame. Being sold as ‘after’ Sir William Orpen……oil on canvas…..circa 1923. Sir William Orpen was one of the premiere British and Irish...

Original early 20th century English oil on canvas of a young lady in a garden setting wearing a white dress with matching shawl, a bonnet with pink roses and ribbon and holding a let...

Early 20th-century French still life oil painting by artist Boris Buchet. The image depicts a bowl of fruit in a manner similar to early Cezanne. Vibrant yet contemplative, the fruit...

Early 20th-century French Cubist still-life oil painting on canvas. The semi abstract work depicts a tabletop with fruit, a candlestick, a palette, and a bottle used as a vase for wi...

Early 20th-century French signed still life oil painting by artist Boris Buchet. The image depicts a bowl of fruit in a manner similar to early Cezanne. Vibrant yet contemplative, th...

Early 20th-century English watercolor painting with an earthy color palette of deep ruddy browns, smoky charcoals and creamy bone whites. Dreamy and otherworldly, the subject matter ...

Oil on canvas Portrait of a gentleman 18th century Measures: Portrait framed 56 x 43 and 51 x 38.5.

"Le Petite Favori" watercolor, after Jean-Baptiste Huet (1745-1811) watercolor on paper, oval, 19th century, the painting measures 8 1/2"-inches high x 10 1/2"-inches wide. Mounted i...

English Oil on canvas Whippet landscape painting in the original gilt burl walnut frame. Early 19th Century

"A Study of the Ruins of a Castle." By: John Claude Nattes (English 1768-1822). Fine original watercolor painting with pencil on paper, inscribed in pencil on reverse, matted and gil...

Scottish Highland landscape, by 19th century British painter Thomas Hines, signed on lower right rock. Oil on board with a period gesso gilt over wood frame inscribed "Loch Tyt N.B....

Late 18th century portrait of a gentleman unframed , English. Joh Rud Kupfer, 1764 age 37 signed on back.

18th-century Italian capriccio painting. Mounted in a beveled gilt wood frame, the oil on canvas painting depicts a dreamy expanse of Roman architec...